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Women in the Trees
A new edition of the groundbreaking anthology.
The Other Woman
Inside and outside marriage, what happens to the woman betrayed? How do abandoned wives or lovers feel? What happens when the battle between the sexes becomes a triangle? The plots in this collection of eighteen stories written between the 1840s and 1980s are infinitely variable, and the outcomes will enrage, shock, amuse, and sometimes hearten. In some stories, women forge links with other women in solidarity. In others, women fight for their men and win. In many stories, the betrayal ultimately enriches the central character, who learns through the loss of her man the value of her own life.
Women's Friendships
A collection of twenty-one stories which portray the diversity, conditions, concerns, and support of women's friendships.
"May Your Days be Merry and Bright"
Title story is a portrayal of a group of lonely widows on the brink of transforming their lives.
Between Mothers and Daughters
In this poignant multicultural collection of short stories by American women writers, mothers and daughters describe their conflicts and consolations, their trusts and mistrusts, their loves and hates. Including stories written between the 1840s and the 1990s, Between Mothers and Daughters explores the maternal and filial bonds between women and investigates the practice of family, exposing the complicated, bittersweet truths of women's intergenerational relationships. Newly revised and updated, this edition of the classic anthology includes several new stories and an expanded introduction that revisits this ancient relationship with fresh vision and insight. Book jacket.
The Strange History of Suzanne LaFleshe and Other Stories of Women and Fatness
Spanning a century, from Kate Chopin and Fannie Hurst to J. California Cooper and Elana Dykewomon, this bold and deeply satisfying anthology of women's stories explores women's relationships to, and perceptions of, their physical selves. Addressing the peculiarities, the pleasures, and the shames of body politics, these stories of bodies that refuse to be contained offer a variety of perspectives on fully inhabiting the flesh. Whether celebrating bodies deemed transgressive or simply daring to acknowledge that such bodies exist, these diverse literary representations of fatness render the excessive body brilliantly, unapologetically visible. Book jacket.
Pioneers in Popular Culture Studies
Contains informal interviews with 13 significant figures in the development of the field of popular culture studies. The interviews explore the academic revolution inaugurated in the late 1960s and early 1970s in the fields of the humanities and social sciences with the founding and subsequent influence of the Popular Culture Association and American Culture Association and the interviewees' thoughts about the changes. Annotation copyrighted by Book News, Inc., Portland, OR
To Write Like a Woman
"To Write Like a Woman is a rare example of a feminist tackling science fictuion using postmodern theory, which makes for a much more sophisticated and nuanced appraisal than the usual fare." —Passion "Russ' essays are witty and insightful. An excellent book for any writer or reader." —Feminist Bookstore News "In her new book of essays . . . Russ continues to debunk and demand, edify and entertain. . . . Appreciative of surface aesthetics, she continually delves deeper than most critics, yet in terms so simple and accessible that her essays read like lively, angry, humorous dialogues conducted face-to-face with the author. Russ is the antithesis of the distant critic in her ivory tower."...
Cecilia Reclaimed
Cecilia, a fifteenth-century Christian martyr, has long been considered the patron saint of music. In this pathbreaking volume, ten of the best known scholars in the newly emerging field of feminist musicology explore both how gender has helped shape genres and works of music and how music has contributed to prevailing notions of gender. The musical subjects include concert music, both instrumental and vocal, and the vernacular genres of ballads, salon music, and contemporary African American rap. The essays raise issues not only of gender but also of race and class, moving among musical practices of the courtly ruling class and the elite discourse of the twentieth-century modernist movement to practices surrounding marginal girls in Renaissance Venice and the largely white middle-class experiences of magazine and balladry.
