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The Thefts of the Mona Lisa
"Historian Charney tracks the eventful life of the Mona Lisa in this rollicking account.... The result is both a thrilling tale of true crime and a rigorous work of art history." — Publishers Weekly, Starred Review From the artwork to its theft and role in popular culture, the critically-acclaimed book The Thefts of the Mona Lisa (Foreword Reviews, Publishers Weekly Starred Review, Shelf Awareness, Booklist, Library Journal, and Kirkus Reviews) provides the complete story of this work of art, as written by a bestselling, Pulitzer finalist author. Leonardo da Vinci’s portrait, called the Mona Lisa, is without doubt the world’s most famous painting. It achieved its fame not only because ...
Modern Antiquity
This illustrated book focuses on the aesthetic impact ancient art had on twentieth-century artists Picasso, de Chirico, Léger, and Picabia between 1906 and 1936.
Tate Introductions: Picasso
Pablo Picasso (1881-1973) was one of the most influential artists of the twentieth-century, working in an unprecedented variety of styles. A Spanish painter, sculptor, etcher, lithographer, ceramist and designer who spent most of his adult life in France, he is known for co-founding the cubist movement, the invention of constructed sculpture, the coinvention of collage, and for the wide variety of styles that he helped develop and explore. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the most famous figures of his era. Part of the Tate Introduction series, this book offers a concise and engaging account of Picasso's life and the key aspects of his prolific career.
The Legacy of Antiquity
Recent years have seen an increase of interest in classicism and the reception and survival of antiquity. Classical Reception Studies is a rapidly developing field of research and teaching, and a growing number of new scholars are investigating issues of reception of classical texts, ideas, performance, and material culture across different cultural contexts and in different media. This volume adds new perspectives in this growing field of scholarship. This collection of essays explores the uses of the past from a wide range of perspectives. The papers are drawn from a spectrum of cultures and chronological periods; from medieval to modern times, from Italian to Byzantine, from French to Bri...
#Dreaming Toronto
Divisa a metà. È così che si sente Sofia, divisa tra ciò che crede di poter avere e ciò che vuole. Ma cosa le impedisce di avere ciò che vuole, e cosa, o meglio, chi vuole? La sua vita non è stata facile, poche persone avrebbero sopportato il peso di ciò che le sue giovani spalle reggono da anni, l'angioedema ereditario, poi è comparso lui: arrogante, donnaiolo e... bellissimo! Lui è tutto quello da cui lei dovrebbe stare lontana, ma è anche tutto ciò che vuole. L'unico a cui permette di sfiorarla, di vederla, di viverla, ma non gli ha detto del suo problema, ha paura di leggere la pena nei suoi occhi, ha paura che si allontani. Simone ha un ricordo di lei, un ricordo che ancora ...
Reimagining Life
In Reimagining Life, Raihan Kadri presents a pioneering critical history of the epistemological and theoretical origins of the Surrealist movement and its subsequent legacy. The book contains extensive examination and new interpretations of the oft-neglected theoretical writing of Surrealists such as André Breton, Louis Aragon, Antonin Artaud, and Salvador Dalí, in order to demonstrate how Surrealism is connected to a broader lineage of philiosophical pessimism-involving such figures as Fredrich Nietzsche, Karl Marx, and Arthur Rimbaud-which Kadri argues represents a particular strain of modernism aimed at breaking human thought away from the constraints of religion and other forms of idealism in order to expand the possibilities for knowledge and human freedom. The innovative, wide-ranging study deftly traverses fields of art, politics, philosophy, psychology, and literature. Reimagining Life redefines Surrealism's place in modern intellectual history and offers a new vision of how Surrealist discourse can be connected to contemporary debates in cultural, critical, and theoretical studies.
Picasso
El autor aborda la estructura pictórica y escultórica y, sobre todo, la arquitectura del conocimiento y de la sociedad en la obra de Picasso, es decir, las estructuras de la tradición, de las diferencias raciales, sociales y culturales, de la lógica y de la tecnología, proponiendo nuevas vías para apreciar la oscilación entre orden y desorden en la obra de Picasso, así como la confrontación y el reto que su obra supuso respecto a las arquitecturas de la ortodoxia. Tal reto comienza con una serie de intervenciones que el artista protagonizó en la turbulenta historia europea de los primeros años veinte, que revelan su postura respecto a temas vitales como la raza, la diferencia cultural, la modernidad, la sexualidad y el descontento de la civilización.
Hidden Paths
Hidden paths analyses the representation of character in Greek tragedy, focusing on one of the most important and controversial theatre plays of all times the Bacchae. Euripides' last play has always been a favourite, enjoying an enormous success for centuries on and off the stage. This book argues that in the representation of characters in the play we can find a development in the view of self and representation of man. This development, which is also to be partly traced in the works of Sophocles and in earlier plays by Euripides, finds a fuller expression in the Bacchae and culminates in the catastrophe of ignorance and incommunicability which has Pentheus at its centre. The construction of character in the text and the view of self which it entails are explored through a meticulous analysis of keywords, while verbal usage, imagery and style are exposed as the very 'stuff' of characterisation. The book uncovers the 'hidden paths' along which human life is experienced in the play and through which human characterisation materializes from the fabric of the text.
Unica Zürn
Diagnosed with schizophrenia in the 1950s, writer and artist Unica Zürn produced a wealth of remarkable textual and visual material while in psychiatric institutions across Germany and France. While Zürn is often discussed in relation to her partner, the controversial artist Hans Bellmer, this innovative book moves beyond the familiar model of the overlooked 'woman behind the man' and re-introduces her as a member of the French Surrealist group. In the first text on Unica Zürn in English, Esra Plumer presents Zürn's life and work in light of the artist's individual experiences of the Second World War, post-war Surrealism and mental illness, at the same time revealing wider aspects of her artistic practice in relation to her contemporaries. Plumer also reveals how the techniques of anagrams and automatism (writing and drawing methods designed to unlock the subconscious mind) form the pillars of Zürn's artistic creative output, which carry her work into the wider theoretical circles of psychoanalytic theory and post-structuralist thought.
