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Images-within-Images in Italian Painting (1250-1350)
The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutic...
A Continuous Revolution
Cultural Revolution Culture, often denigrated as nothing but propaganda, was liked not only in its heyday but continues to be enjoyed today. A Continuous Revolution sets out to explain its legacy. By considering Cultural Revolution propaganda art—music, stage works, prints and posters, comics, and literature—from the point of view of its longue durée, Barbara Mittler suggests it was able to build on a tradition of earlier art works, and this allowed for its sedimentation in cultural memory and its proliferation in contemporary China. Taking the aesthetic experience of the Cultural Revolution (1966–1976) as her base, Mittler juxtaposes close readings and analyses of cultural products from the period with impressions given in a series of personal interviews conducted in the early 2000s with Chinese from diverse class and generational backgrounds. By including much testimony from these original voices, Mittler illustrates the extremely multifaceted and contradictory nature of the Cultural Revolution, both in terms of artistic production and of its cultural experience.
Masaccio
Ranked by many scholars as the greatest master of early Italian Renaissance painting, Masaccio (1401-1428) was the first artist to use effects of light to create three-dimensional images on a two-dimensional plane. This achievement, revolutionary in Masaccio's day, is one of the painter's significant contributions to art history. This book explores Masaccio's accomplishment as epitomized by the multipaneled painting of which theSaint Andrewpanel is thought to have once formed a part: the Pisa Altarpiece, one of the truly great polyptychs in the history of Italian Renaissance art, produced in 1426 for a chapel in the church of Santa Maria del Carmine, Pisa. The text discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role that the church friars played in the actual commission. Finally, after examining the polyptych's individual panels, the book traces their subsequent history and recounts how art historians came to identify them.
Zwischen den Welten
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Über Kunst
Hans Peter Riegel zählt zu den wenigen Künstlern, die gleichzeitig als Autor tätig sind. Aus dieser Position schreibt er kenntnisreich und kritisch über den Kunstmarkt sowie Künstlerinnen und Künstler. Während der Recherchen zu seinen erfolgreichen Biographien über Joseph Beuys und Jörg Immendorff hat er viele Gespräche geführt, die bislang nur in Auszügen veröffentlicht wurden. Immer wieder hat er auch für namhafte Medien geschrieben, Künstler und Kreative interviewt. Jetzt hat Hans Peter Riegel eine Auswahl dieser Texte in diesem Buch zusammengefasst. Unter anderem mit Beiträgen zu Marina Abramovic, Helge Achenbach, Joseph Beuys, Tina Brown, Jörg Immendorff und Eva Presenhuber sowie Interviews mit Jörg Immendorff, Diane Keaton, Marc Spiegler und Klaus Staeck.
Carol Bove (with Janine Lariviere)
Weaving together archival elements and references this first-time publication documents New York artist Carol Bove's first international solo exhibition at the Kunstverein in Hamburg, Germany. Bove's work is part of a broader project that explores North American history and art from the late 1960s to the early 1970s. Among this fast-rising young artist's influences are cultural events such as feminism, hippie psychedelia and the peace movement. Highlights include Bove's atmospheric installations, in which she serves as both actress and cultural archaeologist.
Appreciating Physical Landscapes
Geotourism, as a form of sustainable geoheritage tourism, was defined and developed, from the early 1990s, to contextualize modern approaches to geoconservation and physical landscape management. However, its roots lie in the late seventeenth century and the emergence of the Grand Tour and its domestic equivalents in the eighteenth century. Its participants and numerous later travellers and tourists, including geologists and artists, purposefully explored wild landscapes as‘geotourists’. The written and visual records of their observations underpin the majority of papers within this volume; these papers explore some significant geo-historical themes, organizations, individuals and locations across three centuries, opening with seventeenth century elite travellers and closing with modern landscape tourists. Other papers examine the resources available to those geotourists and explore the geotourism paradigm. The volume will be of particular interest to Earth scientists, historians of science, tourism specialists and general readers with an interest in landscape history.
