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Richard believes what little love he had in his life has withered, but before she died, his darling Gloria unlocked her silent throat. Now the time has come for Richard to sing his own song, to face the future, to make the right choice.
Detective Inspectors Frederick Dick and Riley Silcox have more important things to concern them than their names being a source of amusement. While Riley embraces his homosexuality, Frederick’s attraction to Riley brings him nothing but torment. Although Riley suspects Fred might be gay, if true, he’s certain the man isn’t happy about it, and Riley doesn’t intrude where he’s not wanted. Despite being on assignment, Riley has no reason not to pursue other relationships, especially with the attractive Scotsman, Calhoun. If only he knew how much Fred wants him, it could be a different story. They endeavour to uncover a new and exclusive drug with strange side effects and recuperative powers, but become victims when they find the supplier. Does Frederick only hallucinate running wild in the woods? Or, like Riley, will he choose to run naked, baring not only his body but also his soul, revealing the reason for his celibacy, and why having Riley around means that isn’t working out for him, at all.
Can a kiss really change everything? Having made a very successful film together, friends and actors, Nick and Alex have to decide whether to take on another joint venture or go their separate ways creatively. Then the perfect manuscript arrives, offering financial security and the opportunity to one day run their own production company. The film is Nick’s dream, incorporating amazing effects, a wonderful script, a character every actor aspires to play with the director everyone’s begging to work with. There’s one snag: Nick and Alex will have to get rather personal on set. Nick has to refuse but much to his surprise, Alex isn’t willing to take no for an answer. Nick eventually agrees, despite a nosy reporter and his brother turning against him. After all, it’s just pretence. It’s not as if he’s gay and wants to make out with his friend ... not until Alex kisses him. Then it really gets interesting.
Ignatius is about to be seduced by a legend. During a time when even the most educated of folk believe in ghosts, Ignatius Swain arrives in the quiet town of Ville sur le Fleuve to act as pedagogue to the adult daughter of Gregoire Delacroix. There he encounters the enigmatic Jacques Bouchard, who appears to view him as a rival for Desiree Delacroix’s affection. Nothing could be more misconstrued. Even if Desiree’s gaze were not able to freeze water, Ignatius has set aside hopes of love hereabouts. He satisfies his desires with the helping hand of ghostly fables, tales of terror that walk shivery traces and fiery passion up his spine ... until one night when Jacques’s behaviour breeches barriers, and the pair encounter the most famous of resident spirits on the road.
Mason’s more scared of love than he is of the walking dead. Mason is facing more than one apocalypse. The darkest hours are those spent alone, when memories surface and the touch of his lost love can make the most erotic of dreams horrifying. He’d rather face danger than recollect how he loved Antonio and what he was prepared to give up for him. He’s never going to fall in love again ... a vow that wavers when he rescues Kyle. Although Mason is certain luck had more to do with saving Kyle than anything he did, now he fears something more than the walking dead. He’s afraid giving in to lust may lead to love, if homophobic hatred doesn’t murder them first.
Whoever said space was cold, never found love from the stars ... Some people never learn. This is the tune playing once again in Alex Beaumont’s head when he sees a vision in white attracting odd glances in the quiet little seaside resort of Padstow. He came to get away from it all, to bury himself in work, to forget every man he ever falls for eventually needs to get away ... from him. Adrift in the universe, Mani searches for a place to call home. The planet he finds is cold and inhospitable, not at all what he was expecting. He feels lost and alone, until a stranger’s smile warms him. And with that smile comes another kind of heat, one he’s never before experienced. Love is not what Alex ever imagined it to be. They say space is infinite, but the distance between what Alex wants and what he has experienced romantically seems to be growing ... until now. Like a shooting star, he’s about to fall long and hard. Will he crash and burn, or find the love he’s always dreamed of when looking at the night sky?
Shapeshifting police officer Bobby Pooch wants to build a stable life with the woman he loves, but working in the same department with Chantelle and his underlying feelings for Sam makes for a complicated situation, further marred by the inherent threats of their occupation. The job has already left its mark on the human officer, Sam Sanders, his injuries affecting not only his ability to walk but putting him behind a desk and damaging his self-esteem. Little does he know his love for Bobby isn’t as requited as he believes and may turn Sam more than husky. Chantelle Shepherd, also a shifter, wants both men to be happy, but that means convincing them of their love for each other and her willingness for the three to form the happy, secure family unit, for which they all yearn. From “Hounding the Beat,” they move on to celebrating Christmas with plastic “Mistletoe and Whine,” their lives dogged by outside influences which threaten not only the relationships they’ve fought so hard to form but their very lives, providing them with plenty of “Paws for Thought.” Together these three stories leave no doubt Bobby, Chantelle, and Sam are in for Ruff Trouble.
Brinley Delvaux loves to bake tempting treats that can change people’s lives. But when he moves to a quaint seaside town in order to alter his own, the last complication he needs is falling for Jack Brewer, a man whose sudden appearance messes up Brinley’s timetable to renovate the old Holberton place, as well as his plans for a quiet future. Worse, Jack is a normal human, whereas Brinley is one of the Gifted, with powers most people cannot comprehend and which Brinley isn’t at liberty to share. Spending time with Jack is potentially dangerous for at least one of them, and Brinley’s seeking a quiet future separate from his past with the Gifted community. There’s only one answer ... to use his powers to solve the problem of Jack. Aside from some personal trauma, what could possibly go wrong?
Sharon Maria Bidwell’s best-selling gay romance trilogy is now available in a box set. From falling in love to finding forever, join Dean and Jay on the way to their happy ever after! Contains the stories: Snow Angel: Dean likes women, but not nearly as much as he likes himself. Little does he know his friend Jay is in love with him, always has been, always will be, but he’s about to find out. If Dean isn’t careful, he might lose the one person who can take him just as he is, ego included. Angel Heart: There’s a reason Dean calls his lover Angel, but Jay’s thoughts are far from angelic. He must stop his sister interfering in their relationship, and ask if Dean’s remembered to pack the strawberry lube for the weekend. Christmas Angel: True love's path seldom runs smooth. Dean Chapman built his life and reputation around being a womaniser. Until he fell in love with a man. Three years with his boyfriend, Jay, have upended the identity of which he was always so sure. To give the man he loves the commitment he deserves, Dean must lay his heart open to a future of possibilities, or risk losing everything.
Sequel to Acting Out When one man has the worst of reputations and believes any misfortune befalling him is deserved, it’s hard to feel worthy of love. Can absolution arrive in three little words? Journalist Phillip Drake is beginning to doubt the career he’s chosen, his motivation, his whole existence. When an assignment arises to trail up and coming, and coming out, actor Gary Caldwell he’s well aware it’s his duty to dig for dirt ... and when Caldwell seems less than co-operative, Phillip half-convinces himself he’ll be happy to do so. Gary has always been attracted to the reporter and finds it difficult to maintain a distance. Something is going on with Drake, not least of all the surprising revelation when Gary realises Drake is gay, and the attraction is mutual. After an intimate encounter, Drake disappears and Gary sets out to unravel a mystery that not only involves tracking down the reporter’s whereabouts, but may also explain why Drake has done the things he has, why Drake harbours more than a little self-hate and more than emotional scars, and why the one thing Drake doesn’t believe he deserves -- love -- is the one thing he’s worthy of.