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"Loss is a thing of the past. Murder is obsolete. Death is just the beginning. In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for the recently deceased. Yet Britain isn't the only contender for power in this life and the next. The Soviets have spies in Summerland, and the technology to build their own god. When SIS agent Rachel White gets a lead on one of the Soviet moles, blowing the whistle puts her hard-earned career at risk. The spy has friends in high places, and she will have to go rogue to bring him in. But how do you catch a man who's already dead?"--
It was foretold after Malek's first fall that twice more he would bring war, and that the last time, the very waters of the sea would obey him and fight for him. If this be so, then I cannot imagine how Sulare will escape his wrath... Book jacket.
An unforgettable novel from one of America’s greatest living storytellers, ‘Summerland’ is about redemption and the true nature of heroism.
The first of its kind, this volume sets in dialogue African Americanist and textual scholarship, exploring a wide range of African American textual history and work
The reader's choices guide three teenagers as they explore the ruins of an amusement park with a shady history.
Drawing on novels, film, and photographs, Living Oil offers a literary and cultural history of modern environmentalism and petroleum in America.
The fantastic has occupied the literary imagination of readers and scholars across historical, theoretical, and cultural contexts. Representations of the fantastic in literature rely on formal and generic types, tropes, and archetypes to mediate between depictions of “fantasy” and “reality.” Present in myth and folklore, the gothic and neo-gothic, and contemporary and mainstream fantasy, the fantastic reach stretches into many conceptions of literature over time. “Curious, if True”: The Fantastic in Literature presents recent articles by graduate students on the fantastic and makes connections across category, genre, and historical periods. Fantasy is used as an organizing topic,...
In Publishing Lives, publishers from 31 independent presses talk about how they came to publishing and why they stayed ( or didn't), the mistakes they made, their relationships with authors, the problems of growth, definitions of success, why they do or do not seek grants, their relationships with distributors, bookstores, New York and Toronto, and each other. More than just a directory, Publishing Lives presents these publishers as the spiritual heirs of the nineteenth-century founders of the great New York houses.
Directory of interactive products and services included as section 2 of a regular issue annually, 1995-