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Dutch Art
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Manhood, Marriage, & Mischief
Publisher description
An Entrance for the Eyes
"How refreshing, how absolutely refreshing, to find a book on Dutch painting that asks readers to begin by simply looking. Hollander is faithful to the possibility--so common in painting, so unusual in scholarship--that the paintings are elusive, evasive, unsystematically ambiguous. Doors ajar, windows onto the street, paintings within paintings, half-drawn curtains, blank mirrors, a man's coat hung on a nail: those are the engines of interpretation, and Hollander tells their history lucidly and entirely persuasively."—James Elkins, author of The Object Stares Back "Hollander offers fresh and compelling readings of key works by Karel van Mander, Gerard Dou, Nicolaes Maes, and Pieter de Hoo...
Fulfilling God's Mission
This biography recalls the fascinating life of the second Reformed minister of New Amsterdam (New York), from his mystical experience as a 15-year old orphan in Holland until his tragic death as a spokesman of the opposition during Kieft's War.
The Reformation of Charity
Spiritual ideals in early modern Europe shaped political and social poor relief structures just as much as rationalization and effective administration colored ecclesiastical charity efforts. Thomas Max Safley examines the roles of the community in responding to poverty, whatever the context: religious, political, or private (the elite).
The Little Street
An interdisciplinary study of the central role that the neighborhood played in seventeenth-century Dutch painting and culture The neighborhood was a principal organizing structure of Dutch cities in the seventeenth century, and each had its own regulations, administrators, social networks, events, and diverse population of residents. Linda Stone-Ferrier argues that this sense of community contributed to the steady demand for pictures portraying aspects of this culture. These paintings, by such artists as Jan Steen and Pieter de Hooch, reinforced the role and values of the neighborhood. Through close readings of such works--by Steen and De Hooch and, among others, Gerrit Dou, Gabriel Metsu, Jacob van Ruisdael, and Johannes Vermeer--Stone-Ferrier deftly considers social history, urban studies, anthropology, and women's studies in this penetrating exploration. Her new interpretations of seventeenth-century Dutch painting across genres--scenes of streets, domesticity, professions, and festivity--challenge existing paradigms in Dutch art history.
Economics of Faith
"This book addresses the role of religious reformers in the development of poor relief in the sixteenth century. During the Reformation, religious leaders served as catalysts, organizers, stabilizers, and consolidators of poor relief programs to alleviate poverty. Although once in line with the religious piety, voluntary poverty was no longer a spiritual virtue for many religious reformers. Rather they imagined social welfare reform to be an integral part of religious reform and worked to modify existing common chests or set up new ones. As crises and migration exacerbated poverty and caused begging to be an increasing concern, Catholic humanists and Protestant reformers moved beyond traditi...
The Group Portraiture of Holland
In The Group Portraiture of Holland, art historian Alois Riegl (1858-1905) argues that the artists of sixteenth- and seventeenth-century Holland radically altered the beholders relationship to works of art. Group portraits by artists such as Rembrandt and Frans Halls reflect an egalitarian viewpoint not found in the more hierarchically structured Italian works of the same period. First published in 1902 and here in English for the first time, the book opened up areas of inquiry that continue to engage scholars today.
History of the Low Countries
The history of the smaller European countries is rather neglected in the teaching of European history at university level. We are therefore pleased to announce the publication of the first comprehensive history of the Low Countries - in English - from Roman Times to the present. Remaining politically and culturally fragmented, with its inhabitants speaking Dutch, French, Frisian, and German, the Low Countries offer a fascinating picture of European history en miniature. For historical reasons, parts of northern France and western Germany also have to be included in the "Low Countries," a term that must remain both broad and fluid, a convenient label for a region which has seldom, if ever, co...
Death in Documentaries
Memento mori is a broad and understudied cultural phenomenon and experience. The term “memento mori” is a Latin injunction that means “remember mortality,” or more directly, “remember that you must die.” In art and cultural history, memento mori appears widely, especially in medieval folk culture and in the well-known Dutch still life vanitas paintings of the sixteenth and seventeenth centuries. Yet memento mori extends well beyond these points in art and cultural history. In Death in Documentaries: The Memento Mori Experience, Benjamin Bennett-Carpenter suggests that documentaries are an especially apt form of contemporary memento mori. Bennett-Carpenter shows that documentaries may offer composed transformative experiences in which a viewer may renew one’s consciousness of mortality – and thus renew one’s life.
