You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The sixth anthology from acclaimed poet Susan Glickman, this work reveals her, once again, as a truth-teller of the first order. Whether it's a brilliantly sustained elegy to her late father or a gripping and often disquieting sequence on the art of gardening, these new poems are marked by the abiding virtues of her celebrated career--effortless musicality, sparkling mischief, and uncompromising insight.
Liz Ryerson believes that Hillcrest Village, her Toronto neighbourhood, is quaint and quiet, but stumbling over a corpse while walking her dog dissolves that illusion for good. When she realizes that she actually knew the dead man, a real estate broker who appraised the building she coowns with her philandering ex-husband, she becomes obsessed with solving the crime. The more instability is revealed in her life, the more she needs to find out who killed James Scott -- and why. Retired Classics professor Maxime Bertrand is delighted to play Watson to her Holmes. For Liz, the investigation is a way of asserting control in a world she no longer recognizes. It is also a means of proving to herse...
Set in Jewish London in the 1930s, Susan Glickman's The Violin Lover is written against the backdrop of Hitler's escalating campaign against the Jews. This beautifully written novel tells the story of Clara Weiss and Ned Abraham, "the violin lover," brought together by Clara's 11-year-old son, Jacob. A successful doctor and amateur violinist, Ned is pressured to practice a duet with Jacob by the boy's piano teacher. Though reluctant at first, Ned is charmed by the young prodigy and surprised by Jacob's dedication and passion for music. In him Ned sees his younger self, so young and full of promise. A friendship is soon built on a mutual love for music. A dinner invitation to spend Passover w...
Susan Glickman muses that thoughtful literary criticism is not merely about ‘duelling with words, however full of flourishes and feints’. Rather it ‘means—or ought to mean—to evaluate something dispassionately, seeing not only its faults but its virtues.’ In Artful Flight, she does just that, writing respectfully but uncompromisingly about artistic topics both ostensibly familiar (such as considerations of writers like Northrop Frye, Don Coles, Erín Moure and Bronwen Wallace) and delightfully arcane (such as the etymological evolution of contranyms in Shakespeare and beyond). With keen intelligence and droll wit, Glickman explores a variety of artistic concerns, from the expectations of literary genre, the formalist hurdles of poetry and the tyranny of modern opinion to the magical history of the violin and the pleasure of creating visual art later in life. Her approach is unabashedly her own: feminist, supportive and drawing on a wide range of cultural and literary references. These well-reasoned essays prove that balanced criticism can be compelling, nuanced and sensitive to the motives and influences of artists.
Marty Glickman began his career in the mid-1930s, just a few years after sports broadcasting began. Being in the industry during these early days, Glickman is uniquely able to provide a historical perspective on the profession as it has grown into a powerful force in sports. In this spirited autobiography he brings to life the most influential teams and personalities in the sports world. Some of the topics he covers in this Large Print edition include growing up in the Depression; high school and college athletics; jocks in broadcasting; originating basketball broadcasting; and recreating baseball games. Glickman discusses being the pioneer broadcaster on cable TV for Home Box Office (HBO), ...
None
The year is 1738. Jacques Lafargue, a wide-eyed young Frenchman, arrives in New France aboard the Saint Michel. But before his Canadian adventure has a chance to begin, he is detained at Quebec harbour by suspicious port officials. Their distrust proves warranted: instead of a young man named Jacques Lafargue their captive turns out to be a young woman named Esther Brandeau, and instead of answers to their questions about who she is and where she came from, they are given tales of castaways raised by apes, of blind lovelorn sailors and merciless pirates, of runaway slaves and kindly desert nomads, and of other curiosities in a limitless world. Few suspect the truth: Esther is a Jew, which by law prohibits her from entering New France, and she is using her tale-telling to escape the restrictions placed upon her race and gender. And no one - not even Esther herself - realizes the power her stories have to open their hearts and minds to old dreams and new possibilities.
The fight for a "living wage" has a long and revealing history as documented here by Lawrence B. Glickman. The labor movement's response to wages shows how American workers negotiated the transition from artisan to consumer, opening up new political possibilities for organized workers and creating contradictions that continue to haunt the labor movement today.Nineteenth-century workers hoped to become self-employed artisans, rather than permanent "wage slaves." After the Civil War, however, unions redefined working-class identity in consumerist terms, and demanded a wage that would reward workers commensurate with their needs as consumers. This consumerist turn in labor ideology also led wor...
Like the instant classic The Last American Man, Fearless is the story of a remarkable individual who accepts no personal limits—including fear. Freya Hoffmeister, a forty-six-year-old former sky diver, gymnast, marksman, and Miss Germany contestant, left her twelve-year-old son behind to paddle alone and unsupported around Australia—a year-long adventure that virtually every expert guaranteed would get her killed. She planned not only to survive the 9,420-mile trip through huge, shark-infested seas, but to do it faster than the only other paddler who did it. As journalist and expert kayaker Joe Glickman details the voyage of this Teutonic force of nature, he captures interminable days on...