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The Fine Art of Crochet
Gwen Blakley Kinsler looks at the art crochet movement from 1915 onward to the Crochet Revolution of the 1960s by profiling twenty of the most innovative practitioners working today. The works featured in this book represent the diverse styles, unusual shapes, and exquisite textures that characterize today's crocheted art.
Exhibiting Craft and Design
Exhibiting Craft and Design: Transgressing the White Cube Paradigm investigates the firmly-established manner in which craft and design have typically been presented by museums and galleries, what strategies curators have employed throughout the twentieth century, and especially in more recent years how exhibiting design and craft objects challenges the notion of the modernist White Cube display paradigm.
Canadian Art
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Spiritual Journey
A descendant of Orkney Islanders and the earlier Inuit of Hamilton Inlet, she grew up on the land and on the water with people of a unique culture who survived and thrived on fish and fur. She has a unique understanding of the people and their place and this is reflected in her photography. But she has roots too on the Great Northern Peninsula of the Island, which gives her an unmatchable appreciation for both parts of our Province. Senator Bill Rompkey for Labrador, Canada Digital imaging and dye sublimation allow Baikie to drape a spiritual, almost ethereal, haze over the photographs she manipulates. Modern processes combine with the historical quality of her images to create, paradoxicall...
The Visual Arts in Canada
This book charts the developments in Canadian art from the late nineteenth century to the present with new essays by the country's leading art historians. A comprehensive overview, this volume embraces painting, sculpture, photography, design, video, and conceptual and cross-disciplinary art, as well as studies of art institutions and historiography. Each chapter explores the richness and diversity of Canadian art; topics range from impressionist painting to the multimedia work of First Nations artists, and from the Group of Seven to contemporary video production. Newly commissioned, carefully edited, and with 185 full-colour illustrations, The Visual Arts in Canada will appeal to general readers and students alike. An extensive index, as well as an appendix that list galleries and artist-run centres across the country, make this the definitive resource for Canadian art from the past century. Throughout the twenty chapters, readers will recognize favourite artists and encounter new ones-all of whom play an integral role in the country's visual history.
Reframings
This diverse and compelling collection of contemporary feminist visual art is now available in a paperback edition. Reframings makes visible what has been for too long nearly invisible: contemporary feminist visual art that represents a remarkable range of perspectives, styles, and subject matter. The forty-five women who created these works-artists and writers such as Deborah Willis, Carrie Mae Weems, Nan Goldin, and Carm Little Turtle-are connected by a belief that images are political and that today's feminist concerns cannot be separated from such issues as ethnicity, class, age, and sexuality. They share a consciousness that historically women have been "framed" and can now be "reframed." Author note: Diane Neumaier is Associate Professor of Visual Arts at Mason Gross School of the Arts, Rutgers University.
The March Hare Anthology
The March Hare Anthology commemorates twenty years of one of Canada1s most successful literary festivals. Blending local and inte ational writers from Canada, Ireland and the world with the cream of Newfoundland and Labrador1s professional musicians, The March Hare is a unique celebration of words and music. This anthology contains the writing of authors such as: Al Pittman Michael Ondaatje Wayne Johnston Lo a Crozier Michael Crummey Lisa Moore John Ennis Michael Winter Be ard O1Donoghue John Steffler Paul Durcan Joan Clarke Alistair MacLeod Be ice Morgan Adrian Fowler1s work has appeared in various magazines and collections of Canadian writing. He was co-editor with Al Pittman of the poetry anthology 31 Newfoundland Poets, published in 1979. He lives in Co er Brook, Newfoundland, where he teaches English at Sir Wilfred Grenfell College.
Radical Gestures
Performance art was finally recognized as an art form in its own right in the 1970s. In Radical Gestures Jayne Wark situates feminist performance art in Canada and the United States in the social context of the feminist movement and avant-garde art from the 1970s to 2000. She shows that artists drew from feminist politics to create works that, after a long period of modernist aesthetic detachment, made a unique contribution to the re-politicization of art.
