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A Year of Fear
This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film's production.
Sinners in Paradise
In 'Sinners in Paradise,' Max Afford crafts a compelling narrative that combines the elements of drama, mystery, and adventure with a distinctive literary style. The story follows Robert Morte, a successful radio scripter and novelist, and his wife Jane, as their serene vacation is upended by an unexpected twist that compels Robert back into the throes of work. Afford's writing showcases a deep understanding of plot development and pacing, effectively engaging readers with a blend of suspense and thoughtful characterization. Set within a literary context that appreciates intricate plot weaving, the book manages to maintain a balance between the intrigue of the unknown and the familiar ties o...
Hawke
BESTSELLING BIOGRAPHY NOW BACK IN PRINTBlanche d'Alpuget's classic 1982 biography of Robert J. Hawke remains one of the finest examples of political biography in Australian literature.Robert James Lee Hawke is one of the great men of Australian public life and his story makes compelling reading. Blanche d'Alpuget's sensitivity and psychological insight into Hawke's early years reveal how the son of devout Christian parents was reared to public duty and to the ambition of political leadership.Known throughout his life as a tireless campaigner for workers' rights and a man of wild personal habits, Hawke was a Rhodes Scholar, educated in three universities, before rejecting an academic career t...
The Road to Botany Bay
The Road to Botany Bay, first published in 1987 and considered a classic in the field of cultural and historical geography, examines the poetic constitution of colonial society. Through a far-reaching exploration of Australia’s mapping, narrative description, early urbanism, and bush mythology, Paul Carter exposes the mythopoetic mechanisms of empire. A powerfully written account of the ways in which language, history, and geography influenced the territorial theater of nineteenth-century imperialism, the book is also a call to think, write, and live differently.
Plunkett's Energy Industry Almanac 2006
The energy industry is boiling over with changes. Deregulation, new opportunities in foreign fields and markets and environmental challenges are rushing together head-on to shape the energy and utilities business of the future. Extremely deep offshore wells in the Gulf of Mexico and offshore of West Africa are being drilled at immense cost. Meanwhile China has become a major energy importer and Russia has become a major exporter. In the U.S., Europe and Japan, renewable and alternative energy sources are developing quickly, including big breakthroughs in wind power and fuel cells. This exciting new reference book covers everything from major oil companies to electric and gas utilities, plus ...
Golden Horrors
From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre's golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional "borderline horrors" are examined and critiqued in an appendix.
Theatricality in the Horror Film
The horror film generally presents a situation where normality is threatened by a monster. From this premise, Theatricality in the Horror Film argues that scary movies often create their terrifying effects stylistically and structurally through a radical break with the realism of normality in the form of monstrous theatricality. Theatricality in the horror fi lm expresses itself in many ways. For example, it comes across in the physical performance of monstrosity: the overthe-top performance of a chainsaw-wielding serial killer whose nefarious gestures terrify both his victims within the film and the audience in the cinema. Theatrical artifice can also appear as a stagy cemetery with broken-...
