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Carmen and the House That Gaudí Built
A joyful celebration of the nature-inspired work of architect Antoni Gaudí Carmen Batlló and Dragon, her imaginary salamander friend, love exploring the woods behind their home. But when Carmen's family announces a move to the city, Carmen is miserable. Not only will she lose her connection to nature, she will also lose Dragon. After all, the city is no place for salamanders. As she watches her family's new house take shape under famous architect Antoni Gaudí, Carmen discovers Gaudí also has a passion for the natural world. Walls curve and rise like a cave, mosaic flooring sparkles like lilies on a pond, and a fireplace shaped like a mushroom keeps the house warm. Best of all, there's even a place for Dragon! Inspired by the real Batlló family and the house Gaudí designed for them, this picture book encourages readers to find inspiration in their surroundings and keep their hearts open to change. Stunning watercolor illustrations bring Gaudí's inventive designs to life. An author's note provides more information about the real story behind the house and Gaudí's lifelong passion for nature.
Carmen
Bizet's Carmen is probably the best known opera of the standard repertoire, yet its very familiarity often prevents us from approaching it with the seriousness it deserves. This handbook explores the opera in a number of contexts, bringing to the surface the controversies over gender, race, class and musical propriety that greeted its premiere and that have been rekindled by the recent spate of film versions. Beginning with a study of the Mérimée story by Peter Robinson and an examination of the social tensions in nineteenth-century France that inform both that story and the opera, the book traces the latter through its genesis and reception. The central core of the book presents a close reading of the opera that offers new interpretive possibilities. The handbook concludes with discussions of four films based on the opera: Carmen Jones and the versions of Carmen by Carlos Saura, Peter Brook, and Francesco Rosi. The volume contains a bibliography, music examples, and a synopsis.
I Do, I Don’t
Can data predict who we fall in love with? Reality television is here to find out, and thousands of viewers are along for the ride. Two total strangers, matched by the world’s most advanced romance algorithm, meet at the altar to say, “I do.” Their every awkward moment and moonlit kiss are filmed to uncover if happily ever after is a simple perfect data match. When executive producer Annie Jackson convinces Nicole Hart to leave her prestigious job and write and refine the romance algorithm for I Do, I Don’t, their success is almost guaranteed. So, when one of the brides backs out days before the wedding, Annie panics and Nicole steps in as the algorithm’s second choice to get married on national TV, or else. Nicole can’t believe her bad luck when the backup turns out to be…her. To test the system she designed, she used her own data, but she sure as hell didn’t expect to be hauled to the altar against her better judgment. Her algorithm is flawless, but her growing feelings for Annie could destroy all her credibility and sink the show.
The Oxford Handbook of Music and Queerness
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
Studies in Symbolic Interaction
The essays in this bi-annual series consist of original research and theory within the general sociological perspective known as symbolic interactionism. Longer than conventional journal-length articles, the essays wed micro and macro concerns within a qualitative, ethnographic, autoethnographic and performance studies orientation.
Colloquial Cantonese
COLLOQUIAL CANTONESE is easy to use and completely up to date! Specially written by experienced teachers for self-study or class use, the course offers a step-by-step approach to written and spoken Cantonese. No prior knowledge of the language is required. What makes COLLOQUIAL CANTONESE your best choice in personal language learning? Interactive – lots of exercises for regular practice Clear – concise grammar notes Practical – useful vocabulary and pronunciation guide Complete – including answer key and reference section Whether you're a business traveller, or about to take up a daring challenge in adventure tourism, you may be studying to teach or even looking forward to a holiday ...
The Next Generation Companion
First published in 1992 and last revised in 1995, this is a fitting record of a show that changed the rules by which television was made. The first adventure drama series ever to run to seven seasons and more than 170 episodes, Star Trek: The Next Generation broke audience records wherever it was shown and remains the most widely viewed and consistently popular of all the Star Trek series. This new edition of the series companion has been brought bang up to date to include not only all seven years of the TV series but also all four films which have featured the Next Generation crew. In addition to Generations (1994), we now have full details of First Contact (1997), Insurrection (1998) and the very latest incarnation, Nemesis (2002). A positive feast of information, the Companion includes complete plot summaries and credits for each invidiual episode and film. There are fascinating behind-the-scenes glimpses into how each one was made, and in-depth analysis really brings The Next Generation universe to life. Illustrated throughout with more than 150 black and white photographs, this is a truly invaluable reference guide.
The First Few Minutes of Spanish Language Films
The first few minutes of a film orient the viewer, offering cues for a richer, more nuanced reading. With this premise, the author provides many insights into the history of Spanish language film, encouraging an enhanced understanding of the Spanish/Hispanic canon commonly taught in courses on film. The author explores El espiritu de la colmena (1973), La historia oficial (1985), Fresa y chocolate (1994), El crimen del padre Amaro (2002), Abre los ojos (1997), Te doy mis ojos (2003) and Carlos Saura's flamenco trilogy--Bodas de sangre (1981), Carmen (1983) and El amor bruno (1986), among others.
Choices
Four friends; Lena, who is engaged to a basketball superstar, Denise, who is hoping that she will be the first in her family to graduate college, Freedom, who lives up to her name and Carmen, who needs to work on her self-esteem--lean on each other during their days at Freedom University.
Slipsliding by the Bay
Perched on the edge of San Francisco, Lakeside College is experiencing an identity crisis. John Gudewill is recruited as president to save the college from possible closure—but he is flummoxed at every turn. The faculty, led by secretive English professor Eliot Blanc, is determined to unionize. The alumni want Lakeside to return to its former status as a women-only college. Meanwhile, Sister Magdalena, the college’s infamous artist, is waging war against corporate America through her art, and the students are engaging in their own warfare through sit-ins and protests. With the college besieged on all sides, what is its new president to do? A hilarious spoof of academic intrigue, Slipsliding by the Bay mirrors the societal turmoil and follies of the seventies.
