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Covert to Overt
The seminal artist’s recent art and poster works, and his triumphant return to his street-art roots with murals, all in work never before published. Shepard Fairey rose out of the skateboarding scene, creating his “Andre the Giant Has a Posse” sticker campaign in the late ’80s, and has since achieved a mainstream recognition that most street artists never find. Fairey’s “Hope” poster, created during Obama’s 2008 presidential campaign, is arguably the most iconic American image since Uncle Sam. Fairey has become a pop-culture icon himself, though he has remained true to his street-art roots. OBEY: Covert to Overt showcases his most recent evolution from works on paper to gr...
Obey giant
Andre the Giant Has a Posse is a street art campaign based on an original design by Frank Shepard Fairey created in 1989 while Fairey was a student at the Rhode Island School of Design (RISD). At the time Fairey declared the campaign to be "an experiment in phenomenology." Over time the artwork has been reused in a number of ways and has become a world-wide pataphysical movement, following in the footsteps of Ivan Stang's Church of the SubGenius and populist WWII icon Kilroy Was Here. At the same time, Fairey's work has evolved stylistically and semantically into the OBEY Giant campaign. This book displays 10 years of graphic evolution - from the first photocopied "Andre the Giant" sticker that Shepard Fairey made at RISD to the giant billboard posters you see all around the world. A stunning full-colour documentation of Fairey's T `campaign' of postering and stencils It attempts to simultaneously bring the viewer to question propaganda absorption and to encourage a better use of public space.
Obey
E Pluribus Venom collects a large body of work produced by Shepard Fairey and presented at the Jonathan Levine Gallery during his massive exhibition in the summer of 2007. The title, which translates Out of many, poison is derived from E Pluribus Unum (out of many, one) an early motto adopted by the U.S. Government which appears on U.S. currency. The artists thesis is that many becoming one, or a loss of power and influence of the individual in favor of homogeny is a symptom of a society in decline. The book is comprised of artworks designed to question the symbols and methods of the American machine and American dream and also celebrate those who oppose blind nationalism and war. Some of Faireys works use currency motifs or a Norman Rockwell aesthetic to employ the graphic language of the subjects they critique. Other works use a blend of Art Nouveau, hippie, and revolutionary propaganda styles to celebrate subjects advocating peace.
Shepard Fairey Inc.
"Shepard Fairey Inc. - Artist/Professional/Vandal, is the first treatment of his extraordinary domain that is not an authorized product of his studio. From clothing and advertising to the world of fine art, the reach of this "street artist" extends to all aspects of society; yet given his great success, he is also the target of critics and detractors. He has challenged conventions, formulas, paradigms, and traditional borders that make many uncomfortable, spurring consistent debate over the legitimacy of his artwork, the authenticity of his background, and the ethics of his design processes. By reflecting on the many layers of being an antimodern artist, we learn much about both the current state of the art world and Fairey's influence on it. Featuring a wide variety of remarkable color photographs and a foreword by Robbie Conal, Shepard Fairey Inc. gives us a fresh, objective understanding of the work of this astonishing artist"--Provided by publisher.
Obey
From Obey to Obama and all that s in between, Supply & Demand, The Art of Shepard Fairey - 20th Anniversary Edition expands upon the previous version of this book and adds 100 new pages of illustrations and text to showcase Fairey s entire body of work, a massive retrospective covering 20 colorful years. Recently thrust into the spotlight for his image of President-elect Barack Obama, Fairey helped catalyze a movement from his unique vantage at the intersection of art, popular culture and politics. The book includes versions of the image as well as a copy of correspondence from the soon-to-be President himself thanking Mr. Fairey for his support.
Shepard Fairey. 3 decades of dissent. Catalogo della mostra (Roma, 17 settembre-22 novembre 2020). Ediz. italiana e inglese
New works from the famed street artist whose bold designs have defined a generation of political iconography For the past 30 years, Shepard Fairey has been using art and graphic design as a means of social interrogation. Drawing from graffiti tradition, Fairey employs a distinctive combination of stylized imagery and impactful typography to address a wide range of social and political themes such as anti-violence, racial and gender equality, and environmental protection. Designed specifically for the Gallery of Modern Art in Rome, Italy, this collection presents 30 new works, also placing Fairey's body of work in conversation with the artist's own selections from the contemporary art collect...
Mayday
May Day - The Art of Shepard Fairey is published as a celebration of an evocative collection of paintings from one of the most important artists of our time. Portraits of advocates of the working class and oppressed define the collection. Fairey stakes the claim that artists, musicians and writers such as Joe Strummer, Jean Michel Basquiat and Cornel West all have parts to play in stimulating response to injustice.
Cleon Peterson
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Shepard Fairey
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Shepard Fairey
It was 1989 when Shepard Fairey, a student at the Rhode Island School of Design, first created the now-infamous The Giant has a Posse sticker. The black and white image of the huge wrestler's subdued and vacant stare became an underground icon and by the mid-90's about a half-million had been posted around the world. This monograph is a reprint of a limited edition paperback published in Japan. It documents Shepard Fairey's career from his creation of the Giant phenomenon up to and including the advent of Black Market, a San Diego design agency Fairey formed with Dave Kinsey and Philip Dewolff and which focuses on the action sport and music industries. Today Shepard Fairey creates designs for high profile clients such as Pepsi and Universal Pictures, produces Giant art, exhibits worldwide in galleries, and still keeps his Giant images on the streets.
