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Understanding Neil Simon
Koprince (English, U. of North Dakota at Grand Forks) seeks to grant the prolific and popular playwright a measure of the serious literary attention that has passed his work by. She analyzes 16 of Simon's comedies beginning with his first Broadway effort, Blow your horn (1961) and ending with Laughter on the 23rd floor (1993). Koprince emphasizes Simon's versatility, craftsmanship, and willingness to experiment with the comedic form as well as the fundamentally serious nature of his plays. Small format: 5.25x7.25". Annotation copyrighted by Book News, Inc., Portland, OR
Historical Dictionary of Contemporary American Theater
From legends like Eugene O'Neill, Tennessee Williams, and Arthur Miller to successful present-day playwrights like Neil LaBute, Tony Kushner, and David Mamet, some of the most important names in the history of theater are from the past 80 years. Contemporary American theater has produced some of the most memorable, beloved, and important plays in history, including Death of a Salesman, A Streetcar Named Desire, Barefoot in the Park, Our Town, The Crucible, A Raisin in the Sun, and The Odd Couple. Historical Dictionary of Contemporary American Theater presents the plays and personages, movements and institutions, and cultural developments of the American stage from 1930 to 2010, a period of vast and almost continuous change. It covers the ever-changing history of the American theater with emphasis on major movements, persons, plays, and events. This is done through a chronology, an introductory essay, an extensive bibliography, and over 1,500 cross-referenced dictionary entries. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of American theater.
Searching for New Frontiers
Searching For New Frontiers offers film students and general readers a survey of popular movies of the 1960s. The author explores the most important modes of filmmaking in times that were at once hopeful, exhilarating, and daunting. The text combines discussion of American social and political history and Hollywood industry changes with analysis of some of the era’s most expressive movies. The book covers significant genres and evolving thematic trends, highlighting a variety of movies that confronted the era’s major social issues. It notes the stylistic confluence and exchanges between three forms: the traditional studio movie based on the combination of stars and genres, low-budget exploitation movies, and the international art cinema. As the author reveals, this complex period of American filmmaking was neither random nor the product of unique talents working in a vacuum. The filmmakers met head-on with an evolving American social conscience to create a Hollywood cinema of an era defined by events such as the Vietnam War, the rise of the civil rights movement, and the moon landing.
Stanford
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Broadway [2 volumes]
This is the most comprehensive and insightful reference available on Broadway theater as an American cultural phenomenon and an illuminator of American life. Broadway: An Encyclopedia of Theater and American Culture is the first major reference work to explore just how much the "Great White Way" illuminates our national character. In two volumes spanning the era from the mid-19th century to the present, it offers nearly 200 entries on a variety of topics, including spotlights on 30 landmark productions—from Shuffle Along to Oklahoma! to Oh Calcutta! to The Producers—that not only changed American theater but American culture as well. In addition, Broadway offers thirty extended thematic essays gauging the powerful impact of theater on American life, with entries on race relations, women in society, sexuality, film, media, technology, tourism, and off-Broadway and noncommercial theater. There are also 110 profile entries on key persons and institutions—from the famous to the infamous to the all but forgotten—whose unique careers and contributions impacted Broadway and its place in the American landscape.
Broadway [2 volumes]
In two volumes spanning the era from the mid-19th century to the present, this encyclopedia offers nearly 200 entries on a variety of topics, including spotlights on 30 landmark productions. Also 30 extended thematic essays gauging the impact of theater on American life. There are also 110 profile entries on key persons and institutions whose unique careers and contributions impacted Broadway.
The Cambridge History of Jewish American Literature
This History offers an unparalleled examination of all aspects of Jewish American literature. Jewish writing has played a central role in the formation of the national literature of the United States, from the Hebraic sources of the Puritan imagination to narratives of immigration and acculturation. This body of writing has also enriched global Jewish literature in its engagement with Jewish history and Jewish multilingual culture. Written by a host of leading scholars, The Cambridge History of Jewish American Literature offers an array of approaches that contribute to current debates about ethnic writing, minority discourse, transnational literature, gender studies, and multilingualism. This History takes a fresh look at celebrated authors, introduces new voices, locates Jewish American literature on the map of American ethnicity as well as the spaces of exile and diaspora, and stretches the boundaries of American literature beyond the Americas and the West.
The Business of American Theatre
The Business of American Theatre is a research guide to the history of producing theatre in the United States. Covering a wide range of subjects, the book explores how traditions of investment, marketing, labor union contracts, advertising, leasing arrangements, ticket scalping, zoning ordinances, royalties, and numerous other financial transactions have influenced the art of theatre for the past three centuries. Yet the book is not a dry reiteration of hits and flops, bankruptcies and bamboozles. Nor does it cover "everything about it that's appealing, everything the traffic will allow" (as Irving Berlin did in the song "There's No Business Like Show Business"). It is instead a highly reada...
Hollywood Sex Comedies, 1953-1964
The Hollywood "sex comedy"--a feature-length film in which sex motivates the storyline and the laughs are triggered by sexual situations--came into its own with the 1953 release of the once-controversial The Moon Is Blue. That film received very positive critical and audience response despite being denied a seal of approval from the Production Code Administration and receiving a "Condemned" rating from the Legion of Decency. (These two formidable watchdog agencies would continue to be challenged--and audiences would continue to be convulsed--by the abundance of sex comedies still to come.) The present informal survey focuses on 25 selected examples of the genre, released between 1953 and 1964. Along with such familiar works as The Seven Year Itch, The Tender Trap, Pillow Talk and Kiss Me, Stupid, several lesser-known sex comedies like I Married a Woman, The Tunnel of Love, Happy Anniversary and Period of Adjustment are documented, analyzed and placed in context with their times. Some are masterpieces, others mildly amusing and a few downright awful, but all are fascinating artifacts of a bygone era in popular entertainment.
