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Visual Cultures of Death in Central Europe
In Visual Cultures of Death in Central Europe, Aleksandra Koutny-Jones explores the emergence of a remarkable cultural preoccupation with death in Poland-Lithuania (1569-1795). Examining why such interests resonated so strongly in the Baroque art of this Commonwealth, she argues that the printing revolution, the impact of the Counter-Reformation, and multiple afflictions suffered by Poland-Lithuania all contributed to a deep cultural concern with mortality. Introducing readers to a range of art, architecture and material culture, this study considers various visual evocations of death including 'Dance of Death' imagery, funerary decorations, coffin portraiture, tomb chapels and religious landscapes. These, Koutny-Jones argues, engaged with wider European cultures of contemplation and commemoration, while also being critically adapted to the specific context of Poland-Lithuania.
Castiglione
One of the great artists of the Baroque, Giovanni Benedetto Castiglione (1609-64) was perhaps the most innovative and technically brilliant Italian draftsman of his time. He practised as a painter, but won fame for his drawings and prints. Castiglione worked in oils on paper to produce large, vibrant compositions, and combined drawing and printmaking to invent the technique of monotype. Despite leading a violent and turbulent life, he produced works of grace and rare beauty, which were highly esteemed for a century after his death. But Castiglione unaccountably fell from fame in the modern era. The Royal Collection holds the finest surviving group of the artist's works. 0Exhibition: The Queen's Gallery, Buckingham Palace, London, UK (11.2013).
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Cut the Cake
You may now arrest the Bride. It was supposed to be the society event of the year. Ainsworth, North Carolina’s own Bella Vitelli was marrying a famous Italian movie star. Unfortunately, this wedding didn’t end with the happy couple walking off to begin their new life of married bliss. Instead, it ended in murder. Book 2 in the “A Pair of Legals Mystery" series follows the continuing exploits of Kelly Camden and Sam Greyson, co-workers and best friends at a top law firm in Ainsworth, North Carolina. This time, Kelly and Sam find themselves in the middle of a murder investigation when they inadvertently stumble upon a dead body during Bella’s wedding reception. Worse yet, Bella, the br...
Last Night at the Claremont
About the Book Classical pianist Renata DiMonte has abandoned a career with the symphony to entertain in the elegant Piano Bar and Lounge of the Claremont Arms, one of New York City's premier luxury hotels. Haunted by guilt following her mother's death, Renata finds solace in the music she has always longed to play, bonding closely with her audience for the first time./ However, five-star service is not all the Claremont Arms has to offer. There are rumors of paranormal phenomena-rumors that Renata ignores until she begins to have experiences she can't explain. Patrons she has never met will request songs, and without warning, their life stories reveal themselves to her, open books of pain a...
Performativity and Performance in Baroque Rome
A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of meaning inside and outside the arts have made it possible to talk today about a performative turn in the humanities. In Performativity and Performance in Baroque Rome, scholars from different fields of research explore performative aspects of Baroque culture. With examples from the politics of diplomacy and everyday life, from theatre, music and ritual as well as from architecture, painting and sculpture the contributors demonstrate how broadly the concept of performativity has been adopted within different disciplines.
Essays in World Languages and Cultures
This volume consists of 16 papers selected from the 22nd Southeast Conference on Foreign Languages, Literatures and Films held on February 25-27, 2016 on the campus of Stetson University in Celebration, Florida. The shared focus of the essays is to examine how writers, filmmakers and language educators address stereotypes in their representations of diverse cultural paradigms by using, deconstructing or displacing these stereotypes. The fourth section of this publication includes 4 experimental poems by the artist Susanne Eules.
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Realism and Role-Play
After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Realism and Role-Play draws on literature, social history, and affect theory in order to understand the way that figuration performed social positions.
Margherita Costa, Diva of the Baroque Court
The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court brings together close textual readings of Costa’s numero...
