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Moving Memory is an ethnography of remembrance in the field of tension between post-dictatorship Chile and occupied Palestine that offers new insights into memory politics as a globally resurgent and increasingly transnational phenomenon. It tells a largely untold story of a Palestinian diaspora: how a predominantly Christian, conservative, and wealthy elite has come to form the backbone of a diasporic community to which the Palestinian struggle remains a central mobilizing force. Schwabe explores how Palestinian diaspora politics play into larger attempts to obscure the recent Chilean past and its consequences, all the while working to counter Zionist efforts to negate and erase Palestinian existence. Despite considerable efforts to contain them, memories move. They travel across porous and ever-changing geographical and socio-political boundaries, reconfiguring realities in the process. In exploring the paradoxes of remembering and forgetting between Palestine and Chile as intertwining nodes in the complex field of global memory politics, the book demarcates the limits and possibilities of forging solidarity at the fault lines of memory.
The Atmospheric City explores how people make sense of the feelings they get in and of urban spaces. Based on ethnographic fieldwork of everyday life in Copenhagen, Oslo, and Stockholm, it focuses on the atmospheric power of people, places, and phenomena. While the predominant focus of current urban planning tends to rest on economic growth, sustainability, or offering housing, transport, and activities to an increasing number of city residents, this book offers a different take, based on recent discussions in the social sciences about how cities feel. It calls attention to the mundane ways in which urban dwellers adapt and adopt their surroundings. It argues that atmospheric cities are char...
Transnational solidarity movements often play an important role in reshaping structures of global power. Jessica Stites Mor looks at four in-depth case studies in the Global South, which act as a much-needed road map to navigate our current political climate and show us how solidarity movements might approach future struggles.
David Howes’s sweeping history of the senses in the disciplines of anthropology and psychology and in the field of law lays the foundations for a sensational jurisprudence, or a way to do justice to and by the senses of other people. In part 1, Howes demonstrates how sensory ethnography has yielded alternative insights into how the senses function and argues convincingly that each culture should be approached on its own sensory terms. Part 2 documents how the senses have been disciplined psychologically within the Western tradition, starting with Aristotle and moving through the rise of Lockean empiricism and cognitive neuroscience. Here, Howes presents an anthropologically informed critiq...
This book offers an ethnographic exploration of the role that atmosphere plays in work processes undertaken within an urban design studio. It provides understandings of how architectural practices are fuelled with atmosphere in various configurations throughout different design phases of selected projects for construction. From the outside architectural practices commonly appear well-ordered and carefully considered, established by proof and rationally justified. This book though poaches on architects’ preserves in order to draw attention to features of unpredictability and uncertainty within the design phases. By opening up into the ‘machinery room’ of urban designers, the goal is not to spoil the plaster saint cover of a ‘starchitect’ business, but to remind about the crucial value that pockets of doubt issuing questions rather than answers, open-mindedness instead of single-mindedness, play to the processes of design production and creativity. The book identifies these pockets as atmospheres enveloping the architectural practice.
In Caravans, Hege Høyer Leivestad opens the caravan door to understand how daily life is organised among Britons and Swedes who have relocated, either seasonally or permanently, to mobile homes. Leivestad investigates how the caravan and campsite come to fit and challenge conventional domestic ideals, and how the static mobile caravan can nurture ideas of freedom even when it is standing still. With sensitivity and an awareness of the humour and pathos of the lives of her subjects, Leivestad closely examines the shaping of the European camping phenomenon and its day-to-day pleasures and pains, ranging from friendships ties to conflictive bingo nights, from nosy and noisy neighbours to fake fireplaces and rotten awning floors. As the first ethnographic study of caravan life in Europe, Caravans offers a refreshing take on contemporary mobility debates, showing how movement can best be understood by taking a detailed look at certain specific mundanities in material culture. This rich and topical ethnography is a must-read for students of anthropology, human geography and architecture, and for those with an interest in the possibilities and perils of a life on wheels.
The Routledge International Handbook of Sensory Ethnography reviews and expands the field and scope of sensory ethnography by fostering new links among sensory, affective, more-than-human, non-representational, and multimodal sensory research traditions and composition styles. From writing and film to performance and sonic documentation, the handbook reimagines the boundaries of sensory ethnography and posits new possibilities for scholarship conducted through the senses and for the senses. Sensory ethnography is a transdisciplinary research methodology focused on the significance of all the senses in perceiving, creating, and conveying meaning. Drawing from a wide variety of strategies that...
This book provides a presentation of the concept of “atmosphere” in the realm of aesthetics. An “atmosphere” is meant to be an emotional space. Such idea of “atmosphere” has been more and more subsumed by human and social sciences in the last twenty years, thereby becoming a technical notion. In many fields of the Humanities, affective life has been reassessed as a proper tool to understand the human being, and is now considered crucial. In this context, the link between atmospheres and aesthetics becomes decisive. Nowadays, aesthetics is no longer only a theory of art, but has recovered its original vocation: to be a general theory of perception conceived of as an ordinary experience of pre-logical character. In its four parts (Atmospheric turn?, Senses and Spaces, Subjects and Communities, Aesthetics and Art Theory), this volume discusses whether atmospheres could take the prominent and paradigmatic position previously held by art in order to make sense of such sensible experience of the world.
Using case studies, such as the use of candlelight and energy saving lightbulbs in Denmark, this book unravels light’s place at the heart of social life. In contrast to common perception of light as a technical and aesthetic phenomenon, Mikkel Bille argues that there is a cultural and social logic to lighting practices. By empirically investigating the social role of lighting in people's everyday lives, Mikkel Bille reveals how and why people visually shape their homes. Moving beyond the impact of its use, Bille also comments on the politics of lighting to examine how ideas of pollution and home act as barriers for technological fixes to curb energy demand. Attitudes to these issues are reflective of how human perceptions and practices are central to the efforts to cope with climate change. This ethnographic study is a must-read for students of anthropology, cultural studies, human geography, sociology and design.
This is a book about Palestinians elsewhere and Palestinian elsewheres. Articulating an ambiguous right to remain out-of-place as a spatialized response to the fossilized present, the films and filmmakers in this book examine Palestine, as a place and idea, from the dissonance of exile. An Atonal Cinema: Resistance, Counterpoint and Dialogue in Transnational Palestine theorizes a transnational consciousness within contemporary Palestinian cinema as one which articulates an 'atonal' cinema, utilizing contrapuntal dialogue as a mode of resistance with which to respond critically to the 'place-myth' of Palestine in films produced within Palestine but without Palestinians. Drawing on a genealogy...