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Theorising the Artist Interview
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.
Much Obliged
This book is called Much Obliged for two reasons. The first is that it is what Stephen’s dad says when he has been served in shops. The second is because Stephen has noticed that he only does things to stop himself letting people down. Joe Brainard’s I Remember is the inspiration for Stephen Sutcliffe’s similarly constructed assemblage of loosely connected reminiscences, each containing a reference to ‘Stephen’. John Ashbery described Brainard’s writing as ‘humane smut’, and, drawing on the comedy of childhood, experience of work, and school friends, as well as family snapshots and Stephen’s own collages, Much Obliged finds a similar tone, firmly rooted in class, the challenge to authority, self-doubt and self-deprecation.--Book Works website.
The Weekly Reporter
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Public Sociology As Educational Practice
Leading academics reflect on concepts and aspects of public sociology education in this perceptive collection of case studies, linked by critical dialogue between contributors. They consider publics, practices and special knowledges in the field, and go beyond academia’s boundaries to explore the purposes and targets of sociological knowledge.
The Contractor
Mr Ewbank is organising the marquee for his daughter's wedding. Erecting a huge muslin tent his team of labourers banter and backbite. The audience watch as these skilled men come together to facilitate an event they won't be attending, and come back the following day, after the fun has been had, to remove the construction again. Meanwhile, Ewbank watches as his labour and business are reined to deliver a send-off that will mark a fundamental shift in his working and family life. 'The Contractor' premiered at the Royal Court in October 1969.
Histories of Technology, the Environment and Modern Britain
Histories of Technology, the Environment and Modern Britain brings together historians with a wide range of interests to take a uniquely wide-lens view of how technology and the environment have been intimately and irreversibly entangled in Britain over the last 300 years. It combines, for the first time, two perspectives with much to say about Britain since the industrial revolution: the history of technology and environmental history. Technologies are modified environments, just as nature is to varying extents engineered. Furthermore, technologies and our living and non-living environment are both predominant material forms of organisation – and self-organisation – that surround and make us. Both have changed over time, in intersecting ways. Technologies discussed in the collection include bulldozers, submarine cables, automobiles, flood barriers, medical devices, museum displays and biotechnologies. Environments investigated include bogs, cities, farms, places of natural beauty and pollution, land and sea. The book explores this diversity but also offers an integrated framework for understanding these intersections.
Who's who
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Keep on Onnin'
Art Now at Tate Britain provides an important platform for contemporary art, giving vital exposure to artists at an early stage of their career. The wide-ranging programme responds to developments in contemporary practice by British artists, and artists living and working in Britain. Documenting over two years of Art Now projects, this book offers fully-illustrated texts on twenty-seven of the most interesting artists working in Britain today. A round-table discussion between critics, curators and artists contextualises the programme alongside developments within the art world, offering a unique guide to current practice.
The Art of Living Foundation
The Hindu-derived meditation movement, The Art of Living (AOL), founded in 1981 by Sri Sri Ravi Shankar in Bangalore, has grown into a global organization which claims presence in more than 150 countries. Stephen Jacobs presents the first comprehensive study of AOL as an important transnational movement and an alternative global spirituality. Exploring the nature and characteristics of spirituality in the contemporary global context, Jacobs considers whether alternative spiritualities are primarily concerned with individual wellbeing and can simply be regarded as another consumer product. The book concludes that involvement in movements such as AOL is not necessarily narcissistic but can foster a sense of community and inspire altruistic activity.
