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A Devil and a Good Woman, Too
The first full-scale biography of the South Carolina writer and winner of the Pulitzer Prize follows her pioneering work as a chronicler of the collapse of Southern plantation life and its effect on African Americans. UP.
Upheaval in Charleston
History and suspense combine in this scholarly account of a city recovering from the Civil War and rocked by an earthquake and murder. On August 31, 1886, a massive earthquake centered near Charleston, South Carolina, sent shock waves as far north as Maine, down into Florida, and west to the Mississippi River. When the dust settled, residents of the old port city were devastated by the death and destruction. Upheaval in Charleston is a gripping account of natural disaster and turbulent social change in a city known as the cradle of secession. Weaving together the emotionally charged stories of Confederate veterans and former slaves, Susan Millar Williams and Stephen G. Hoffius portray a Sout...
Upheaval in Charleston
On August 31, 1886, a massive earthquake centered near Charleston, South Carolina, sent shock waves as far north as Maine, down into Florida, and west to the Mississippi River. When the dust settled, residents of the old port city were devastated by the death and destruction. Upheaval in Charleston is a gripping account of natural disaster and turbulent social change in a city known as the cradle of secession. Weaving together the emotionally charged stories of Confederate veterans and former slaves, Susan Millar Williams and Stephen G. Hoffius portray a South where whites and blacks struggled.
The Life and Photography of Doris Ulmann
Doris Ulmann (1882-1934) was one of the foremost photographers of the twentieth century, yet until now there has never been a biography of this fascinating, gifted artist. Born into a New York Jewish family with a tradition of service, Ulmann sought to portray and document individuals from various groups that she feared would vanish from American life. In the last eighteen years of her life, Ulmann created over 10,000 photographs and illustrated five books, including Roll, Jordan, Roll and Handicrafts of the Southern Highlands. Inspired by the paintings of the European old masters and by the photographs of Hill and Adamson and Clarence White, Ulmann produced unique and substantial portrait s...
Arms and the Woman
Although the themes of women's complicity in and resistance to war have been part of literature from early times, they have not been fully integrated into conventional conceptions of the war narrative. Combining feminist literary criticism with the emerging field of feminist war theory, this collection explores the role of gender as an organizing principle in the war system and reveals how literature perpetuates the ancient myth of "arms and the man." The volume shows how the gendered conception of war has both shaped literary texts and formed the literary canon. It identifies and interrogates the conventional war text, with its culturally determined split between warlike men and peaceful wo...
Slave Badges and the Slave-Hire System in Charleston, South Carolina, 1783-1865
The slave-hire system of Charleston, South Carolina, in the 1700s and the 1800s produced a curious object--the slave badge. The badges were intended to legislate the practice of hiring a slave from one master to another, and slaves were required by law to wear them. Slave badges have become quite collectible and have excited both scholarly and popular interest in recent years. This work documents how the slave-hire system in Charleston came about, how it worked, who was in charge of it, and who enforced the laws regarding slave badges. Numerous badge makers are identified, and photographs of badges, with commentary on what the data stamped on them mean, are included. The authors located income and expense statements for Charleston from 1783 to 1865, and deduced how many slaves were hired out in the city every year from 1800 on. The work also discusses forgeries of slave badges, now quite common. There is a section of 20 color plates.
Charleston History in Color
Charleston Like It's Never Been Seen Hand-colored, vivid details bring these historic photographs to life like never before. Witness the beginnings of the sweetgrass basket tradition. See the bleak devastation on Meeting Street after the Civil War. Note intense contrast in blues and grays of prisoners captured at the Battle of Bull Run. Explore the Battery as it looked in the 1800s. And dazzle in the bright fashions of flappers at the dawn of "the Charleston" dance craze. Author Mark Jones and artist Lewis Hayes bring a new vision to Holy City history.
Gullah Folktales from the Georgia Coast
In 1888, Charles Colcock Jones Jr. published the first collection of folk narratives from the Gullah-speaking people of the South Atlantic coast, tales he heard black servants exchange on his family's rice and cotton plantation. It has been out of print and largely unavailable until now. Jones saw the stories as a coastal variation of Joel Chandler Harris's inland dialect tales and sought to preserve their unique language and character. Through Jones' rendering of the sound and syntax of nineteenth-century Gullah, the lively stories describe the adventures and mishaps of such characters as "Buh Rabbit," "Buh Ban-Yad Rooster," and other animals. The tales range from the humorous to the instructional and include stories of the "sperits," Daddy Jupiter's "vision," a dying bullfrog's last wish, and others about how "buh rabbit gained sense" and "why the turkey buzzard won't eat crabs."
Renaissance in Charleston
"The essays tell how these and other individuals faced the tensions and contradictions of their time and place. While some traced their lineage back to the city's first families, others were relative newcomers. Some broke new ground racially and sexually as well as artistically; others perpetuated the myths of the Old South. Some were censured at home but praised in New York, London, and Paris. The essays also underscore the significance and growth of such cultural institutions as the Poetry Society of South Carolina, the Charleston Museum, and the Gibbes Art Gallery."--BOOK JACKET.
Southern Cultures: 2011 Music Issue, Enhanced Ebook
The Music Issue enhanced eBook include all the tracks on our special CD and: The tell-all letter from a teenage girl who kissed—and kissed—Elvis Presley How corruption and greed made the Jacksonville music scene Gretchen Wilson, country music's "Redneck Woman" The invaluable social spaces of African American record stores Bobby Rush, "bluesman-plus" Where Opryland resides in hearts, minds, and souls Backstage with the Avett Brothers, Doc Watson, Tift Merritt, Southern Culture on the Skids, the Carolina Chocolate Drops, Johnny Cash, and more great artists. This enhanced eBook also contains Loving, Leaving, Liquor, and the Lord, which is packed with tracks from the Avett Brothers, Doc and Merle Watson, Archers of Loaf, and many more amazing Southern musicians--old and new. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
