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An excellent book for English-speaking students and teachers of Byzantine Music Notation. Its principles are according to referenced traditional teachers. Context includes practical exercises and theory in text book format.
Philip Kariatlis is a lecturer of theology at St Andrew's Greek Orthodox Theological College, Sydney, Australia. In 2010 he received his doctorate in Ecclesiology from the Sydney College of Divinity. His research interests lie in Church doctrine, specifically its existential and salvific significance. He translated the doctoral dissertation of Archbishop Stylianos (Harkianakis) entitled The Infallibility of the Church in Orthodox Theology (2008). He is a member of the Faith and Unity Commission of the National Council of Churches in Australia.
Treasure in a Box: A Guide to the Icons of St. Andrew is a narrative companion to the largest body of Pokrovsky icons in North America, located at St. Andrew Antiochian Orthodox Church in Lexington, Kentucky. The late Ksenia Mihailovna Pokrovskaya was a world-renowned master iconographer who immigrated to the United States from Moscow in 1991, six months before the collapse of the Soviet Union. During the 1960s, she gave up a promising career as a biophysicist at Moscow University to become a leader of a clandestine movement that revived the tradition of icon painting in her homeland, where it was forbidden by law. Over the past two decades the curious as well as the faithful have come to survey the interior of an unremarkable shoebox structure that is St. Andrew Orthodox Church. The universal response has been one of awe when standing before this visual gospel that portrays the history of salvation from the conception of the Virgin Mary to the evangelistic preaching of the apostles. Treasure in a Box: A Guide to the Icons of St. Andrew provides an up close look at these symbols of faith.
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This book combines concepts from the history of religions with Byzantine studies in its assessments of kings, symbols, and cities in a diachronic and cross-cultural analysis. The work attests, firstly, that the symbolic art and architecture of ancient cities—commissioned by their monarchs expressing their relationship with their gods—show us that religiosity was inherent to such enterprises. It also demonstrates that what transpired from the first cities in history to Byzantine Christendom is the gradual replacement of the pagan ruler cult—which was inherent to city-building in antiquity—with the ruler becoming subordinate to Christ; exemplified by representations of the latter as th...
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The Great Canon has been described as one of the jewels of Orthodoxy's ascetic spirituality. In the first week of Lent, during Great Compline, it is sung and declaimed in portions; on Thursday of the fifth week, during Matins, in its entirety. Throughout, accompanied by bows or prostrations, the refrain is: Have mercy on me, O God, have mercy on me. This short, yet full, essay by Olivier Clément serves as an enriching commentary and guide for reading The Great Canon of St Andrew of Crete. The author begins the journey with a study of the meaning of "awakening" and "the fear of God" the stepping stones toward true repentance. He then follows the Canon's path of identifying our fallen nature, the passions, Christ's liberation from sin and death, humility, and asceticism, and ends with a comparison between the shedding of tears and the holy chrism of baptism. Clément ultimately encourages us to see repentance as the key to being fully alive-and The Great Canon as our roadmap toward becoming alive in Christ. A translation of the Great Canon accompanies the text.
First published in 1979.