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Postmodern Fiction and the Break-Up of Britain
This study explores how British identity has been explored and renegotiated by contemporary writers. It starts by examining the new emphasis on space and place that has emerged in recent cultural analysis, and shows how this spatial emphasis informs different literary texts. Having first analysed a series of novels that draw an implicit parallel between the end of the British Empire and the break-up of the unitary British state, the study explores how contemporary writing in Northern Ireland, Scotland and Wales contributes to a sense of nationhood in those places, and so contributes to the break-up of Britain symbolically. Dix argues that the break-up of Britain is not limited to political devolution in Northern Ireland, Scotland and Wales. It is also an imaginary process that can be found occurring on a number of other conceptual coordinates. Feminism, class, regional identities and ethnic communities are all terrains on which different writers carry out a fictional questioning of received notions of Britishness and so contribute in different ways to the break-up of Britain.
True Brits
The old lady on this train is looking at me, staring at me, she's been doing it since New Eltham, I can feel her eyes on the sweat on my neck. I turn ro catch her out, and she flicks her head back to her book, like she's subtle, but she ain't. I wish she'd just punch me, y'know? The punch I can take, but the look . . . all these frightened half-glances they . . . they just . . . When a violent encounter leads to a whirlwind romance, young Rahul is more than willing to be caught up. But in the aftermath of 7/7, his world changes in ways he cannot control, drawing him into ever-darker places as he struggles to remain part of a British society that now distrusts him on sight. Sweeping between the paranoid London of 2005 and the euphoric city of the 2012 Olympics, HighTide Escalator writer Vinay Patel's debut play is an honest, humorous, hopeful play about wanting to love and be loved. By your crush. By your friends. By your country. True Brits received its world premiere on 31 July 2014 at the Assembly Hall, Baillie Room, Edinburgh.
Eternal Love
A spellbinding new telling of a passionate and legendary love story, previously published and produced as In Extremis.
Treasure
‘Oh, it’s a funny sensation, having money in your pocket, I can tell you... Money warms you. If you knew how warm and safe I feel. Like a new creature in a new skin.’ In a production commissioned by the Finborough Theatre, a unique opportunity to see a classic of Yiddish theatre for the first time in the UK – Treasure by David Pinski. Tille is the poor gravedigger’s daughter, with nothing in the world except a head full of dreams. Things look set to stay that way, until the day her brother returns from the graveyard with a pile of gold coins, and Tille is faced with a choice. She can hand in the money and go back to a life of drudgery, or she can use it to turn the world upside dow...
Playing Indoors
What have we discovered about performance practice in the Sam Wanamaker Playhouse since the opening of the intimate candlelit theatre at Shakespeare's Globe? Playing Indoors reveals the results of a two-year study into the performance of Elizabethan and Jacobean drama in this unique theatre, drawing together insights into early modern stage practice and the observations of today's actors and spectators. A history of the experiences of artists and audience members who experienced the space first, the book is also a study of the significance of re-imagined theatres like the Sam Wanamaker Playhouse and the Globe. Accessibly written and intended for a wide audience of students, scholars, artists and theatre-goers, Playing Indoors is a valuable contribution to the young field of early modern practice-as-research.
Grud
I know you hey. You're the one that's always in the back of the library. Like a little library gremlin. Eating up knowledge. And Haribo... It's a new term at college and, for most of the Sixth Form students, all that matters are mocks, UCAS applications and whether or not Elliot Park and Georgia Smith had sex in the study room at lunchtime. After losing the election for student president, Aicha throws all her energy into the school's 'Extended Physics Project' – or, as she calls it, Space Club. One afternoon, Aicha is surprised by the appearance of the usually introverted and distant Bo, doubling the membership of Space Club. Whilst Aicha is thrilled to have a mysterious new friend, Bo is distracted by the black hole at the heart of her home life. She's worked so hard to launch herself into bigger and better things – but will Grud eclipse her efforts and pull her off course? Sarah Power's Grud is an exploration of pain and addiction in the relationship between a father and daughter. This edition was published to coincide with the world premiere at London's Hampstead Theatre Downstairs in June 2024.
Duck
None
The Invisible Hand
Nominated for the 2022 Olivier Award for Outstanding Achievement in Affiliate Theatre You see we are prisoners of a corrupt country that is our own making. But don't pretend you don't participate. You do. Of course you do. American banker Nick Bright knows that his freedom comes at a price. Confined to a cell in rural Pakistan, every second counts. Who will decide his fate? His captors, or the whims of the market? Ayad Akhtar is a Pulitzer Prize-winner, two-time Tony Award-nominee and winner of the Award in Literature from the American Academy of Arts and Letters. This newly revised edition of The Invisible Hand is published to coincide with the first major revival at London's Kiln Theatre in July 2021.
