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The Steinway—once called the "instrument of the immortals"—is more than the preeminent American piano. It is also a symbol of Old World craftsmanship combined with American capitalism, of technological innovation, and of remarkable family management. This authoritative and entertaining book tells the story of the Steinway piano company and the people behind it. The first book based on the rich archive of Steinway business and family papers at LaGuardia Community College in New York, as well as on interviews with family members and company employees in the United States, Germany, and England, Steinway & Sons describes the making and marketing of an American cultural icon. Founded in New Y...
The field of black women's history gained recognition as a legitimate field of study only late in the twentieth century. Collecting stories that are both deeply personal and powerfully political, Telling Histories compiles seventeen personal narratives by leading black women historians at various stages in their careers. Their essays illuminate how--first as graduate students and then as professional historians--they entered and navigated the realm of higher education, a world concerned with and dominated by whites and men. In distinct voices and from different vantage points, the personal histories revealed here also tell the story of the struggle to establish a new scholarly field. Black w...
During the English Industrial Revolution, the Vale of Nailsworth was a rural-industrial settlement and a center of evangelical Nonconformity. Why did the transition to the factory system bring deindustrialization and social decline rather than long-term advancement? Albion Urdank investigates the modernization of Nailsworth from many perspectives, revealing the experience and the mentalité of ordinary people in their ecological, economic, and social environments. His innovative approach, in the tradition of the Leicester and Annales schools, contributes to the historical literature on popular religion, secularization, local history, and European industrialization, and will appeal to a wide spectrum of interdisciplinary interests. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
The fifth volume of this monumental series chronicles what was perhaps the stormiest period in the history of Marcus Garvey and the UNIA: the aftermath of the tumultuous 1922 convention. Outside the UNIA a growing list of opponents, including the black Socialists A. Philip Randolph and Chandler Owen, and the NAACP's Robert Bagnall and William Pickens, were turning their criticism of the controversial Jamaican into a "Garvey Must Go" campaign. Meanwhile, Garvey's former UNIA ally, Rev. J. W. H. Eason-who had been impeached at the 1922 convention-was emerging as a dangerous rival. Eason was assassinated in January 1923, just as he was to testify against Garvey in the latter's mail-fraud trial....
Furbank and Owens attempt to disentangle the story of Daniel Defoe’s political career, as journalist, polemicist, political theorist and secret agent. They argue that this remarkable career calls for a good deal of rethinking, not least because biography and bibliography are here inextricably intertwined.
Martin Duberman, one of the LGBTQ+ community's maverick thinkers and historians, looks back on ninety years of life, his history in the movement, and what he's learned. In the early Sixties, Martin Duberman published a path-breaking article defending the Abolitionists against the then-standard view of them as "misguided fanatics." In 1964, his documentary play, In White America, which reread the history of racist oppression in this country, toured the country—most notably during Freedom Summer—and became an international hit. Duberman then took on the profession of history for failing to admit the inherent subjectivity of all re-creations of the past. He radically democratized his own se...
"Graham has brilliantly encapsulated and interwoven the major features of Soviet and post-Soviet history in his riveting stories.... a splendid and extraordinary work." -- Edward Grant, author of God and Reason in the Middle Ages "A very lively read, indeed a real page turner... Graham's discussion of pressing ethical dilemmas displays a sureness of hand and a refreshing candor about his own struggles with the issues." -- Susan Solomon, University of Toronto The distinguished American historian of Russian and Soviet science Loren R. Graham recounts with warmth and wit his experiences during 45 years of traveling and researching in the Soviet Union and post-Soviet Russia, from 1960 to 2005. P...
In these personal reflections on his thirty years of clinical work with victims of genocide, torture, and abuse in the United States, Cambodia, Bosnia, and other parts of the world, Richard Mollica describes the surprising capacity of traumatized people to heal themselves. Here is how Neil Boothby, Director of the Program on Forced Migration and Health at the Mailman School of Public Health, Columbia University, describes the book: "Mollica provides a wealth of ethnographic and clinical evidence that suggests the human capacity to heal is innate--that the 'survival instinct' extends beyond the physical to include the psychological as well. He enables us to see how recovery from 'traumatic li...
The Peace of Utrecht (1713), which brought an end to the War of the Spanish Succession, was a milestone in global history. Performances of Peace aims to rethink the significance of the Peace of Utrecht by exploring the nexus between culture and politics. For too long, cultural and political historians have studied early modern international relations in isolation. By studying the political as well as the cultural aspects of this peace (and its concomitant paradoxes) from a broader perspective, this volume aims to shed new light on the relation between diplomacy and performative culture in the public sphere. Contributors are: Samia Al-Shayban, Lucien Bély, Renger E. de Bruin, Suzan van Dijk, Heinz Duchhardt, Julie Farguson, Linda Frey, Marsha Frey, Willem Frijhoff, Henriette Goldwyn, Cornelis van der Haven, Clare Jackson, Lotte Jensen, Phil McCluskey, Jane O. Newman, Aaron Alejandro Olivas, David Onnekink. This book is available in Open Access.
A final sequence highlights the centrality of black music to African American writing, arguing that recognizing blues, gospel, and jazz as theoretically suggestive cultural practices rather than specific musical forms points to what is most distinctive in twentieth-century African American writing: its ability to subvert attempts to limit its engagement with psychological, historical, political, or aesthetic realities.