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French-speaking Women Documentarians
French-Speaking Women Documentarians is a guide for teachers of French and others interested in selecting and researching the work of female French-speaking documentarians. Represented in this book are filmmakers from Canada, various African nations, the Antilles, Lebanon, Switzerland, Belgium, and several other countries, with emphasis on Agnès Varda of France - arguably the greatest female documentarian of all. The book includes information on each filmmaker, classified by country of origin, and lists and describes her works, giving factual information such as date, duration, credits, and synopses, and pointing out critical treatments, both in English and in French, of her most important films. Shorts, docudramas, and works of animation are also discussed, as they, too, reflect history and culture. This guide will lead to the viewing of films that shed understanding on the culture being portrayed and to a greater appreciation of the contribution of French-speaking women filmmakers to this important, if not always objective, film genre.
In Translation
Gabrielle Roy was one of the most prominent Canadian authors of the twentieth century. Joyce Marshall, an excellent writer herself, was one of Roy's English translators. The two shared a deep and long-lasting friendship based on a shared interest in language and writing. In Translation offers a critical examination of the more than two hundred letters exchanged by Roy and Marshall between 1959 and 1980. In their letters, Roy and Marshall exchange news about their general health and well-being, their friends and family, their surroundings, their travels, and other writers, as well as their dealings with critics, editors, and publishers. They recount comical incidents and strange encounters in...
Making Canada New
An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others - whether old or new, print or digital - that instigates a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of more popular modes of literary scholarship with less frequented ones, such as bibliography, textual studies, and editing. Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print editions.
Intimate Strangers
The books of Margaret Laurence and Gabrielle Roy are among the most beloved in Canadian literature. In 1976, when both were at the height of their careers, they began a seven-year written correspondence. Laurence had just published her widely acclaimed The Diviners, for which she won her second Governor-General’s Award, and Roy had returned to the centre of the literary stage with a series of books that many critics now consider her richest and most mature works. Although both women had been born and raised in Manitoba—Laurence in Neepawa and Roy in St. Boniface—they met only once, in 1978 at a conference in Calgary. As these letters reveal, their prairie background created a common understanding of place and culture that bridged the differences of age and language. Here Laurence and Roy discuss everything from their own and each other’s writing, to Canadian politics, housekeeping, publishing, and their love of nature. With a thoughtful introduction by Paul G. Socken, these lovely and intimate letters record the moving, affectionate friendship between two remarkable women.
Dangerous Minds
In Dangerous Minds, Ronald Beiner traces the deeper philosophical roots of such far-right ideologues as Richard Spencer, Aleksandr Dugin, and Steve Bannon, to the writings of Nietzsche and Heidegger—and specifically to the aspects of their thought that express revulsion for the liberal-democratic view of life.
Between Languages and Cultures
Gabrielle Roy and the creative ambivalence of bilingualism.
Dry Water
Dry Water tells the story of Donald Strand, from the time of his arrival as a ten-year-old orphan at his relatives’ Manitoba farm in 1890 to his apogee as a successful farmer. It recounts the crises he faces during a troubled marriage and the great stock market crash of 1929. His life parallels the growth and development of Manitoba during the same period. Stead considered Dry Water, written in 1934–1935, to be his crowning achievement. He was unable to find a publisher for it during his lifetime, although an abridged edition was published by Tecumseh Press in 1983. This new edition includes the complete typescript, a critical introduction, and explanatory notes that place this novel in its proper literary and historical context.
Sessional Papers
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.
Regenerations / Régénérations
Buttressed by a wealth of new, collaborative research methods and technologies, the contributors of this collection examine women's writing in Canada, past and present, with 11 essays in English and 5 in French. Regenerations was born out of the inaugural conference of the Canadian Writing Research Collaboratory held at the Canadian Literature Centre, University of Alberta, and exemplifies the progress of radically interdisciplinary research, collaboration, and publishing efforts surrounding Canadian women's writing. Researchers and students interested in Canadian literature, Québec literature, women's writing, literary history, feminist theory, and digital humanities scholarship should definitely acquaint themselves with this work. Contributors: Nicole Brossard, Susan Brown, Marie Carrière, Patricia Demers, Louise Dennys, Cinda Gault, Lucie Hotte, Dean Irvine, Gary Kelly, Shauna Lancit, Mary McDonald-Rissanen, Lindsey McMaster, Mary-Jo Romaniuk, Julie Roy, Susan Rudy, Chantal Savoie, Maïté Snauwaert, Rosemary Sullivan, and Sheena Wilson.
