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"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history.
"Focusing on British sculpture, installation, photography and video from the 1980s, 1990s and 2000s, Bad Behaviour explores a rebellious streak in contemporary art. It contains an essay by curator Emma Mahony and includes iconic works such as Gilbert & George's Gordon's Makes us Drunk alongside Jim Lambie's Ultralow, both meditations on destructive behaviour. Other featured artists include Jeremy Deller, Michael Landy and Sarah Lucas."--BOOK JACKET.
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Es habitual que en los libros de teoría e historia de la arquitectura las viviendas aparezcan representadas únicamente por sus salas de estar, dejando de lado el resto de habitaciones. Pareciera que, a pesar de su mayor número, el dormitorio no tuviera trascendencia alguna en una vivienda. Sencillamente no se piensa en él. El predominio de la sala de estar sobre cualquier otro tipo de estancia limita el potencial que podría tener la vivienda contemporánea. Este ensayo aboga por una casa con mayor sentido y complejidad y, a través de la reflexión en torno a la habitación con usos diversos, defiende la ambigüedad y la no especialización de los espacios domésticos. Para ello Xavier ...