Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Genius of Renoir
"Produced by Museo Nacional del Prado in association with the Sterling and Francine Clark Art Institute, in conjunction with an exhibition at the Prado, 18 October 2010-6 February 2011"--T.p. verso.
Nineteenth-century European Paintings at the Sterling and Francine Clark Art Institute
The core of the Clark's collection was assembled by Robert Sterling Clark (1877-1956), who once declared, "I like all kinds of art if it is good of its kind." This monumental, two-volume publication is the first fully documented catalogue of the Institute's collection of European paintings. The quality of this collection reflects the founder's philosophy in its inclusion of masterpieces as diverse as William-Adolphe Bouguereau's Nymphs and Satyr (1873) and Pierre-Auguste Renoir's A Box at the Theater (1880); works by academic painters such as Jean-Léon Gérôme; Barbizon painters such as Camille Corot and Jean-François Millet; and the Impressionists Camille Pissarro and Edgar Degas. More r...
Winslow Homer
Winslow Homer (1836-1910) is one of the core figures of 19th-century American art. While most well-known for his oil paintings of Civil War scenes and the windswept Atlantic coastline, Homer's oeuvre encompasses a variety of themes, ranging from childhood games through the life-and-death struggles of man and nature. The Clark Art Institute holds one of the greatest collections of Homer's work across all media, including wood engravings, etchings, watercolors, drawings, and paintings from nearly all phases of his career. The collection was assembled predominately by Robert Sterling Clark (1877-1956), who purchased his first Winslow Homer painting in 1915, followed by Two Guides in 1916 and ma...
List of Paintings
None
Great French Paintings from the Clark
Published on the occasion of a series of exhibitions that will travel throughout North America, Europe, and Asia from Feb. 2011 to Feb. 2014.
American Paintings and Sculpture at the Sterling and Francine Clark Art Institute
68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.
Giovanni Boldini in Impressionist Paris
Distinguished by his brilliantly energetic brushwork, Giovanni Boldini (1842-1931) was one of the most prominent Italian artists of the late 19th century. Still, he has remained little known beyond his native country. This beautiful book is the first published on Boldini in English in a generation and accompanies the first major exhibition of his works outside of Europe. Born in Ferrara, Boldini moved to Paris in 1871, where he lived for the rest of his life. This important volume focuses on his work from 1871 to 1886, which reflects the influence of his contemporaries--Degas, Manet, Caillebotte, Meissonier, and Fortuny, among others. It features Boldini’s fanciful paintings made for the art market and depictions of the city around him--from the bustling streets and squares to caf�s, theaters, and concert halls--as well as paintings of friends and models, and a selection of later portraits that established him as one of the quintessential portraitists of the Belle �poque.
Through Shèn-Kan, the Account of the Clark Expedition in North China, 1908-9
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute
In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
