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Stefano Della Bella
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A Collection of Etchings, by That Inimitable Artist Stefanino Della Bella, Comprsing in Number One Hundred and Eighty Pieces, and Consisting of Landscapes, Marie Views, Animals, Friezes, Ornaments, &c. &c. to Which is Prefixed a Biographical Memoir Of...
Stefano Della Bella (1610-1664) was a prominent Italian etcher and printmaker, renowned for his exquisite depictions of landscapes, animals, and decorative motifs in the Baroque style. This collection, with a biographical memoir by an unknown author, showcases Della Bella's versatility as an artist and his mastery of the etching medium. A must-have for lovers of Baroque art and printmaking. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Stefano Della Bella: Drawings Colour Plates
Stefano della Bella (1610 - 1664) was an Italian draughtsman and printmaker known for etchings of a great variety of subjects, including military and court scenes, landscapes, and lively genre scenes. He left 1052 prints, and several thousand drawings, but only one known painting. He is known to have illustrated some discoveries for Galileo, and depicted Hansken the famous elephant, when dead. In his final years he produced a number of prints experimenting with tonal effects, though these were little known at the time; he had long made much use of wash in his drawings, and was now attempting with considerable success to achieve similar effects in etching, though only a few good impressions could be taken from the plate.
Stefano Della Bella
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The Science of the Individual: Leibniz's Ontology of Individual Substance
In his well-known Discourse on Metaphysics, Leibniz puts individual substance at the basis of metaphysical building. In so doing, he connects himself to a venerable tradition. His theory of individual concept, however, breaks with another idea of the same tradition, that no account of the individual as such can be given. Contrary to what has been commonly accepted, Leibniz’s intuitions are not the mere result of the transcription of subject-predicate logic, nor of the uncritical persistence of some old metaphysical assumptions. They grow, instead, from an unprejudiced inquiry about our basic ontological framework, where logic of truth, linguistic analysis, and phenomenological experience o...
The Science of the Individual: Leibniz's Ontology of Individual Substance
In his well-known Discourse on Metaphysics, Leibniz puts individual substance at the basis of metaphysical building. In so doing, he connects himself to a venerable tradition. His theory of individual concept, however, breaks with another idea of the same tradition, that no account of the individual as such can be given. Contrary to what has been commonly accepted, Leibniz’s intuitions are not the mere result of the transcription of subject-predicate logic, nor of the uncritical persistence of some old metaphysical assumptions. They grow, instead, from an unprejudiced inquiry about our basic ontological framework, where logic of truth, linguistic analysis, and phenomenological experience o...
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