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Puppetry Originated In India And Travelled Across The Seven Seas To The Eastern And Western World As Vouched By Many Scholars. Puppets Dated Back To A Period Well Before Bharata S Natya Shastra And Have Continued Unabated Throughout The Centuries In Almost All Indian States. Puppetry Is One Enduring Form, Which Has Entertained Masses And Educated People. The Famous Puppeteers Of Rajasthan Are Really Acrobats, Who Only Put On Puppet Shows When They Move Out Of Villages. These And A Thousand Other Scintillating Facts Come Out Of This Exciting Book For The Reader S Entertainment And Elucidation. Puppets Are By No Means For Only Children, -- As The Puppeteers Of Orissa Sing And Dance About The R...
Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia. Though Javanese shadow theater (wayang) has existed for hundreds...
14 leading 'Ramayana' scholars examine the epic in its myriad contexts throughout South and Southeast Asia. They explore the role the narrative plays in societies as varied as India Indonesia, Thailand and Cambodia. The essays also expand the understanding of the 'text' to include non-verbal renditions of the epic.
Cerita-cerita wayang sangat digemari di Indonesia. Kisahnya menarik dan waktu dimainkan dalam pertunjukan wayang kulit diikuti suara gamelan dengan lagu-lagu yang menimbulkan perasaan aman, gembira, susah, marah, bersemangat, dan lain-lain. Balai Pustaka
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Cerita-cerita wayang sangat digemari di Indonesia. Kisah-kisahnya menarik, dan waktu dimainkan dalam pertunjukan wayang kulit diikuti suara gamelan dengan lagu yang menimbulkan perasaan aman, gembira, susah, marah, bersemangat, dan lain-lain. Balai Pustaka
Kakawin Arjuna Wiwaha berbahasa Jawa Kuno karya Empu Kanwa pernah diterjemahkan ke dalam bahasa Indonesia oleh Sanusi Pane. Dapat dipastikan Sanusi Pane menerjemahkannya karena kagum terhadap isi cerita dan falsafah yang terkandung di dalamnya. Balai Pustaka
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