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An intimate, empathic exploration of the life of Alice Oehninger. For fourteen years, she grows up in traditional Tanzania and Zimbabwe of the 1980ies. She is white. And transgender. She looks like a boy, and is expected to act the part. At twenty, she returns to her native Switzerland and finds herself a stranger there, too. She navigates culture shock, love and rejection, earns a living, discovers the powerful wish to be a parent. In the role of a man, she marries and finds contentment in Germany, until crisis destroys her fragile world. Where others break, Alice rises. She is driven by enabling other people to be their best possible selves. She becomes a learning coach for youths and youn...
The Roots of Cane proposes a new way to read one of the most significant works of the New Negro Renaissance, Jean Toomer’s Cane. Rather than focusing on the form of the book published by Boni and Liveright, what Toomer would later call a single textual “organism,” John Young traces the many pieces of Cane that were dispersed across multiple modernist magazines from 1922 through 1923. These periodicals ranged from primarily political monthlies to avant-garde arts journals to regional magazines with transnational aspirations. Young interweaves a periodical-studies approach to modernism with book history and critical race theory, resituating Toomer’s uneasy place within Black modernism by asking how original readers would have encountered his work. The different contexts in which those audiences were engaging with Toomer’s portraits of racialized identity in the Jim Crow United States, yield often surprising results.
Why was the world's most famous Irish novel first published in an obscure journal in New York? How did the first readers greet Joyce's masterpiece? This book goes behind the scenes to tell the story of the very first publication of Ulysses. It describes the enthusiasm Joyce's first editors evinced for his work, and the circumstances which led to their prosecution on the grounds that the thirteenth chapter of Ulysses was obscene. It also shows how Joyce rewrote Ulysses in response to that judgement while resident in Paris in 1921. The work is written in an accessible and engaging style, and should appeal to any reader with an interest in Joyce, Ireland, modern literature, and twentieth century cultural history.
Across more than twenty chapters, Future Horizons explores the past, present, and future of digital humanities research, teaching, and experimentation in Canada. Bringing together work by established and emerging scholars, this collection presents contemporary initiatives in digital humanities alongside a reassessment of the field’s legacy to date and conversations about its future potential. It also offers a historical view of the important, yet largely unknown, digital projects in Canada. Future Horizons offers deep dives into projects that enlist a diverse range of approaches—from digital games to makerspaces, sound archives to born-digital poetry, visual arts to digital textual analy...
More than 50 after her death, Virginia Woolf remains a haunting figure, a woman whose life was both brilliantly successful and profoundly tragic. This brilliant new biography weaves together diverse strands of Woolf's life and career, offering a dazzlingly complete portrait brimming with new revelations. 64 halftone illustrations.
How modernist women writers used biographical writing to resist their exclusion from literary history It’s impossible, now, to think of modernism without thinking about gender, sexuality, and the diverse movers and shakers of the early twentieth century. But this was not always so. The Passion Projects examines biographical projects that modernist women writers undertook to resist the exclusion of their friends, colleagues, lovers, and companions from literary history. Many of these works were vibrant efforts of modernist countermemory and counterhistory that became casualties in a midcentury battle for literary legitimacy, but that now add a new dimension to our appreciation of such figur...
Sixteen essays exemplify the progress of interdisciplinary research, collaboration, and publishing surrounding Canadian women's writing.
Fourteen essays map Canadian literary and cultural products via advances in digital humanities research methodologies.
The blurb, the blurb is not to be mistaken in the lack of informative souls. What was the once famous saying? ‘Never judge a book by its cover’ what are you doing right now? Why did you divert your eyes to the swannings of the River Tyne, was it something different, something unique, or something more powerful than ever with a touch of home? “Moral of the story – Life is like a teabag; you end up dead, replaced and forgotten.” “The idea of being unstuck in the animation of humanity was enough to put a beam upon anyone’s face.” “I felt like indolently cutting open each vigorous stratum of stomach skin, reaching for the intestine core and casing it around the distension of my...
Vanessa and Gerald first fall in love in the sixties when she is an art student and he a sculptor. As her tutor, he is a charismatic figure in the young Vanessa’s eyes. Their relationship is passionate, thrilling, sexy. They marry and Vanessa pictures them as the glamorous couple of the art world. Reality is different. They have children and Gerald’s personality and artistic talent soon eclipse Vanessa’s. He belittles her early attempts at fashion design. Eventually he leaves.Suppressing her heartbreak, Vanessa makes a new life for herself with Andrew and her children. Her design business thrives. However, Gerald can’t stay away, and Vanessa finds herself captivated by his magic all ...