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JULIEN NGUYEN:EX FORTI DULCEDO PB
Published on the occasion of Julien Nguyen's solo exhibition at Stuart Shave/Modern Art, London (18 May - 30 June 2018), this catalogue illustrates the 10 works in the exhibition in addition to twelve further paintings produced between 2013 and 2017.The setting for Julien Nguyen's new body of work is Biblical; each painting is composed through readymade scenes in which archetypal characters pose in some of the most archetypical scriptural tableaux.Mary's annunciation, or the flagellation, baptism, and resurrection of Christ; these are some of the narrated events that seamlessly merge with an art-historical framework of 15th century painting's perspectival studies of figures in space.But despite the fact that scenes of Nguyen's paintings are often traceable to these canonical references, his subjects themselves are distinctively of their own time. The relationship between these images and their objects is one of incarnation over iconography.Their spectators attentive, rather than absorbed. Perhaps most distinctively, included in his subjects, are the faces of the artist's own passions -- social inhabitants in a contemporary Los Angeles and loved ones playing God.
Contemporary British Art
The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape – both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ‘post-conceptual’ generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of t...
The Mirror and the Palette
Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In THE MIRROR AND THE PALETTE, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery. This is a dazzlingly original and ambitious book by one of the most well-respected art critics at work today.
Radical Figures: Painting in the New Millennium
This timely publication, accompanying a brand new survey exhibition at Whitechapel Gallery, presents key works by some of the most exciting practitioners in current figurative painting.0After a long period dominated by abstraction and conceptual approaches, painting saw a revival of figuration in the 1990s by artists whose work updated portraiture and history painting but remained rooted in the conventions of realism. However a new generation, coming to prominence in the new millennium, are distinguished by a radically different approach to the figure, in which bodies are fragmented, morphed, merged and remade but never completely cohesive.0'Radical Figures' highlights the renewed interest i...
The New Art
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Ruin Lust
Ruin Lust offers a guide to the mournful, thrilling, comic, and perverse uses of ruins in art from the 17th century to the present day. This book, which accompanied a major Tate Britain exhibition, includes more than 100 works by artists such as J. M. W Turner, John Constable, John Martin, Eduardo Paolozzi, Paul Nash, and Rachel Whiteread. Beginning in the midst of the craze that sent artists, writers, architects, and tourists in search of ruins and picturesque landscapes in the 18th century, it shows how ruins have continued to be a source of visual and emotional fascination at particular historical moments. Thoroughly illustrated, Ruin Lust explores how ruin has become a way of thinking about art itself and its connection to both the past and the future.
Blow by Blow: The Story of Isabella Blow
A life of extreme tragedy and remarkable inspiration, the story of Isabella Blow is a dramatic and compelling tale of a courageous icon.
Ricky Swallow
Ricky Swallow is known for intricately and attentively crafted sculptural works, often combining contemporary imagery with art historical references, and the traditional notion of nature morte.
British Art Show 8
Exhibition catalogue. Curators Anna Colin & Lydia Yee have chosen 42 contemporary artists for this years touring exhibition. The exhibition will tour Leeds Art Gallery, the Scottish National Gallery of Modern Art (Edinburgh), Norwich University of the Arts and Norwich Castle Museum and Art Gallery, as well as the John Hansard Gallery (University of Southampton) and the Southampton City Art Gallery between October 2015 and January 2017.
The Imaginary Sea
A reflection on our changing relationship with the sea, imagined by artists such as Jeff Koons and Alison Katz It goes without saying that our relationship to the natural world, especially the sea and its enigmatic and unfathomable contents, is complex and fraught. Far from a wholesale critical condemnation of anthropocentrism, The Imaginary Sea seeks to present a balanced, multifaceted perspective of our evolving relationship with the natural world. It operates, if not in different temporalities, then in different imaginations, compiling work inspired by the sea from artists such as Jeff Koons, Miquel Barceló and Alison Katz, working across a wide range of mediums. This publication, released alongside the eponymous exhibition at the Fondation Carmignac, considers not only how artists are reevaluating our relationship with nature, but also how nature, particularly the sea, sparks our imagination. Akin to the emotional range of a Shakespearian comedy or tragedy, The Imaginary Sea intends to evoke joy, mystery, wonder and melancholy, as well as loss.
