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Fashioning Fiction in Photography Since 1990
Essay and Interview with Dennis Freedman by Susan Kismaric and Dennis Freedman.
Present Tense
Through such formal devices as series and multipanel works, JoAnn Verburg invigorates some of photography's common themes - the portrait, the landscape, the domestic view. Some of her work catches viewers off guard, leaving them unsure where they stand in relationship to the scene being shown; others play with the passage of time, offering narratives that play out in either space or time, or both, or neither. The intimate spaces of personal life are another of her ongoing themes, as shown in a series featuring her husband, the poet Jim Moore, reading newspapers or books, or sleeping. The unguarded intimacy of the image strikes one note here; the tension and reality of the current events featured on that day's newspaper strikes another, reaching out of the work into the world, expanding photography's space even further. Whether taking pictures of artists, swimmers, trees or pyramids constructed from sand,Verburg deftly pushes at the boundaries of the representation of time and space.
British Photography from the Thatcher Years
The five artists whose works are illustrated in this catalogue, Chris Killip, Graham Smith, John Davies, Martin Parr, and Paul Graham, are representative of a new approach to social documentary photography.
Closer
WITTY, ROMANTICAND DANGEROUS LOVE STORY, INSTANT ATTRACTIONS AND CASUAL BETRAYALS.
Time Frames
Time Frames, Michael Spano's long-awaited first monograph, catalogues the artist's exploration of spatial and temporal dimensions in photography. The book is divided into five chapters: "Panoramas", "Grids", "Portraits", "Multi-Exposures", and "Diptychs"; each employs a distinctive technical process to provide a new way of looking at life in New York City. "Panoramas" (1977-1983) show interacting urbanites moving through elongated frames as the lens of an extremely wide field camera pans during exposure. "Grids" (1980-1990) captures eight moments on a single negative as Spano moves through a sequence of events, pre-determinedly exposing a portion of the grid every four seconds. "Portraits" (...
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Manuel Alvarez Bravo
"Over 370 tritone photographs, arranged in broadly chronological order, mark Alvarez Bravo's remarkable eighty-year career. Strikingly poetic and richly resonant, the collection includes iconic images as well as over thirty previously unpublished masterpieces. Urban and rural scenes, still lifes, nudes, religious and vernacular subjects, portraits of luminaries including Diego Rivera, Frida Kahlo and Octavio Paz: all illustrate the peerless acuity of the photographer's eye. Above all, Alvarez Bravo's work celebrates his beloved Mexico, with its indigenous rituals and age-old customs."--Jacket.
Florence Henri
Florence Henris work occupied a central place in the world of avant-garde photography in the late 1920s, and this survey pays homage to her essential, but under-recognized contribution. This comprehensive publication offers an unprecedented overview of Henris work, produced between 1927 and 1940, and includes her iconic self-portraits and still lifes as well as lesserknown portraits of her contemporaries, photomontages, collages, and documentary work. László Moholy-Nagy, a supporter and her contemporary, is quoted as saying: With Florence Henris photos, photographic practice enters a new phasethe scope of which would have been unimaginable before today. Above and beyond the precise and exact documentary composition of these highly defined photos, research into the effects of light is tackled not only through abstract photograms, but also in photos of real-life subjects. . . . Henri remains an inspiration for photographers, artists, and design enthusiasts who see her work as masterfully executed illustrations and experimentation in perspective and composition; a connective thread that is as relevant to todays experimentation with the medium as it was in its day.
Facing New York
Bruce Gilden has always had a fascination with what he calls characters . So, for Bruce, New York, with its famous idiosyncratic citizenry and the unique energy of its streets, proved to be a giant creative playground. Originally published in 1992 and long out of print, FACING NEW YORK has become a recognised photobook classic. For this new edition Bruce has replaced two images, of which he says that he just can t understand why they didn t make his original selection.
The Year That Defined American Journalism
The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 – a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.
