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The legendary Canadian book editor presents this “remarkable, four-decade romp through the back rooms of publishing” (Toronto Sun). Scottish-born Douglas Gibson was drawn to Canada by the writing of Stephen Leacock—and eventually made his way across the Atlantic to find a job in book publishing, where he edited a biography of none other than Leacock. But over the decades, his stellar career would lead him to work with many more of the country’s leading literary lights. This memoir shares stories of working—and playing—alongside writers including Robertson Davies, Mavis Gallant, Brian Mulroney, Val Ross, W. O. Mitchell, and many more. Gibson reveals the projects he brainstormed fo...
Have you ever read a suspense novel so good you had to stop and think to yourself, “How did the author come up with this idea? Their characters? Is some of this story real?” For over five years, Mark Rubinstein, physician, psychiatrist, and mystery and thriller writer, had the chance to ask the most well-known authors in the field just these kinds of questions in interviews for the Huffington Post. Collected here are interviews with forty-seven accomplished authors, including Michael Connelly, Ken Follett, Meg Gardiner, Dennis Lehane, Laura Lippman, and Don Winslow. These are their personal stories in their own words, much of the material never before published. How do these writers’ life experiences color their art? Find out their thoughts, their inspirations, their candid opinions. Learn more about your favorite authors, how they work and who they truly are.
Storytelling With Our Students invites you on a fascinating and personal journey in the company of David Heathfield – an experienced teacher and dedicated storyteller. He introduces you to the art of telling an unscripted story, and provides you with the opportunity to bring stories from many cultures to vibrant life in your language teaching.Storytelling builds confidence, develops language skills, encourages speaking and listening fluency, and increases motivation and interaction.• Teachers discover the techniques for being successful tellers of tales.• Learners discover that they, too, can be storytellers.The book includes stories from around the world – and focuses on the telling...
Retells stories based on such popular Dreamworks animated films as "Shrek," "Madagascar," "How to Train Your Dragon," and "Kung Fu Panda" that focus on the role of the friendships among the characters in their adventures.
Why take the shortest, most direct route through life, when you could choose the wiggliest, most mountainous one possible? Armed with a limited grasp of Spanish and determined to meet as many llamas as possible, Anna and her friend Faye set off on a 6-month journey along the spine of the largest mountain range in the world - the Andes. Beginning in the bustling city of La Paz, the duo pedal south - through dense jungle, across pristine white salt flats and past towering volcanoes, following the path of thundering glacial rivers to the snow-tipped peaks of Patagonia. Sleeping wild in their tents most nights, they endure 50-mph crosswinds and catastrophic crashes, and go head to head with one very determined saddle sore called Sally. By the time they make it to the southernmost tip of the continent, they have cycled 5,500 miles and ascended over 100,000 metres through the mighty Andes - equivalent to 11 times the height of Everest. Told from the seat of Anna's bicycle, Llama Drama is a witty and compelling account of life at its rawest and most rich. For anyone who has ever wanted to journey through the stunning natural landscapes of South America - this story is for you.
Updated second edition: “A bold and imaginative book which moves our thinking about narratives of illness in new directions.” —Sociology of Heath and Illness Since it was first published in 1995, The Wounded Storyteller has occupied a unique place in the body of work on illness. A collective portrait of a so-called “remission society” of those who suffer from illness or disability, as well as a cogent analysis of their stories within a larger framework of narrative theory, Arthur W. Frank’s book has reached a large and diverse readership including the ill, medical professionals, and scholars of literary theory. Drawing on the work of such authors as Oliver Sacks, Anatole Broyard,...
An anthology amplifying the voices of the figures reshaping art histories across disciplines and a range of fluid practices. With a focus on gender, race (including whiteness), class, sexuality, and transnationality--all of which are often marginalized in dominant art histories--each individual has provided short, often personal contributions detailing how they become passionate about their practice. The contributors' offerings are varied and surprising, appealing equally to people enmeshed in the field through their work as well as those with a beginner's interest. Their pieces take various forms--epistolary, children's fable, interview, coauthored narrative, pastiche, memoir, manifesto, and apology--and a number of the essays perform in their structure or content the theories they explore about publishing, curating, and archival work.
The Quechan are a Yuman people who have traditionally lived along the lower part of the Colorado River in California and Arizona. They are well known as warriors, artists, and traders, and they also have a rich oral tradition. The stories in this volume were told by tribal elders in the 1970s and early 1980s. The eleven narratives in this volume take place at the beginning of time and introduce the reader to a variety of traditional characters, including the infamous Coyote and also Kwayúu the giant, Old Lady Sanyuuxáv and her twin sons, and the Man Who Bothered Ants. This book makes a long-awaited contribution to the oral literature and mythology of the American Southwest, and its format ...
'Here is my prize read for people who are interested in books, writers, Canada, life, and all that kind of thing.'' - Alice Munro, from the introduction ''I'll kill him!'' said Mavis Gallant. Pierre Trudeau almost did, leading him (''Run!'') into a whizzing stream of traffic that almost crushed both of them. Alistair MacLeod accused him of a ''home invasion'' to grab the manuscript of "No Great Mischief." And Paul Martin denounced him to a laughing Ottawa crowd, saying, ''If Shakespeare had had Doug Gibson as an editor, there would be no Shakespeare!'' On the other hand, Alice Munro credits him with keeping her writing short stories when the world demanded novels. Robertson Davies, with a no...