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Few American entertainers have had the explosive impact, wide-ranging appeal, and continuing popularity of country music star Hank Williams. Such Williams standards as "Your Cheatin' Heart," "I'm So Lonesome I Could Cry," "Jambalaya," and "I Saw the Light" have all entered the pantheon of great American song. Roger Williams recounts the story of Hank's rise from impoverished Southern roots, his coming of age during and after World War II, his meteoric climb to national acclaim and star status on the Grand Ole Opry, his chronic bouts with alcoholism and the alienation it created in those he loved and sang for, and finally his tragic death at twenty-nine and subsequent emergence as a folk hero. The book also features a thorough discography compiled by Bob Pinson of the Country Music Foundation.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The Washington Post hails Greil Marcus as our greatest cultural critic. Writing in the London Review of Books, D. D. Guttenplan calls him probably the most astute critic of American popular culture since Edmund Wilson. For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice to Artforum, Salon, City Pages, Interview, and The Believer and currently appears in the Barnes & Noble Review. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission. Published to complement the paperback edition of The History of Rock & Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.
Into The Twilight Zone: The Rod Serling Programme Guide includes complete episode guides with cast, credits and story summaries of the original Twilight Zone series, as well as its many film and television revivals, and Rod Serling's Night Gallery. The book features an overview and filmography of Serling's life and career, and interviews with many of his colleagues, including Buck Houghton, Richard Matheson, Frank Marshall, Joe Dante, Phil DeGuere, Wes Craven, Alan Brennert, Paul Chitlik and Jeremy Bertrand Finch. It also includes indices of actors and creative personnel. "The best TV programme guide I have seen." -Ty Power, Dreamwatch "The perfect complement to The Twilight Zone Companion." -David McDonnell, Starlog
The poems in Dancing Alone are drawn from the six small-press classics, all out of print, that William Hawkins published between 1964 and 1974 plus some new poems. A contemporary of George Bowering, Victor Coleman and Michael Ondaatje, Hawkins appeared in Raymond Souster's landmark anthology New Wave Canada and in Oxford's Modern Canadian Verse, where editor A.J.M. Smith positioned him between Margaret Atwood and Gwendolyn MacEwen. Readers will discover in Hawkins' work an inimitably haunting poetic voice. Hawkins was also the central figure of a richly creative Ottawa-based music scene. His fugitive pickup bands included Bruce Cockburn, David Wiffen, Colleen Peterson, Amos Garrett, Darius Brubeck and Sneezy Waters. Hawkins calls himself "a semi-retired hard rocker and high roller."
The extraordinary life of one of the world’s greatest music and literary icons, in the words of those who knew him best. Poet, novelist, singer-songwriter, artist, prophet, icon—there has never been a figure like Leonard Cohen. He was a true giant in contemporary western culture, entertaining and inspiring people everywhere with his work. From his groundbreaking and bestselling novels, The Favourite Game and Beautiful Losers, to timeless songs such as “Suzanne,” “Dance Me to the End of Love,” and “Hallelujah,” Cohen is a cherished artist. His death in 2016 was felt around the world by the many fans and followers who would miss his warmth, humour, intellect, and piercing insig...
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts.
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