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Michael Chekhov’s Acting Technique
  • Language: en
  • Pages: 357

Michael Chekhov’s Acting Technique

"Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Providing a complete overview of the whole method, Michael Chekhov's Acting Technique includes illuminating explanations of his principles and a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts. Part One provides an outline of Chekhov's most basic principles, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination. Part Two charts a journey through the foundational psychophysical exercises that can both...

Michael Chekhov’s Acting Technique
  • Language: en
  • Pages: 357

Michael Chekhov’s Acting Technique

Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Sinéad Rushe's book provides a complete overview of the whole method, and includes illuminating explanations of its principles, as well as a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts. Part One provides an outline of the ideas that underpin the work, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination. Part Two charts a journey through the foundational psychophysical exercises that can both or...

Michael Chekhov Technique in the Twenty-first Century
  • Language: en
  • Pages: 225

Michael Chekhov Technique in the Twenty-first Century

"The culmination of an innovative practice-based research project, Michael Chekhov Technique in the Twenty-First Century: New Pathways draws on clusters of historical writings and archive materials to investigate how Chekhov's technique can be used for other areas of theatre-making practice. In contrast to the narrow, actor training-only analysis that characterized 20th-century explorations of the technique, authors Cass Fleming and Tom Cornford, along with contributions from Roanna Mitchell, Daron Oram, Caoimhe McAvinchey and Sinead Rushe, focus on a variety of disciplines. The central areas explored are: devising and catalyst direction; collaborating with playwrights; and scenographic prac...

Meisner in Practice
  • Language: en

Meisner in Practice

  • Type: Book
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  • Published: 2012
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  • Publisher: Unknown

The essential practical guide to the Meisner Technique, written by an expert in the field.

Absolutely Postcolonial
  • Language: en
  • Pages: 464

Absolutely Postcolonial

This innovative book provides an incisive critique of well-established positions in postcolonial theory and a dramatic expansion in the range of interpretative tools available. Peter Hallward gives substantial readings of four significant writers whose work invites, to varying degrees, a singular interpretation of postcolonialism: Edouard Glissant, Charles Johnson, Mohammed Dib, and Severo Sarduy. Using a singular interpretation of postcolonialism is central to the argument this book makes, and to understanding the postcolonial paradigm.

To the Actor
  • Language: en
  • Pages: 226

To the Actor

In this practical guide, renowned actor and director Michael Chekhov shares his innovative approach to the craft of acting. Drawing on his extensive experience in the theater and his unique understanding of the actor's creative process, Chekhov presents a comprehensive system of techniques designed to help actors develop their physical, mental, and emotional abilities. Through a series of exercises and principles, actors can learn to create compelling, truthful performances that captivate audiences and bring characters to life on stage and screen.

The Following Story
  • Language: en
  • Pages: 114

The Following Story

Socrates is a former classics teacher at a lycee. Dr Strabon is a travel writer and Mussert is a misanthrope, but also the man behind the masks of these other incongruous alter egos. In this novel, Nooteboom illustrates the polarities and similarities of scientific reality and philosophical theory.

The Plant Based Runner
  • Language: en
  • Pages: 174

The Plant Based Runner

Quit Stalling and Losing Steam with This Personal Health Guide Have you suffered from lethargy every time you try to cultivate a healthy habit? Do you start out strong with new diets, but ultimately return to your old habits within weeks or months? Are you frustrated by your lack of forward momentum? Are you tired of starting full on but then ultimately fizzling out? Then you need the help of Jonathan Cairns, author of The Plant Based Runner: A Personal Guide to Running, Healthy Eating, and Discovering a New You. This book isn't like any other running manual you've read. It's a hard-hitting, no-nonsense but compassionate look at how to finally break through to a healthier version of yourself...

The Science Of Acting
  • Language: en
  • Pages: 293

The Science Of Acting

  • Categories: Art
  • Type: Book
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  • Published: 2009-09-10
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  • Publisher: Routledge

What is good acting? How does one create believable characters?. In The Science of Acting, Sam Kogan applies his theories and teaching to answering these questions. It represents a comprehensive and complete technique applying neuroscience and psychology to the role of acting. At its heart lies a unique and groundbreaking understanding of the subconscious, as well as an unparalleled insight into, and expansion of, Stanislavski's original Russian teaching. The book includes chapters on Awareness, Purposes, Events, Actions, Imagination, Free Body, Tempo-Rhythm, and Laws of Thinking, culminating.

Introduction to Play Analysis
  • Language: en
  • Pages: 151

Introduction to Play Analysis

In this indispensable companion to any theatre class in which scripts are read and interpreted, Pritner and Walters offer five sequential levels of reading designed to lead to a deep understanding of the text. Level one imagines the play as performed in front of an audience; level two examines the deep structure of the conflict; level three examines given circumstances and the type of relationship the play creates between the audience and the production; level four looks closely at characters’ behavior and reactions to their given circumstances, surveys conflict in each scene, and encourages supplemental research about the play; finally, level five synthesizes the information acquired from the preceding levels. Each chapter introduces a concept that is then explored by studying its application to The Glass Menagerie, chosen for both its accessibility and its complexity. Other plays discussed include works by Molière, Shakespeare, Sophocles, and August Wilson. End-of-chapter questions are applicable to any play.