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Arts and Preaching
In our highly sensory and interactive age, how might drawing upon various arts—music, film, architecture, dramatic performance, painting, fashion, and more—expand the aesthetic experience and mode of preaching? This book presents a critical, practical answer to the question. As our society becomes more visually oriented, art-seeking, and body-positive, the practice of preaching is likewise challenged to demonstrate the mind-body, word-visual, and artistic proclamation of the Sacred (after all, isn’t the writing of the Bible itself highly art-full and aesthetic?). In this book, Sunggu A. Yang, a seasoned preacher and experienced teacher of preaching, encourages preachers to utilize their unique artistic talents as critical sources of theological and homiletical imagination and as hermeneutical-perspectival tools to aid their rigorous exegetical process of interpreting Scripture, eventually toward artistic-holistic sermon composition and delivery. A sample syllabus, included in the appendix, will greatly assist any preaching instructor who wants to offer a creative course on arts and preaching.
Arts and Preaching
In our highly sensory and interactive age, how might drawing upon various arts--music, film, architecture, dramatic performance, painting, fashion, and more--expand the aesthetic experience and mode of preaching? This book presents a critical, practical answer to the question. As our society becomes more visually oriented, art-seeking, and body-positive, the practice of preaching is likewise challenged to demonstrate the mind-body, word-visual, and artistic proclamation of the Sacred (after all, isn't the writing of the Bible itself highly art-full and aesthetic?). In this book, Sunggu A. Yang, a seasoned preacher and experienced teacher of preaching, encourages preachers to utilize their unique artistic talents as critical sources of theological and homiletical imagination and as hermeneutical-perspectival tools to aid their rigorous exegetical process of interpreting Scripture, eventually toward artistic-holistic sermon composition and delivery. A sample syllabus, included in the appendix, will greatly assist any preaching instructor who wants to offer a creative course on arts and preaching.
Digital Homiletics
Digital Homiletics demystifies the art of online preaching, helping readers understand both the why and the how of engaging listeners via digital formats. Sunggu Yang lays a concise and accessible theological foundation and then shares ten methods for effective digital preaching. Readers will encounter concrete tips and advice for sharing God's word online, whatever the dimensions of their electronic ministry. Yang profiles each of the ten methods in Digital Homiletics with an eye toward general description, homiletic theory, practical tips, final remarks, and innovative attention to "Details of the Style." Who is involved? Why might preachers employ this technique? Where should it be practiced, and when? What content is best suited to each method? The answers to these questions will help readers' tailor their online delivery. Throughout, Yang helps us recognize the distinctive nature of the homiletical task when preaching to an online audience.
Introduction to Preaching
Coauthored by a homiletician, a theologian, and a biblical scholar, this book is a preaching primer that provides tools for crafting effective, engaging, and inspiring sermons. Using a unique workbook-style format, Introduction to Preaching equips seminarians and preachers to use appropriate theological claims informed by solid biblical interpretation while providing several sample sermons from the authors. Readers will learn how to use a three-part schema—the Central Question, the Central Claim, and the Central Purpose—to provide the drive, direction, and destination for the sermon. Offering guidelines for using appropriate sermon forms, imagery, metaphors, and creativity, together with...
King’s Speech
"In the quiet recesses of my heart," Dr. Martin Luther King, Jr. often said, "I am fundamentally a clergyman, a Baptist preacher." No other statement could identify King better than this. Thus, the statement is the launching point for this work on preacher King's timeless messages on violence and reconciliation rooted in his theological foundation of the universal yet personal, loving God. Yang shows how King, based on that theological idea, vitalizes a pastoral and prophetic preaching voice, hoping to create reconciliation in the context of a violent reality. This concise piece is easily accessible, yet rich enough to see the continuing impact and applicability of preacher King's reconciliatory ideas in the present violent, torn-apart world that desperately awaits reconciliation.
Digital Homiletics
Digital Homiletics demystifies the art of online preaching and helps readers understand both the why and the how of engaging listeners in digital formats. After laying a concise and accessible theological foundation, Yang shares ten methods for effective digital preaching. Readers will find concrete tips and advice for sharing God's word online.
Co-preaching
The purposes of this article-based thesis are to explore and understand preaching as a practice in general, and the practice of preaching in digital culture and spaces in particular. Informed by the practice theory of Theodore Schatzki, it presents the results of a cross-case analysis of four different case studies of the practice of preaching in digital culture and spaces in Swedish protestant churches. Based on the analysis, Frida Mannerfelt argues that the deep relationality of the practice of preaching involves not just humans and texts but also material arrangements and that this feature often is amplified in digital culture and spaces. While there were examples of a decrease, overall, there was an increase in interaction, negotiation, and interdependency. In light of this, Manner-felt contends that the practice of preaching in digital culture and spaces is characterized by co-preaching. Moreover, Mannerfelt argues that some of the implications of co-preaching are the enabling and encouragement of dialogue, imagination, and the priestly function of the priesthood of all believers, but also an increased vulnerability for the co-preachers involved.
Preaching the Gospel of Justice
The call to holistic preaching has many dimensions. Are we called to preach the good news of God's grace? Advocate for justice? Is preaching worship? A prophetic act? "Yes," Jennifer Ackerman answers--to all of the above. Through personal stories, biblical examples, and concrete advice, readers will learn how to join gospel and justice in community. Ackerman draws on her experience as a practitioner, teacher, and director of Brehm Preaching--A Lloyd John Ogilvie Initiative at Fuller Theological Seminary to provide concrete tools for readers seeking to develop their capacity for preaching with a relational focus. Ackerman helps us think about preaching through the lenses of community, justice, worship, and prophecy. The work of the church is work best done together, both within congregations and as ministers connect with fellow practitioners. Grounded in Scripture, with tangible resources and exemplar sermons, Preaching the Gospel of Justice is a hands-on tool for translating theory into practice.
The Oxford Handbook of the Bible in Korea
"Korean Christianity is renowned for its rapid growth and conservative theological orientation. This phenomenon is inextricably tied to Korean appropriation of the Bible in their religio-cultural and socio-political context since the 18th century. Less understood, however, is the complex tapestry of Korean biblical interpretation that emerged from being missionized, colonized, internally divided, and incorporated into global norms. These countervailing forces proffer a distinctive Korean-ness of biblical interpretation. On the one hand, it tracks closely the influence of conservative western missionaries. On the other hand, it reflects God's liberating intervention for Koreans and the Korean...
Evangelical Pilgrims from the East
In this book Sunggu Yang proposes five socio-ecclesial codes as unique faith fundamentals of Korean American Christianity. Drawing from rigorous research and years of ecclesial experience, Yang names the codes as follows: the Wilderness Pilgrimage code, the Diasporic Mission Code, the Confucian Egalitarian code, the Buddhist Shamanistic code, and the Pentecostal Liberation code. These five codes, he asserts, help Korean Americans sustain their lives, culture, faith, and evangelical mission as aliens or “pilgrims” in the American “wilderness.” Yang outlines how his five proposed codes serve as liberative and prophetic mechanisms of faith through which Korean Americans can contribute to racial harmony and cultural diversity in North America. In this sense, Korean American Christianity—its theology and spirituality—works not only on behalf of Korean Americans, but also for the sake of all Americans. Yang shows how the Korean American pulpit is the locus where these five codes appear most vividly.
