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Slobodan Novak
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Zagreb
Situated at the foot of a range of hills on the edge of the great Pannonian Plain, for most of its history Zagreb has been a small town to which things happened. Administered from 1102 by Hungary and later absorbed into the Habsburg Monarchy, Zagreb was under threat from the advancing Ottomans until the late sixteenth century. From the mid-nineteenth century onwards Zagreb developed steadily into a modern city, reflecting all the important trends in Central European culture, architecture and fashion. Its pretty centre is laid out according to a plan incorporating trees and public gardens, forming a "green horseshoe" lined with imposing buildings. Celia Hawkesworth explores this central core and the atmospheric old town on a rise above it, finding a mix of old and modern building, a rich cultural tradition and a vibrant outdoor cafe life, in which many of the individuals who have contributed to creating the city's unique inner life are commemorated in statues in the streets and squares.
Austrian Information
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The Nonconformists
Nick Miller argues in this provocative study that to comprehend Yugoslavia's collapse, we must examine the development and nature of Serbian nationalism, and the typical approaches will not suffice. Serbia's national movement of the 1980s and 1990s, Miller suggests, was not the product of an ancient, immutable, and aggressive Serbian national identity; nor was it an artificial creation of powerful political actors looking to capitalize on its mobilizing power. In examining the work of three influential Serbian intellectuals, Miller argues that cultural processes are too often ignored in favor of political ones; that Serbian intellectuals did work within a historical context, but that they we...
Inscription and Modernity
Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancià ̈re among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt.
Nedeljni feljton
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Only the Nails Remain
Only the Nails Remain: Scenes from the Balkan Wars is a chronicle of poet and critic Christopher Merrill's ten war-time journeys to the Balkans from the years 1992 through 1996. At once a travelogue, a book of war reportage, and a biography of the imagination under siege, this beautifully written and personal narrative takes the reader along on the author's journeys to all the provinces and republics of the former Yugoslavia—Bosnia-Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Serbia, Slovenia, and Vojvodina—as well as to Albania, Austria, Bulgaria, Greece, Hungary, Italy, and Turkey. His journeys provide the narrative structure for an exploration of the roles and responsibility o...
Writing Postcommunism
Moving through the elegiac ruins of the Berlin Wall and the Yugoslav disintegration, Writing Postcommunism explores literary evocations of the pervasive disappointment and mourning that have marked the postcommunist twilight.
South Slavic Writers Since World War II
An eclectic view of the book and manuscript collecting and bibliographical activity during nineteenth century Britain is presented. Subjects range from the wealthy, bibliographically knowledgeable members of the aristocrats to others who impoverished themselves and their families in their obsession. Discusses how these collections were instrumental in the advocacy of the public library movement.
Brücke
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