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Plenty of paper millionaires jumped off half-finished buildings in 1926 when the Florida land boom went bust. One such tycoon disappeared from a luxury ocean liner in the middle of the Atlantic Ocean. Was EQ Edmunds just another victim of his own greed-or was his disappearance the final and most stunning hoax of his stunt-filled career? Edmunds' widow, Nesta, left penniless and humiliated by his disappearance, doesn't believe he's dead. She has to scrape the bottom of the barrel to find a private eye willing to take on the case.PI Billy Heart has a chip on his shoulder and a skeleton that keeps banging on his closet door. He knows he should walk away from this case. But he's a sucker for Nesta's tears-and her red high heels.From the exotic mansions of Tampa's fabulous Bayshore Boulevard to the steamy underground tunnels and smoke-filled speakeasies of Ybor City, Billy Heart follows a trail of greed, lust, intrigue and danger to the surprising solution of this fascinating mystery based on a real-life disappearance that has never been solved.
In 1896, Wenceslao Gálvez y Delmonte fled the violence of Cuba’s war for independence and settled in Tampa. He soon made his new home the focus of a work of costumbrismo, the Spanish-language genre built on closely observing the everyday manners and customs of a place. Translated here into English, Gálvez’s narrative mixes evocative descriptions with charming commentary to bring to life the early Cuban exile communities in Ybor City and West Tampa. The writer’s sharp eye finds the local characters, the barber shops and electric streetcars, the city landmarks and new Cuban enclaves. One day, Gálvez offers his thoughts on the pro-independence activities of community leaders like MartÃ...
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First full-scale guide to the origins and development of the early printed book, and the issues associated with it.
Covers receipts and expenditures of appropriations and other funds.
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This book takes a detailed look at the complex area of young children's play as it is understood in the early twenty-first century, and in particular at the relationships between play, learning and teaching which are enacted in early childhood settings, across countries as different as England and the USA, Sweden and the Netherlands, Australia and New Zealand.
Daughter of Jonathan Edwards and mother of Aaron Burr, Mrs. Burr describes he experiences in colonial America.