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DGV Informationen
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A. D. 1543-1590
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Fascism and Neofascism
The dramatic transformations of the the 1990s - the end of the Cold War, the establishment of political liberties and market economies in Eastern Europe, German unification - quickly led commentators to proclaim the end of all ideologies and the complete triumph of liberal capitalism. Just as quickly, however, right-wing extremism began a surge in Europe that has not significantly abated to this day. Fascism and Neofascism is a collection of essays that is distinctive in two important ways. First, unlike most volumes, which cover either historical fascism or the recent radical right, Fascism and Neofascism spans both periods. Secondly, this volume also aims to bring newer modes of inquiry, rooted in cultural studies, into dialogue with more 'traditional' ways of viewing fascism. The editors' approach is deliberately interdisciplinary, even eclectic.
Novy palecek
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Fascism and Communism
In his major work on communism, the international bestseller The Passing of an Illusion, the eminent French historian Franöois Furet devoted a lengthy footnote to German historian Ernst Nolte?s interpretation of fascism. Nolte responded, a correspondence ensued, and the result was the remarkable exchange presented in this volume. Fascism and Communism offers readers the rare opportunity to witness and learn from a confrontation between two of the world?s most distinguished historians over one of the most serious subjects of our time. Each from a different perspective, Furet and Nolte offer compelling arguments for the common genealogy of these two ideologies as well as reasons for the intellectual community?s rejection of this explosive thesis throughout the twentieth century. This discussion leads to a deeper understanding of the nature of totalitarianism as well as the trajectory and interpretation of modern European history.
The Essential Raymond Durgnat
Raymond durgnat was a maverick voice during the golden age of film criticism. From the French new Wave and the rise of auteurism, through the late 1960s counter-culture, to the rejuvenated Hollywood of the 1970s, his work appeared in dozens of publications in Britain, France and the USA. At once evoking the film culture of his own times and anticipating our digital age in which technology allows everyone to create their own 'moving image-text combos', durgnat's writings touch on crucial questions in film criticism that resonate more than ever today. Bringing together durgnat's essential writing for the very first time, this career-spanning collection includes previously unpublished and untranslated work and is thoroughly introduced and annotated by Henry K. Miller.
How to Watch a Movie
From one of the most admired critics of our time, brilliant insights into the act of watching movies and an enlightening discussion about how to derive more from any film experience. Since first publishing his landmark Biographical Dictionary of Film in 1975 (now in its sixth edition), David Thomson has been one of the most trusted authorities on all things cinema. Now, he offers his most inventive exploration of the medium yet: guiding us through each element of the viewing experience, considering the significance of everything from what we see and hear on screen - actors, shots, cuts, dialogue, music - to the specifics of how, where, and with whom we do the viewing. With customary candour ...
Kongo Across the Waters
Explores the transatlantic connections between Central Africa and North America over the past 500 years in the visual and performing arts of both cultures.
