You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Among the famous graffiti artists from New York City's 1970s subway era was an unassuming talent from the unassuming borough of Queens. The Italian-American rock and roller who wrote "DON 1 MAFIA" blasted onto the scene like a meteorite out of nowhere. His influence on this art form transcended the inner city and he became a legend and a household name. But his descent from the top of this name game, a result of the hedonistic lifestyle of New York City at the time, was just as swift, and for years DON1 has lived in obscurity. Fortunately, as a photographer studying at the prestigious school of Art and Design, DON1 documented his iconic work, along with that of his well known contemporaries, using his trusted 35mm camera. This penetrating work takes the reader inside the supernova that was DON1's creative life with nearly 200 never before seen graffiti photos of the most undocumented NYC train lines and an even rarer glimpse at work from his black book.
A fascinating guide to decoding the secret language of the churches of England through the medieval carved markings and personal etchings found on our church walls from archaeologist Matthew Champion. 'Rare, lovely glimmers of everyday life in the Middle Ages.' -- The Sunday Times 'A fascinating and enjoyable read' -- ***** Reader review 'Superb' -- ***** Reader review 'Riveting' -- ***** Reader review 'Compelling, moving and fascinating' -- ***** Reader review ***************************************************************************************************** Our churches are full of hidden messages from years gone by and for centuries these carved writings and artworks have lain largely u...
BLADE has already told his life story through graffiti. Now, more than forty years into his career and armed with an incredible memory, BLADE sits down with Chris Pape to reflect on growing up in the Bronx in the turbulent 1970s, and recounts the highs and lows of his storied career, holding nothing back. BLADE is considered "The King of Graffiti" because, by 1980, after painting 5,000 wildly creative trains, he stopped counting. This book parallels the New York graffiti movement almost from its inception, moving through its glory years in the mid-1970s, when BLADE earned his title, and ending in the global art scene, where he remains a major presence. BLADE helped New York graffiti become internationally famous by making it look fun, and, for reasons of quantity, quality, and, perhaps above all, for sheer spirit, BLADE may very well be the most popular graffiti artist with his peers.
As Anna and Layla reckon with illness, risk, and loss in different ways, they learn the power of friendship and the importance of hope.
This collection of 12 essays outlines what is now known about the origins and development of writing. The topics discussed include such precursors to writing as the tokens used for record-keeping in the Middle East, as well as cuneiform and Egyptian hieroglyphics.The alphabet is treated from its invention to its use in Arabic, Greek and Latin. Also presented are the writing systems of China and Middle America and two European systems, runes and ogham, that have been superseded by the Latin alphabet. An introduction surveys the subject and explores myths and theories on the invention of writing.
This book is an essential resource for understanding the question of the Bible's relationship to orality. Susan Niditch offers a strong argument for the continuity of the literature of the Israelites. She helps the modern reader look at the Bible as living words, breathing life into us daily, instead of seeing the text as a foregone artifact. Volumes in the Library of Ancient Israel draw on multiple disciplines--such as archaeology, anthropology, sociology, linguistics, and literary criticism--to illuminate the everyday realities and social subtleties these ancient cultures experienced. This series employs sophisticated methods resulting in original contributions that depict the reality of the people behind the Hebrew Bible and interprets these insights for a wide variety of readers.
This work focuses the social context of writing in ancient Western Arabia in the oasis of ancient Dadan, modern-day al-ʿUlā in the northwest of the Arabian Peninsula between the sixth to first centuries BC. It offers a description and analysis of the language of the inscriptions and the variation attested within them. It is the first work to perform a systematic study of the linguistic variation of the Dadanitic inscriptions. It combines a thorough description of the language of the inscriptions with a statistical analysis of the distribution of variation across different textual genres and manners of inscribing. By considering correlations between language-internal and extralinguistic features this analysis aims to take a more holistic approach to the epigraphic object. Through this approach an image of a rich writing culture emerges, in which we can see innovation as well as the deliberate use of archaic linguistic features in more formal text types.
"Wallbangin'" offers an unprecedented, in-depth look at the phenomenon of graffiti as it is embodied in the neighborhoods of one of its epicenters, Los Angeles. 13 color plates. 104 halftones.
A powerful portrayal of the Egyptian Revolution, telling the story with striking images of art that turned Egypt's walls into a visual testimony of bravery and resistance. Even the army tanks that rolled onto Tahrir Square were immediately adorned with graffiti. This survey of current Egyptian street art looks at the most influential artists who have made their iconic marks on the streets. Spanning Cairo, Alexandria and Luxor, this is a document of the volatile and fast-shifting political situation there. Since the start of the Arab revolution the Middle East has seen an unparalleled explosion of graffiti. * With contributions by experts in the fields of typography, graphic design, sociology and Egyptology These images of the revolution taken by acclaimed photographers and activistsvplaces the graffiti of the revolution in a broader context, and examines the historical, socio-political and cultural backgrounds which have shaped the movement.
Walls of Freedom is a powerful portrayal of the Egyptian Revolution, telling the story with striking images of art that turned Egypt's walls into a visual testimony of bravery and resistance. This survey of Egyptian street art is also enriched by images of the revolution taken by acclaimed photographers and activists. Spanning major Egyptian cities like Cairo, Alexandria and Luxor, it is a day-to-day reflection of the volatile and fast-shifting political situation.