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Ev'ry Time I Feel the Spirit
Gathers Negro spirituals, traditional gospel songs, European American hymns, and contemporary gospel songs.
This Life of Sounds
This book is an invaluable chronicle of an exuberant time of artistic exploration and experimentation populated by now legendary figures such as John Cage, Morton Feldman, Cornelius Cardew, Terry Riley, Julius Eastman, David Tudor, and many others who were part of this under-known chapter of late 20th century music history. Levine Packer brings it to life once again.
Gay Guerrilla
A compelling portrait of composer-performer Julius Eastman's enigmatic and intriguing life and music.
Hymns & Devotions for Daily Worship
A daily hymnal, featuring nearly 400 hymns and readings for every day of the year (special days have more than one), including 69 metrical psalms and 7 spirituals. Embark on a journey through the traditional Christian year, entering by way of Advent, visiting major and minor landmarks along the way, culminating in a celebration of Christ the King. On your journey, feast on the riches of hymnody, new and old, locally and globally, following the narrative pathways of the gospel story as outlined in the Revised Common Lectionary. Find nourishment in reflective commentary by living hymn writers, classic hymn writers, and master scholars. Discover more about the hymns and psalm paraphrases by observing their sources, and learn more about the church year through guiding essays.
Downhome Gospel
Jerrilyn McGregory explores sacred music and spiritual activism in a little-known region of the South, the Wiregrass Country of Georgia, Alabama, and North Florida. She examines African American sacred music outside of Sunday church-related activities, showing that singing conventions and anniversary programs fortify spiritual as well as social needs. In this region African Americans maintain a social world of their own creation. Their cultural performances embrace some of the most pervasive forms of African American sacred music—spirituals, common meter, Sacred Harp, shape-note, traditional, and contemporary gospel. Moreover, the contexts in which they sing include present-day observation...
Better Get It In Your Soul
This book offers hope to the parish that is searching for a way to make their liturgies more meaningful in the local context. Written by a priest and musician who have worked together for many years in the Canterbury House ministry at the University of Michigan, the methods described here demonstrate a respect for others' gifts and skills, discernment of the spiritual needs of the community, and actively welcoming the creative force of the Holy Spirit to work even in the planning process. Based on the liturgical format of the Book of Common Prayer, Hamilton and Rush nevertheless outline their experience and ideas in ways that will be useful to all liturgical denominations.
The Universe Bends Toward Justice
In these passionate and wide-ranging essays Obery Hendricks offers a challenging engagement with spirituality, economics, politics, contemporary Christianity, and the abuses committed in its name. Among his themes: the gap between the spirituality of the church and the spirituality of Jesus; the ways in which contemporary versions of gospel music "sensationalize" today's churches into social and political irrelevance; how the economic principles and policies espoused by the religious right betray the most basic principles of the same biblical tradition they claim to hold dear; the domestication of Martin Luther King's message to foster a political complacency that dishonors King's sacrifices. He ends with a stinging rebuke of the religious right's idolatrous "patriotism" in a radical manifesto for those who would practice "the politics of Jesus" in the public sphere.
Maintaining Sanity in the Midst of Unrelenting Oppression
When asked by the publisher of this manuscript to write a brief statement for the cover of this book, we were immediately driven to the second stanza of "Lift Every Voice and Sing" by James Weldon Johnson and J.R. Rosamond Johnson. The second stanza says, Stony the road we trod Bitter the chastening rod Felt in the days when hope unborn had died Yet with a steady beat Have not our weary feet Come to the place for which our fathers sighed? We have come over a way that with tears has been watered We have come, treading our path through the blood of the slaughtered Out from the gloomy past Till now we stand at last Where the white gleam of our bright star is cast To our sisters and brothers, keep praying, keep singing, and keep going to safe places to cry! Our sanity demands.
Black British Gospel Music
Black British Gospel Music is a dynamic and multifaceted musical practice, a diasporic river rooted in the experiences of Black British Christian communities. This book examines gospel music in Britain in both historical and contemporary perspectives, demonstrating the importance of this this vital genre to scholars across disciplines. Drawing on a plurality of voices, the book examines the diverse streams that contribute to and flow out of this significant genre. Gospel can be heard resonating within a diverse array of Christian worship spaces; as a form of community music-making in school halls; and as a foundation for ‘secular’ British popular music, including R&B, hip hop and grime.
Black Stars of the Harlem Renaissance
AFRICAN AMERICAN HISTORY COMES TO LIFE Discover why young people all over the country are reading the Black Stars biographies of African American heroes. Here is what you want to know about the lives of great black men and women during the fabulous Harlem Renaissance: louis "satchmo" armstrong eubie blake thomas andrew dorsey w. e. b. du bois duke ellington james reese europe jessie redmon fauset marcus garvey w. c. handy fletcher henderson langston hughes zora neale hurston hall johnson henry johnson oscar micheaux philip payton jr. gertrude "ma" rainey paul robeson augusta savage noble sissle bessie smith james van der zee dorothy west carter g. woodson "The books in the Black Stars series...
