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It is time to reassess the work of Geoffrey Blainey, and consider his role in Australian history, politics and public life. Geoffrey Blainey has steered Australian history into the nation's conversation. No one would dispute that he is a courageous public intellectual, a writer of rare grace and a master storyteller. And he has indeed provoked a rare fuss, both public and professional, with some of his comments on Asian immigration and Aboriginal land rights. Blainey has challenged the academic history profession, not only with his ideas but also by his practice. A brilliant student, he looked set for Oxford but chose instead the austere west coast of Tasmania for his postgraduate research. ...
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Journalist and researcher Murray reviews the reporting on Japanese imperial aggression by the Australian mass circulation media in the years between Japanese attack on the Manchurian capital of Mukden in 1931 and the defeat of British and Australian forces by the Japanese in Singapore in 1942, which "was the final event that shocked a.
From colony to federation to the present, it analyses the development of globalisation in Australia.
Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.
Examining the many controversies associated with pitch standards in Melbourne over more than a hundred years, Simon Purtell discovers their impact on the tuning of the city’s orchestras and organs, as well as its defence, municipal and Salvation Army bands. This fascinating history involves famous local and touring singers, conductors and organists, including Nellie Melba, Malcolm Sargent and William McKie, revealing just how complex a problem it was to ensure that Melbourne’s music-makers remained in tune. “Harry Potter and the Cursed Child has nothing on the saga of ‘Pitch, pitch, that cursed pitch’: the seemingly endless and frequently caustic attempts to establish a uniform per...
This book is the first history of commercial television in regional Australia, where diverse communities are spread across vast distances and multiple time zones. The first station, GLV Latrobe Valley, began broadcasting in December 1961. By the late 1970s, there were 35 independent commercial stations throughout regional Australia, from Cairns in the far north-east to Bunbury in the far south-west. Based on fine-grained archival research and extensive interviews, the book examines the key political, regulatory, economic, technological, industrial, and social developments which have shaped the industry over the past 60 years. Regional television is often dismissed as a mere extension of – or footnote to – the development of Australia’s three metropolitan commercial television networks. Michael Thurlow’s study reveals an industry which, at its peak, was at the economic and social heart of regional communities, employing thousands of people and providing vital programming for viewers in provincial cities and small towns across Australia.
The present book contains a collection of works developing new trends in theoretical and practical lexicography devoted to manifold description of lexis. All papers are divided into two main sections: Part I, Systemic and Cross-cultural Relations of Words in the Dictionary, presents analysis of cultural issues and phraseology with special reference to English dictionaries for general- and specific-purposes. The main focus is given to the principles of lexicographic presentation of non-equivalent lexis, idioms, clichés, nominations of non-verbal behaviour and proper names of people in bilingual and monolingual dictionaries. Part II, entitled Specialized Dictionaries: Traditions and Innovatio...