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Art and Food
  • Language: en
  • Pages: 205

Art and Food

  • Categories: Art

Art and Food is a collection of essays exploring a range of research topics relating to the representation of food in art and art in food, from iconography and allegory, through class and commensality, to kitchen architecture and haute cuisine.

Art and Book
  • Language: en
  • Pages: 190

Art and Book

  • Categories: Art

Art has been as significant as text in the history of book design and production. This collection of papers examines the place of illustration and innovation, both conceptual and technical, in the relation of image to text in books of the twentieth and early twenty-first centuries, both in Europe and that outreach of European culture in the Pacific, New Zealand. Topics of the papers range from the work of Marcel Duchamp and Kazimir Malevich to the design of multimodal books and the early development of 3D printing.

Theatrical Costume, Masks, Make-Up and Wigs
  • Language: en
  • Pages: 542

Theatrical Costume, Masks, Make-Up and Wigs

  • Categories: Art
  • Type: Book
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  • Published: 2013-10-15
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  • Publisher: Routledge

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Theory of the Image
  • Language: en
  • Pages: 433

Theory of the Image

  • Categories: Art
  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

We live in an age of the mobile image. The world today is absolutely saturated with images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has enormous consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new theory and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but it is rarely understood to be fundamentally in motion. The original and materialist appro...

Encyclopedia of Twentieth Century Architecture
  • Language: en
  • Pages: 546

Encyclopedia of Twentieth Century Architecture

"A balance of sophistication and clarity in the writing, authoritative entries, and strong cross-referencing that links archtects and structures to entries on the history and theory of the profession make this an especially useful source on a century of the world's most notable architecture. The contents feature major architects, firms, and professional issues; buildings, styles, and sites; the architecture of cities and countries; critics and historians; construction, materials, and planning topics; schools, movements, and stylistic and theoretical terms. Entries include well-selected bibliographies and illustrations."--"Reference that rocks," American Libraries, May 2005.

Italian Books and Periodicals
  • Language: en
  • Pages: 356

Italian Books and Periodicals

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

A Time to Every Purpose
  • Language: en
  • Pages: 351

A Time to Every Purpose

  • Categories: Art

In artworks from a mosaic by Marc Chagall to schoolchildren's paintings, in writings from Susan Fenimore Cooper to Annie Dillard, and in diverse print sources from family genealogical registers to seed catalogs, the four seasons appear and reappear as a theme in American culture. In this richly illustrated book, Michael Kammen traces the appeal of the four seasons motif in American popular culture and fine arts from the seventeenth century to the present. Its symbolism has evolved through the years, Kammen explains, serving as a metaphor for the human life cycle or religious faith, expressing nostalgia for rural life, and sometimes praising seasonal beauty in the diverse American landscape a...

Scientia & vaghezza im ästhetischen Diskurs der Lombardei des Cinquecento
  • Language: de
  • Pages: 668

Scientia & vaghezza im ästhetischen Diskurs der Lombardei des Cinquecento

Anhand facettenreicher Fallstudien führt die Autorin den frühneuzeitlichen ästhetischen Diskurs der Lombardei vor. Sie analysiert das Verhältnis von Theorie und Praxis und erörtert historische Medienreflexionen sowie Wissensfragen. Aus kunsthistorischer, literaturwissenschaftlicher und wissensgeschichtlicher Perspektive analysiert Mira Becker-Sawatzky bildkünstlerische Praxis und textverfasste Theorie in ihrem teils dialogischen, teils diskrepanten Verhältnis zueinander. Dazu werden in thematischen Clustern Malerei, Zeichnung, Bildhauerei, Dichtung und Traktatistik mit ihrer je spezifischen Medialität und Materialität zueinander ins Verhältnis gesetzt. Betrachtet werden Um-Ordnungen der Wissenshierarchie, die Pluralität des Paragone, die Virulenz grotesker Ästhetik, die Konzeption künstlerischer Stile, die Bedeutungsdimensionen von vaghezza und die Wurzeln der Mailänder Ambrosiana.

Europa - Europäisierung - Europäistik
  • Language: de
  • Pages: 552

Europa - Europäisierung - Europäistik

Der Begriff der Europäistik signalisiert einen neuen Fokus in der kulturwissenschaftlichen Forschung: Weg von der Dominanz der nationalen hin zu einer integrativ-europäischen Perspektive: Europa aus dem Blick der anderen. Dabei geht es um Fragen der europäischen Identität, der europäischen Integration und Kooperation. Wie konstituiert und definiert sich Europa in Vergangenheit und Gegenwart und wie wird es von außen wahrgenommen?

The Da Vinci Women
  • Language: en
  • Pages: 304

The Da Vinci Women

  • Categories: Art
  • Type: Book
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  • Published: 2020-02-25
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  • Publisher: Hachette UK

This new biographical look at Leonardo da Vinci explores the Renaissance master's groundbreaking portrayal of women which forever changed the way the female form is depicted. Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for centuries. Lesser known, however, is his revolutionary and empowering portrayal of the modern female centuries before the first women's liberation movements. Before da Vinci, portraits of women in Italy were still, impersonal, and mostly shown in profile. Leonardo pushed the boundaries of female depiction having several of his female subjects, including his Mona Lisa, gaze at the viewer, giving them an autho...