You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Dryland Fish, edited by Matthew MacLeod is the winner of the Chelson Award for Poetry Iowa 2003. The Chelson is awarded annually to the most distinguished literary talent of the year by the Association for Literary Arts, a division of 1st World Library - Literary Society. "The Dryland Fish...what the hell is that?" people ask. I'd always wondered so myself. Actually, until about a month ago I'd never heard of the thing. I had nearly finished sifting through the hundreds of poems I received for a contemporary anthology of Iowa poetry but was without a title. One night I was sitting in a booth at the 2nd Street Cafe ...."Do you have any dryland fish?" he hollered towards the swinging kitchen d...
Poetry. "BLUE BOOK bristles with an exuberant improvisatory energy, telegraphically connecting linguistic probes and self-directed cross-examinations. Unlike the free-associative writing it may sometimes resemble, Benson stops to take measure, building structures both edifying and exhilarating" -Charles Bernstein.
This is a complete guide to press brake operation, from basic mathematics to complex forming operations. Press Brake Technology is the most comprehensive text on press brakes to date. It brings advanced knowledge of its subject to engineering department, shop floor, and classroom. It presents information in a non-machine specific format and establishes a baseline reference, using the application of basic mathematics, trigonometry, and geometry to select die widths, establish precise bend deductions, and other aspects of press brake operation. It focuses on the machines, the procedures, the mathematics, the tools, and the safe procedures necessary to run an efficient press brake operation. Readers learn how to apply this knowledge to shop floor activities. Press Brake Technology is geared for the master craftsman as well as the novice, and is an excellent resource for engineering and drafting courses.
During the 20th century, an organized objective to rewrite Latter-day Saint history from within, unbeknownst to the general Church membership, went head to head behind the scenes with traditional leaders of the Church. Meet the main players of this conflict: Leonard Arrington—progressive “Father of New Mormon History,” Ezra Taft Benson—traditionalist defender, and many other advocates of traditionalist and progressive Latter-day Saint history. As traditionalists and progressives sparred during the 1970s-1980s, a covert cold war commenced in Salt Lake City, Utah, with the progressives spying on the traditionalists, and the traditionalists spying on the progressives. Secret informants, leaked documents, falsified reports, and even employed pseudonyms—all were part of this struggle to dominate Latter-day Saint history. But how did, and does, this secret conflict affect you? Progressives, working in the Church History Department and at Brigham Young University, claimed 40 years ago that it would take a generation to re-educate the Church. Where are we now in that re-education?
Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound ...
Winner of the American Comparative Literature Association's Rene Wellek Prize (2004) As one of the founding poets and editors of the Language School of poetry and one of its central theorists, Barrett Watten has consistently challenged the boundaries of literature and art. In The Constructivist Moment, he offers a series of theoretically informed and textually sensitive readings that advance a revisionist account of the avant-garde through the methodologies of cultural studies. His major topics include American modernist and postmodern poetics, Soviet constructivist and post-Soviet literature and art, Fordism and Detroit techno—each proposed as exemplary of the social construction of aesthetic and cultural forms. His book is a full-scale attempt to place the linguistic turn of critical theory and the self-reflexive foregrounding of language by the avant-garde since the Russian Formalists in relation to the cultural politics of postcolonial studies, feminism, and race theory. As such, it will provide a crucial revisionist perspective within modernist and avant-garde studies.
The School of Journalism at Columbia University has awarded the Pulitzer Prize since 1917. Nowadays there are prizes in 21 categories from the fields of journalism, literature and music. The Pulitzer Prize Archive presents the history of this award from its beginnings to the present: In parts A to E the awarding of the prize in each category is documented, commented and arranged chronologically. Part F covers the history of the prize biographically and bibliographically. Part G provides the background to the decisions.
A brutal killer lurks near Hyde River in the Pacific Northwest. When wildlife biologist Steve Benson is called in to investigate the latest murder, he discovers that the victim is his brother. But why are the terrorized townspeople silent—and unwilling to help? Something evil is at work in Hyde River, an isolated mining town in the mountains of the Pacific Northwest. Under the cover of darkness, a predator strikes without warning—taking life in the most chilling and savage fashion. The community of Hyde River watches in terror as residents suddenly vanish. Yet, the more locals are pressed for information, the more they close ranks, sworn to secrecy by their forefathers’ hidden sins. Only when Hyde River’s secrets are exposed is the true extent of the danger fully revealed. What the town discovers is something far more deadly than anything they’d imagined. Something that doesn’t just stalk its victims—it has the power to turn hearts black with decay as it slowly fills their souls with darkness. Standalone Christian thriller with over one million copies sold Book length: approximately 100,000 words Includes discussion questions for book clubs
Green Wave by Dan Kuester [--------------------------------------------]
A celebration of the radical poetics of invention from Charles Bernstein. For more than four decades, Charles Bernstein has been at the forefront of experimental poetry, ever reaching for a radical poetics that defies schools, periods, and cultural institutions. The Kinds of Poetry I Want is a celebration of invention and includes not only poetry but also essays on aesthetics and literary studies, interviews with other poets, autobiographical sketches, and more. At once a dialogic novel, long poem, and grand opera, The Kinds of Poetry I Want arrives amid renewed attacks on humanistic expression. In his polemical, humorous style, Bernstein faces these challenges head-on and affirms the enduring vitality and attraction of poetry, poetics, and literary criticism.