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'The most popular English poet since Larkin.' Sunday TimesAfter more than a decade and following his celebrated adventures in drama, translation, travel writing and prose poetry, Simon Armitage's eleventh collection of poems heralds a return to his trademark contemporary lyricism. The pieces in this multi-textured and moving volume are set against a backdrop of economic recession and social division, where mass media, the mass market and globalisation have made alienation a commonplace experience and where the solitary imagination drifts and conjures. The Unaccompanied documents a world on the brink, a world of unreliable seasons and unstable coordinates, where Odysseus stalks the aisles of ...
When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge . . . This story, first told in the 1400s, is one of the most enthralling, dramatic and beloved poems in the English tradition. Now, in Simon Armitage, the poem has found its perfect modern translator. Armitage's retelling of Sir Gawain and the Green Knight captures all of the magic and wonderful storytelling of the original while also revitalising it with his own popular, funny and contemporary voice.
The large village of Marsden, West Yorkshire not only was home to Simon Armitage's beginnings as writer, but has continued as a vital presence throughout his works: from his very first pamphlet, Human Geography (1988), to his forthcoming new collection New Cemetery (scheduled for 2022). This edition gathers all the Marsden poems together to create a 'poetry of place' edition, which will offer a new way of appraising Simon's body of work, as well as celebrating this overlooked region that has meant so much to him personally. Simon will be announcing a decade-long tour of libraries in the UK as a central strand of his laureateship: every spring he'll be reading in a handful of libraries across...
Not content with walking the Pennine Way as a modern day troubadour, an experience recounted in his bestseller and prize-wining Walking Home, the restless poet has followed up that journey with a walk of the same distance but through the very opposite terrain and direction far from home. In Walking Away Simon Armitage swaps the moorland uplands of the north for the coastal fringes of Britain's south west, once again giving readings every night, but this time through Somerset, Devon and Cornwall, taking poetry into distant communities and tourist hot-spots, busking his way from start to finsh.From the surreal pleasuredome of Minehead Butlins to a smoke-filled roundhouse on the Penwith Peninsula then out to the Isles of Scilly and beyond, Armitage tackles this personal Odyssey with all the poetic reflection and personal wit we've come to expect of one of Britain's best loved and most popular writers.
Simon Armitage's acclaimed version of Sir Gawain and the Green Knight garnered front-page reviews across two continents and confirmed his reputation as a leading translator. This new work is an entrancing allegorical tale of grief and lost love, as the narrator is led on a Dantean journey through sorrow to redemption by his vanished beloved, Pearl. Retaining all the alliterative music of the original, a Medieval English poem thought to be by the same anonymous author responsible for Gawain, Pearl is here brought to vivid and intricate life in care of one of the finest poets writing today.
'A joy. Celebrates the real world and revels in its mad glory' Sue Townsend, Sunday Times _____________________________________ All Points North is part-memoir and part-excursion. Charting the rugged and uneven terrain of a writer's formative years - from tax problems to probation to American tours, football to family to running away to Iceland - Simon Armitage explores growing up and being Northern. It's about humour, language, writing, film, houses, homes, time wasters, one loose tyre, you, me and all points in-between. _____________________________________ 'Laugh-out-loud funny' Independent 'A delight' Jonathan Raban, Times Literary Supplement 'A perfect holiday dipper' Scotsman 'An Alan Bennett-style diary' Daily Telegraph
Kid gives us one of the liveliest poetic voices to have emerged in the last ten years. Simon Armitage's inspired ear for the demotic and his ability to deal with subjects that many poets turn their backs on have marked him as a poet of originality and force.
As the title implies, Simon Armitage's flesh-and-blood account of numerous personal journeys reads like a private encyclopaedia of emotion and health. Vivid and engaged, the poems range from the rainforests of South America to the deserts of Western Australia, but are set against the ultimate and most intimate of all landscapes, the human body. Equally, the body politic comes into question, through subtle enquiries into Englishness and the idea of home.
Simon Armitage is rightly celebrated as one of the country's most original and engaging poets; but he is also an adaptor and translator of some of our most important epics, such as Sir Gawain and the Green Knight, The Death of King Arthur and Homer's Odyssey. The latter, originally a commission for BBC Radio, rendered the classical tale with all the flare, wit and engagement that we have come to expect from this most distinctive of contemporary authors, and in so doing brought Odysseus's return from the Trojan War memorably to life. The Last Days of Troy, a prequel of kinds, tells the tale of the Trojan War itself in a vivid new dramatic adaptation that is published to coincide with the Royal Exchange's stage performance in April 2014.
Simon Armitage once observed that there are two types of poems - those that try to work out the chemical equation for language, and those that tell stories and sings songs. These are very much the latter, a handful of lyrics and verses written over number of years, many being commissioned to celebrate or commemorate public events, others being part of larger projects in theatre, radio and television. Erotic, witty, flippant, poignant and always melodic, Travelling Songs is a kind of busker's handbook, the kind of work that might win a poet a decent meal when singing for his supper. Or as the author comments, 'Describing yourself as a poet is often seen as a challenge or even an alibi. In those circumstances, it's worth having a few tunes up your sleeve to prove it.'