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Supercommunity
Leading artists, theorists, and writers exhume the dystopian and utopian futures contained within the present “I am the supercommunity, and you are only starting to recognize me. I grew out of something that used to be humanity. Some have compared me to angry crowds in public squares; others compare me to wind and atmosphere, or to software.” Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice. In essays, poems, short stories, and plays, artists and theorists trace the negative collective that is the subject of contemporary life, in which art, the internet, and globalization have shed their utopian guises but persist as naked power, in the face of apocalyptic ecological disaster and against the claims of the social commons. “I convert care to cruelty, and cruelty back to care. I convert political desires to economic flows and data, and then I convert them back again. I convert revolutions to revelations. I don’t want security, I want to leave, and then disperse myself everywhere and all the time.”
The Courtauld Gallery at Somerset House
The renowned art collection originally built up by the industrial magnate Samuel Courtauld in the 1920s, and since greatly expanded thanks to generous gifts and bequests, is now permanently housed in the splendid architectural surroundings of London's Somerset House. The nineteenth-century core of the collection reflects Samuel Courtauld's policy of buying paintings by the leading Impressionist and Post-Impressionist artists. As a result of subsequent expansion, the collection bearing Courtlauld's name now also embraces important paintings ranging in period from the fourteenth century to the twentieth, including works by Bruegel, Rubens, Gainsborough, Goya, and Modigliani.
Return of the Rudeboy
The 'Return of the Rudeboy' exhibition has been encapsulated into a beautifully printed 128-page hard cover book. Containing unseen images, essays on Rudeboy heritage and culture and references to the curated spaces at the Somerset House exhibition. The book was released exclusively to the public at the Rudeboy Salon at The Hospital Club, London on the 5th and 6th June 2015. Limited numbers of the first edition are available online through select retailers.
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Faceless
When Maisie is struck by lightning, her face is partially destroyed. She's lucky enough to get a face transplant, but how do you live your life when you can't even recognize yourself any more? She was a runner, a girlfriend, a good student ... a normal girl. Now, after a single freak accident, all that has changed. As Maisie discovers how much her looks did and didn't shape her relationship to the world, she has to redefine her own identity, and figure out what 'lucky' really means.
The Courtauld
The Courtauld is one of the United Kingdom’s great art collections. This elegant book is a curated selection of its highlights, accompanied by lively commentaries. The Courtauld is one of the United Kingdom’s great art collections, displayed throughout the magnificent historic setting of Somerset House in central London. This elegant book is a curated selection of its highlights — paintings, drawings, prints, sculpture and decorative arts — each beautifully illustrated and accompanied by an insightful commentary. Notable among these treasures are remarkable Impressionist and Post-Impressionist paintings, including the world-famous A Bar at the Folies-Bergère by Édouard Manet and Vincent van Gogh’s Self-Portrait with Bandaged Ear.This book is also an engaging account of how The Courtauld became an internationally renowned centre for the teaching and research of art history, conservation and curating. It was founded nearly a century ago in the belief that art has the power to enrich people’s lives. The Courtauld continues that mission today, promoting the understanding of the visual arts and offering a place where everyone can find enjoyment and inspiration.
Celebrating Snoopy
A collection of Peanuts weekday and Sunday comic strips from the 1950s through the final cartoon on February 13, 2000 that announced Schulz's retirement.
Fierce Love
The memoir of Christian musician Adrian Snell. Known for his songs "The Passion", "The Cry" and "Fierce Love".
