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American Negro Songs
Authoritative study traces the African influences and lyric significance of such songs as Swing Low, Sweet Chariot and John Henry, and gives words and music for 230 songs. Bibliography. Index of Song Titles.
My Favorite Spirituals
Thirty musical arrangements by noted African-American tenor recall biblical events in such well-known tunes as Deep River, Dry Bones, Steal Away, and Were You There? Perceptively written introduction to each song includes background history. Rich collection will appeal to lovers of great spirituals and the rich legacy of African-American song.
Slave Songs of the United States
Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.
Spirituals
Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach e...
Ev'ry Time I Feel the Spirit
Gathers Negro spirituals, traditional gospel songs, European American hymns, and contemporary gospel songs.
Best-loved Negro Spirituals
Beloved spirituals include such lasting favorites as All God's Children Got Shoes, Balm in Gilead, Deep River, Down by the Riverside, Ezekiel Saw the Wheel, Gimme That Ol'-Time Religion, He's Got the Whole World in His Hand, Roll, Jordan, Roll, Sometimes I Feel Like a Motherless Child, Steal Away to Jesus, Swing Low, Sweet Chariot, This Train, Wade in the Water, We Are Climbing Jacob's Ladder, Were You There When They Crucified My Lord? and many more. Excellent for sing-alongs, community programs, church functions, and other events.
The Spirituals of Harry T. Burleigh
Harry Burleigh's music falls into three categories: secular, religious, and sacred. This 200-page collection is a treasure of history made usable in his fine arrangements. "Deep River" was published in 1917, the first of many to make Burleigh well-known as a composer. This title is available in SmartMusic.
Ready to Sing . . . Spirituals
A wonderful variety of 11 favorite spirituals are featured in this new songbook. Included are: Gospel Train * Ride the Chariot * Kum Ba Yah * Down by the Riverside * Wade in the Water * Yes, My Lord! * Amazing Grace * Go, Tell It on the Mountain * Joshua * Good News! * Nobody Knows the Trouble I've Seen.
Negro Spirituals
This is the first examination of the background and meaning of the best known Negro Spirituals. A consideration of their texts shows the spirituals to be songs of faith, deeply rooted in affirmations and experiences from the Bible. Examining over twenty spirituals, the author shows how the early singers shaped and reshaped their biblical texts in the light of the Afro-American backgrounds out of which the songs emerged and the slavery situation in which they flourished. Songs of genuine faith outlive their historical origins. Throughout the ages, people have responded in song to God's love in the world. American slave songs are world folk songs because they express a faith which cannot be imprisoned in any one age, place, or culture. (Back cover).
So You Want to Sing Spirituals
With their rich and complicated history, spirituals hold a special place in the American musical tradition. This soul-stirring musical form is irresistible to singers seeking to diversify their performance repertoire, but it is also riddled with controversy, especially for singers of non-African descent. Singer and historian Randye Jones welcomes singers of all backgrounds into the style while she explores its folk song roots and transformation into choral and solo vocal concert repertoire. Profiling key composers and pioneers of the genre, Jones also discusses the use of dialect and other controversial performance considerations. Contributed chapters address elements of collaborative piano, studio teaching, choral arrangement, voice science, and vocal health as they apply to the performance of spirituals. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Spirituals features online supplemental material on the NATS website.
