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Invisible Wounds
Feel the terror and anger experienced by crime victims as you read accounts of the highly charged therapy sessions at New York City’s Crime Victims’Counseling Services, the first group therapy services for crime victims of its kind. This emotionally charged book contains actual transcripts of interviews with crime victims as they explain the violations against them--their recollections of the assault itself and their feelings afterward. Their stories provide insights into the acute and profound trauma that crime victimization evokes. The helping and healing processes are a catharsis for the victim--and powerful reading for the rest of us.
Momentous Events, Vivid Memories
The bombing of Pearl Harbor, the assassination of President Kennedy, the explosion of the space shuttle Challenger: every generation has unforgettable events, the shared memory of which can create fleeting intimacy among strangers. These public memories, combined with poignant personal moments--the first day of college, a baseball game with one's father, praise from a mentor--are the critical shaping events of individual lives. Although experimental memory studies have long been part of empirical psychology, and psychotherapy has focused on repressed or traumatizing memories, relatively little attention has been paid to the inspiring, touching, amusing, or revealing moments that highlight mo...
Restoring Justice
Restoring Justice: An Introduction to Restorative Justice offers a clear and convincing explanation of restorative justice, a movement within criminal justice with growing worldwide influence. It explores the broad appeal of this new vision and offers a brief history of its development. The book presents a theoretical foundation for the principles and values of restorative justice and develops its four cornerpost ideas of encounter, amends, inclusion and reintegration. After exploring how restorative justice ideas and values may be integrated into policy and practice, it presents a series of key issues commonly raised about restorative justice, summarizing various perspectives on each.
Conversations with May Sarton
With increasing candor and openness May Sarton's conversations have given an intimate view of her honest, courageous inner life. Best known to her many readers as a novelist and keeper of journals, Sarton sees herself pre-eminently as a poet. In the interviews collected here she speaks forthrightly about herself, her independence, and her writing. Although born in Belgium, Sarton is quintessentially American in her choice of solitude on which her personal well-being and writing depend. She is a modernist who has defined herself as an artist, with the occasionally painful recognition that all else must finally be subordinated to her writing. Her journal After the Stroke makes clear that when she cannot write she stands on the edge of the abyss of nonbeing. These interviews offer Sarton's readers the model of a woman who has supported herself as a writer of achievement, who has made her way without the comforts of academic tenure, grants, or bestseller listings.
Give Sorrow Words
Throughout our lives, we are influenced by the sensation of loss. Whether implicit or obvious, the impact of this sense of loss affects our daily thinking and behavior. This new text provides a comprehensive introduction to the study of loss via exploration into three major types of loss: loss of important relationships (divorce or perhaps the dissolution of important relationships and friendships); losses that damage who we are, our self-esteem (loss of employment); and losses resulting from victimization (being the target of violence or prejudice; loss of home in a natural disaster). Students of sociology, theology, and family studies will find this text of key interest. Moreover, professionals in these fields, including the fields of trauma and loss, will appreciate the thorough literature review, practical language, clinical interventions, and case highlights.
The Creative Crone
"Henneberg shows how these writers offer radically different but richly complementary strategies for breaking the silence surrounding age. Rich provides an approach to aging so strongly intertwined with other political issues that its complexity may keep us from immediately identifying age as one of her chief concerns. On the other hand, Sarton's direct treatment of aging sensitizes us to its importance and helps us see its significance in such writings as Rich's. Meanwhile, Rich's efforts to politicize age create stimulating contexts for Sarton's work. Henneberg explores elements of these writers' individual poems that develop themes of aging, including imagery and symbol, the construction of a persona, and the uses of rhythms to reinforce the themes. She also includes analyses of their fiction and nonfiction works and draws ideas from age studies by scholars such as Margaret Morganroth Gullette, Kathleen Woodward, and Thomas Cole."--From publisher description.
This Business of Words
One of America's most influential women writers, Anne Sexton has long been overshadowed by fellow confessional poets Sylvia Plath and Robert Lowell and is seldom featured in literary criticism. This volume reassesses Sexton and her poetry for the first time in two decades and offers directions for future Sexton scholarship. Mapping Sexton’s influence on twenty-first-century cultural contexts, these essays emphasize her continuing vitality. Contributors: Jeanne Marie Beaumont | Jeffery Conway | Jo Gill | Amanda Golden | Christopher Grobe | Anita Helle | Kamran Javadizadeh | Dorothea Lasky | Kathleen Ossip | David Trinidad | Victoria Van Hyning
A House of Gathering
May Sarton has been writing and publishing poetry for over sixty years. A House of Gathering gives her poetry long-overdue critical attention and discusses Sarton's place among modern and contemporary world authors. As working poets, the contributors offer knowledgeable discussions of Sarton's craft. The essays cover a broad range of topics, from Pastan's memoirs of Sarton as her teacher at Radcliffe in the 1950s, to Charlotte Mandel's close scrutiny of Sarton's poetic forms in her earliest collections, to Bobby Caudle Rogers's consideration of the poetic sequence as a form in contemporary American poetry, to Keith Norris's reading of Sarton as a postmodernist. William Stafford's essay on Sarton's A Private Mythology offers eloquent testimony as to the poet's "breakthrough" in mid-career. In addition, A House of Gathering includes an original interview with May Sarton; a recent poem, "Friendship and Illness"; working drafts for "Old Lovers at the Ballet"; a letter from Sarton to H.D.; and several original photographs. These essays will appeal to readers interested in poetry and literature in general, in women's studies, and in May Sarton.
Changing Lenses
Does the criminal justice system actually help victims and offenders? What does justice look like for those who have been harmed? For those who have done harm? Twenty-five years after it was first published, Changing Lenses by Howard Zehr remains the classic text of the restorative justice field. Now with valuable author updates on the changing landscape of restorative justice and a new section of resources for practitioners and teachers, Changing Lenses offers a framework for understanding crime, injury, accountability, and healing from a restorative perspective. Uncovering widespread assumptions about crime, the courts, retributive justice, and the legal process, Changing Lenses offers provocative new paradigms and proven alternatives for public policy and judicial reform. What’s New in the Twenty-Fifth Anniversary Edition: Author updates of terminology, paradigms, and recommended reading Foreword by restorative justice practitioner Sujatha Baliga New resources for teachers, facilitators, and practitioners
The Art of Confession
"The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and '60s, performance art in the '70s, theater in the '80s, television in the '90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performed--with, around, and against the text of their lives." --
