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An incongruous ice-cream van lurches up into the Welsh hills through the hail, pursued by a boy and girl who chase it into their own dark make-believe world, and unfurl in their compelling voices a tale which ultimately breaks out of childhood and echoes across the years. Pigeon is the tragic, occasionally hilarious and ultimately intense story of a childhood friendship and how it s torn apart, a story of guilt, silence and the loss of innocence, and a story about the kind of love which may survive it all."
Arguably the most famous road in Wales, the A470 is 186 miles from shore to shore through the backbone of Wales, linking north to south. 51 original poems, translated into and out of Welsh, to create an entirely bilingual poetry collection.
Yn ystod un haf twym mae ynys sydd fel arfer yn wag yn cael ei thrawsnewid i fod yn gymuned brysur o dwristiaid, archeolegwyr, lleianod, gwylwyr dolffiniaid, criw teledu a dau awdur yn ysu am gael gafael mewn stori. Mae llyfr hwn yn gomedi du am ysbiwyr, preifatrwydd ac ymyrraeth, a sut mae'r pethau pwysicaf yn digwydd pan fydd y camera wedi ei ddiffodd. Cyhoeddwyd gyntaf yn 2008.One hot summer, an island which is practically empty except for twitchers, becomes a bustling community of tourists, archaeologists, nuns, dolphin-watchers, a reality TV crew and two writers bursting to tell a story. This is a black comedy about spies, privacy and intrusion ... and how the most important things happen off-camera. First published October 2008.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
'Dark, compelling, beautifully written' Andrew Michael Hurley, author of The Loney In this eerie, atmospheric and mysterious tale, a woman returns to the house in Morecambe Bay where she grew up in the 1960s to find it falling apart, undermined by the roots of two huge sycamores. She is unaware that she has awoken the spirits of her parents, Jack and Nettie Clifford, who watch anxiously as their daughter Annette is overwhelmed by the state of the house and realise too late how far they neglected her as a child. As their memories come alive, the story unfolds of a crucial summer when Annette was 8 and Nettie became too ill to run their boarding house. The lodgers have to go - all except the newly arrived butcher's apprentice, because he seems to have miraculous healing powers and is Jack and Nettie's last, desperate hope. But is he who he says he is? Why do those he lays his hands on feel an erotic charge? And why does he despise his own gift? As everything comes to a head, so too does Annette's story in the present. But this time, someone is looking out for her and comes to her rescue. Finally, the spirits of her parents can let go.
In this clear and absorbing memoir John Sam Jones writes of a life lived on the edge. It is story of journeys and realisation, of acceptance and joy. From a boyhood on the coast of Wales to a traumatic period studying at Aberystwyth, to a scholarship at Berkley in California as the AIDS epidemic began to take hold before returning to Liverpool and north Wales to work in community engagement and sexual health. A journey of becoming a writer and chronicler of his experiences with award-winning books and the desire to become a campaigner for LGBT rights in Wales. The adventure of running a guest house in Barmouth where he eventually became Mayor with his husband, a German academic, who he had married after a long partnership. Three weeks after the European Referendum they put the business on the market and moved to Germany. John is still on that journey.
Zed and her family move unwillingly from London to a village in Cornwall, in an attempt to support her mother's mental health. Dad says they need a fresh start, but no one's asked Zed what she thinks. She knows she'll never fit into her new school, or make any friends, let alone find someone special. At this rate she'll be lucky to find a phone signal... Maybe their new home will help with Mum's depression, and keep Zed's sister Amy away from her dropout boyfriend, but why does it have to be so remote? Why has the boathouse been locked up for seventy years? Why do the birds living by the estuary fill her with such dread? And what do they WANT? Gradually the family fall apart, and it is only when Zed realises that the local cormorants are playing a part in the disasters that consume them, in revenge for an ancient wrong, that she and Amy start working together to find a solution and call a truce.
A man carries his girlfriend in the left-hand breast pocket of his shirt. During World War II, a young soldier searches the houses and barns of the families with whom he grew up. An astronaut wonders whether she can adapt to life back on earth. In her second collection of short fiction, 100neHundred, Laura Besley explores a kaleidoscope of emotions through 100 stories of exactly 100 words. In these one-hundred stories - each one-hundred words long - Besley captures her characters' universes in vivid detail, their predicaments unspooling and oozing off the page. Besley guides us through these worlds filled with relationships that flounder and flourish, mysterious moments of surrealism, and ha...
Stories and poems from over 30 UK based writers of the Global Majority, from African, Asian, Middle Eastern, Carribean, South American, Chinese and Malay communities write about maps and mapping. Stories and poems of finding oneself and getting lost, colonialism and diaspora, childhood exploration and adult homecoming. Stories and Poems by: Alexander Williams, Alireza Abiz, Amanda Addison, Ambrose Musiyiwa, Anita Goveas, Be Manzini, Benson Egwuonwu, Catherine Okoronkwo, Crystal Koo, Dean Atta, Des Mannay, Désirée Reynolds, Dipika Mummery, Emily Abdeni-Holman, Farhana Khalique, Gita Ralleigh, Kavita A Jindal, L Kiew, Lesley Kerr, Lorraine Dixon, Lorraine Mighty, Malka Al-Haddad, Mallika Khan, Marina Sànchez, Marka Rifat, Meng Qiu, Mimi Yusuf, Nasim Rebecca Asl, Ngoma Bishop, Nikita Aashi Chadha, Oluwaseun Olayiwola, P.A.Bitez, Rachael Li Ming Chong, Rhiya Pau, Rick Dove, Sami Ibrahim, Sandra Nimako-Boatey, Yvie Holder, Z.R. Ghani