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1001 Movies You Must See Before You Die
"I have, by the way, seen 943 of the 1001 movies, and am carefully rationing the remaining titles to prolong my life." - Roger Ebert "1001 ways to give cinema new scope." - The Herald Expert critics in each genre of film, from romance to horror and sci-fi, have once again painstakingly revised this list of essential must see-movies, cut and added films to bring the must-watch list bang up to date for 2013, from great classics like The Birth of a Nation and Gone With the Wind to recent Oscar winners like Life of Pi, Amour, Argo and the blockbusters that is Skyfall. Each entry tells you exactly why these films deserve inclusion in this definitive illustrated list, engaging readers in each film...
101 Sci-Fi Movies You Must See Before You Die
Can you tell your Dagobah from your Delos and your Ming from your Morlock? Do you need help understanding 2001: A SPACE ODYSSEY? From the classic low-budget Flash Gordon tales to the slick CGI-realised world of THE MATRIX, science-fiction films have long pushed the boundaries of the visually and dramatically fantastic. 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE is your perfect one-stop guide to them all. Science fiction allows every other movie genre to leap - quite literally - into another dimension. Take a classic police chase and set it on Mars. Create a haunted house story, then add the robots. Take the classic boy-meets-girl story, then make them mutants. Great sci-fi movies turn the...
1001 Movies You Must See Before You Die
With more than one and a half million copies sold worldwide in thirty languages, '1001 Movies You Must See Before You Die' celebrates the great and groundbreaking, classic and cult, must-see movies of all time, offering a treasure trove of incisive, witty, and revealing insights. Spanning more than a century of extraordinary cinema, this comprehensive volume brings together the most significant movies from every country and all genres, from action to Western, through animation, comedy, documentary, musical, thriller, noir, short, remance, and sci-fi. Completely revised and updated for 2013, this definitive edition features a fresh new design, 500 original movie posters, and 200 new movie sti...
Movies
1001 Movies is now well-established as the definitive guide to everything you need to know about must-see movies, from the films you shouldn't have missed the first time around, to the films you can see again and again. Expert critics in each genre of film, from romance to horror and sci-fi, have painstakingly included, revised, cut and added films to bring the must-watch list bang up-to-date for 2007. They will tell you exactly why these films deserve inclusion in this definitive illustrated list, about their conception and development, and even about the most famous pieces of memorabilia associated with them. Packed with vital statistics, and a few facts that may surprise you, this is a collector's must for the bookshelf as well as an entertaining read for all those who love the wonderful world of film.
1001 Movies You Must See Before You Die
Lists "must-see" movies in a chronological arrangement, providing information on director, producer, screenplay writer, music, cast members, and awards, along with a detailed review of each.
Dark Thoughts
Is horror a fundamentally nihilistic genre? Why are those of us who enjoy horror films so attracted to watching things on screen that in real life we would almost certainly find repellent? Do monster movies have a deleterious moral effect on their viewers? In seeking to answer such questions, as well as a host of related ones, Dark Thoughts reveals that our fascination with horror cinema, and the pleasure we take in it, is in the end simply a natural extension of a philosopher's inclination to wonder. This is a collection of highly engaging and provocative essays by top scholars in the increasingly interrelated fields of Philosophy, Film Studies, and Communication Arts that deal with the epi...
101 Horror Movies You Must See Before You Die
Whether it be internal demons, real-life vampires, anonymous serial killers, crazed spouses, vengeful ghosts or Satan himself, horror films have gripped audiences and filmmakers alike since the very beginnings of cinema. Prepare to be terrified, fascinated and enthralled as you take this whirlwind tour of the 101 horror films you must see before you die. 101 Horror Films You Must See Before You Die gives you a thorough appreciation of the genre, because it approaches the subject chronologically. You'll move through gothic classics like James Whale's The Old Dark House (1932) and Terence Fisher's Dracula (1958), to zombie movies like Dawn of the Dead (1978) and 28 Days Later (2002). All the s...
Horror Film and Psychoanalysis
Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.
Underground U.S.A.
Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.
Horror International
As global cinema becomes increasingly difficult to distinguish, characterizations of horror films from various geographical and cultural locations seem more fluid and transitional than ever before. However, this does not mean denying the existence of national features that affect and are reflected in horror films, whether from an artistic or a reception standpoint. Horror is one of the most studied genres in cinema, yet none of the many books on the subject focus on films or traditions outside the United States or the United Kingdom. While Italian, Japanese, Mexican, German, and Hong Kong horror films have received a modicum of critical recognition, the areas of Egyptian, Romanian, Belgian, ...
