Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Collaboration of Niccolò Tegliacci and Luca di Tommè
In the course of discussing an important fourteenth-century Sienese altarpiece in the Getty collection, Sherwood Fehm considers the possible collaboration of the two Italian painters Niccolò Tegliacci and Luca di Tommè. Through comparison with other works by Niccolò and Luca, including additional examples from the Getty collection, the author endeavors to isolate the hand of each artist and to attribute the overall design of the altarpiece.
Herbert L. Fink, Graphic Artist
"A catalogue of the graphic works of Herbert L. Fink, an artist of growing stature whose recent honors include a citation by the Society of Illustrators for some of the "best book illustrations for the year" (John Gardner's The King's Indian, 1973) and his 1979 election to the National Academy of Design. Fink's subjects include landscapes, figure studies, and surrealistic or allegorical representations. Obvious influences on the artist are the American impressionists he saw during the 1930s and 1940s, his teacher and idol, George Grosz, the Barbizon School, and such surrealists as Pieter Breugel. He has evolved from an analytical cubist to a realist, however surrealistic his juxtaposition of images may be."--Amazon.
Timken Museum of Art
None
Imago Musicae, Volume III
Each volume in this series for the study of pictorial documents on musical subjects contains articles, a catalog (published in installments) devoted to the complete documentation of specific sources, and an annual bibliography that bridges the gap between the bibliographies in art history and musicology.
Painting and Illumination in Early Renaissance Florence, 1300-1450
. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.
