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New South African Plays
A collection of six plays dealing with the new South Africa, published in 2006 to celebrate 10 years of democracy post-apartheid. Plays about racial conflict, the impact of AIDS, power and corruption, the legacy of the past and female identity. Reprinted 2012, 2019. The Plays The Playground by Beverly Naidoo “...it floats on a haunting, echoing raft of traditional South African harmonies that make watching it a joyful experience as well as a thought-provoking one...” Time Out Critics’ Choice – Pick of the Year Taxi by Sibusiso Mamba: Edinburgh fringe first winner “a superbly written and produced play... A fine piece of work that’s refreshingly free of cliches.” Daily Mail, Pick...
The Epic Adventure of Nhamo the Manyika Warrior and his Sexy Wife Chipo
Nhamo you are a legend of African Folklore! Hollywood awaits! With just twenty-four hours to create the ultimate African fable, the superstar cast is missing a hero. Suddenly, a dashing goatherd appears on the horizon . . . Nhamo. Is he The One? Storytelling is turned on its head in this Zimbabwean epic comedy, the exciting new debut from celebrated actor and playwright, Denton Chikura.
The Statesman's Yearbook 2006
For one hundred and forty two years The Statesman's Yearbook has been relied upon to provide accurate and comprehensive information on the current, political, economic and social status of every country in the world. The 2006 edition is fully updated and contains more information than ever before. A foldout colour section provides a political world map and flags for the one hundred and ninety two countries of the world. In an endlessly changing world the annual publication of The Statesman's Yearbook gives you all of the information you need in one easily digestible single volume. It will save hours of research and cross-referencing between different sources, and it is an essential annual purchase.
The Statesman's Yearbook 2005
For one hundred and forty-one years The Statesman's Yearbook has been relied upon to provide accurate and comprehensive information on the current, political, economic and social status of every country in the world. The 2005 edition is fully updated and contains more information than ever before. A foldout colour section provides a political world map and flags for the one hundred and ninety-two countries of the world. In an endlessly changing world the annual publication of The Statesman's Yearbook gives you all of the information you need in one easily digestible single volume. It will save hours of research and cross-referencing between different sources, and is an essential annual purchase.
Durban Dialogues, Indian Voice
Durban Dialogues, Indian Voice is an anthology of five engaging and eclectic South African plays by award-winning playwright Ashwin Singh. The plays selected, namely To House, Duped, Spice ’n Stuff, Reoca Light and Beyond the Big Bangs represent the complete array of Singh’s storytelling skills in drama as well as satire. Each play reflects, in different ways, on the complexities and contradictions of life in post-Apartheid South Africa, and focuses particularly on people of Indian origin and their relationship with other South African communities. The plays present a moving portrait of a unique array of characters and are also punctuated by Singh’s trademark humour. Each one is set in Durban, South Africa’s third largest and most diverse city, and they are described by renowned academic and critic Betty Govinden as ‘undressing Durban, as they take us away from the neon lights and “candy floss” to the reality of the underbelly of post-Apartheid urban and suburban existence’.
An Introduction to the Literature of eSwatini
This book is the first comprehensive introduction to the literature of eSwatini. It details a literary trajectory that begins with renditions of the country by early travelers and settlers and follows with the emergence of a national literature that is marked by early oral influences and molded by unique sociopolitical interests. Along the way, the author considers how contemporary writing by visitors, expatriates, and journalists have salvaged and recycled earlier images and attitudes through a series of representational and rhetorical practices. In particular, the lingering influence of colonial discourse is explored in the context of the nation’s pivotal incwala ritual. A chapter on Hilda Kuper that situates her fiction and drama between outsider and insider accounts is followed by the final two chapters that trace the development of anglophone and siSwati writing and identify themes arising from the major literary genres produced by local authors. The concluding section features a comprehensive registry of writers, with brief summaries of their works.
The Wah-Wah Diaries
Talks about Richard E Grant's debut behind the camera, as writer and director of his autobiographical movie. This title offers an insight into agonies he encounters along the way, and it is also a portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.
