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'One of the great British novels of the twentieth century: a narrative of extraordinary reach, power and beauty' Sarah Waters The nuns who enter a medieval Norfolk convent are told to renounce the world, but the world still finds ways to trouble them, whether it is through fire, floods, pestilence, a collapsing spire, jealous rivalries, a priest with a secret or a plague of caterpillars. As we follow their daily lives over three centuries, this masterpiece of historical fiction re-creates a world run by women. 'As an act of imagined history this novel has few rivals. Also, as it happens, a work of high, frequent comedy' George Steiner, The Times Literary Supplement 'Spellbinding . . . One starts rereading as soon as one has reached the last page' Sunday Times 'Magnificent' Philip Hensher, Daily Telegraph
"An undocumented Filipino teenager redefines his relationships with his mother, his culture, and the place he calls home"--
'Master the art of sourdough with Vanessa and you will learn how to look after your own gut microbes and health.' - Tim Spector, author of The Diet Myth At her renowned Sourdough School, Vanessa has taught countless students the secrets of this healthy, more easily digestible bread, and now she has compiled her teachings for the home baker. From creating your own starter from scratch, you'll then move on to basic breadmaking techniques, before progressing to using sprouted grains and experimenting with flavours to produce Fig and Earl Grey and Cherry Plum loaves. With step-by-step photography, detailed instructions, specialist advice and Vanessa's indispensable encouragement, The Sourdough School celebrates the timeless craft of artisan baking.
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
A terrifying 1930s ghost story set in the haunting wilderness of the far north. January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...
This new version of the late fourth-century diary of journeys in and around the Holy Land known as the Itinerarium Egeriae provides a more literal translation of the Latin text than earlier English renderings, with the aim of revealing more of the female traveler’s personality. The substantial introduction to the book covers both early pilgrimage as a whole, especially travel by women, and the many liturgical rites of Jerusalem that Egeria describes. Both this and the verse-by-verse commentary alongside the translated text draw on the most recent scholarship, making this essential reading for pilgrims, students, and scholars seeking insight into life and piety during one of Christianity’s most formative periods.
As a programmer for Galapagos Wetware, Hal Briggs is responsible for writing the genetic code for simple, efficient creatures to be employed in menial jobs–sweeping streets or washing dishes. But the demands for “wetware” are changing, and Briggs is given a project that calls for more sophisticated models: clients are demanding more human appearance and behavior. As the project progresses, Briggs finds himself endowing the new models with more than the specifications dictate, giving them distinct personalities and talents and highly developed acumens. When two of his pet projects, Jack and Kay, escape, Briggs reexamines their codes and makes a terrifying yet provocative discovery. From Craig Nova, a master of the modern novel, comes a tale eerie in its vision of a future not far off, of a world precariously close to today’s.
"Women, the body and primitive accumulation"--Cover.
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