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Crusading as an Act of Vengeance, 1095–1216
Only recently have historians of the crusades begun to seriously investigate the presence of the idea of crusading as an act of vengeance, despite its frequent appearance in crusading sources. Understandably, many historians have primarily concentrated on non-ecclesiastical phenomena such as feuding, purportedly a component of "secular" culture and the interpersonal obligations inherent in medieval society. This has led scholars to several assumptions regarding the nature of medieval vengeance and the role that various cultures of vengeance played in the crusading movement. This monograph revises those assumptions and posits a new understanding of how crusading was conceived as an act of ven...
The Crusades: A History
This fully updated and expanded edition of The Crusades: A History provides an authoritative exploration of one of the most significant topics in medieval and religious history. From the First Crusade right up to the present day, Jonathan Riley-Smith and Susanna Throop investigate the phenomenon of crusading and the crusaders themselves. Now in its 4th edition, this landmark text includes: - A new and more balanced book structure with updated terminology designed to help instructors and students alike - Deliberate incorporation of a wider range of historical perspectives, including Byzantine and Islamic historiographies, crusading against Christians and within Europe, women and gender, and the crusades in the context of Afro-Eurasian history - A dramatically expanded discussion of crusading from the 16th through to the 21st century - A fully up-to-date bibliographic essay - Additional textboxes, maps, and images The Crusades: A History is the definitive text on the subject for students and scholars alike.
The Crusades
This sweeping yet succinct new survey introduces readers to the history of the crusades from the eleventh to the twenty-first century. By synthesizing a variety of historical perspectives, the book deliberately locates crusading in the broader history of the Mediterranean, moving away from approaches focused primarily on narrating the deeds of a small section of the Latin Christian elite to explore the rich and contested complexity of crusade history. Table of Contents Introduction: What Were the Crusades? 1) Connections and Conflicts in the Eleventh-Century Mediterranean 2) Constructing the First Crusade: Contexts, Events, and Reactions 3) Shifting Ground: Crusading and the Twelfth-Century Mediterranean 4) Allies and Adversaries: Crusading Culture and Intra-Christian Crusades 5) Changing Circumstances: Crusading in the Thirteenth Century 6) Towards Christian Nationalism: Crusading into the Early Modern Period 7) Conclusion: Have the Crusades Ended?
Vengeance in the Middle Ages
This volume aims to balance the traditional literature available on medieval feuding with an exploration of other aspects of vengeance and culture in the Middle Ages. A diverse assortment of interdisciplinary essays from scholars in Europe and North America contest or enlarge traditional approaches to and interpretations of vengeance in the Middle Ages. Each essay attempts to clarify the multifaceted experience of vengeance within a specific medieval context—a particular region, a particular text, a particular social movement. By asking what relationship a distinct factor like authorship or religion has with the concept of vengeance, each author points towards the breadth of meanings of me...
The Crusades and Visual Culture
The crusades, whether realized or merely planned, had a profound impact on medieval and early modern societies. Numerous scholars in the fields of history and literature have explored the influence of crusading ideas, values, aspirations and anxieties in both the Latin States and Europe. However, there have been few studies dedicated to investigating how the crusading movement influenced and was reflected in medieval visual cultures. Written by scholars from around the world working in the domains of art history and history, the essays in this volume examine the ways in which ideas of crusading were realized in a broad variety of media (including manuscripts, cartography, sculpture, mural paintings, and metalwork). Arguing implicitly for recognition of the conceptual frameworks of crusades that transcend traditional disciplinary boundaries, the volume explores the pervasive influence and diverse expression of the crusading movement from the twelfth through the fifteenth centuries.
War and the Making of Medieval Monastic Culture
"An extremely interesting and important book... makes an important contribution to the history of medieval monastic spirituality in a formative period, whilst also fitting into wider debates on the origins, development and impact of ideas on crusading and holy war." Dr William Purkis, University of Birmingham Monastic culture has generally been seen as set apart from the medieval battlefield, as "those who prayed" were set apart from "those who fought". However, in this first study of the place of war within medieval monastic culture, the author shows the limitations of this division. Through a wide reading of Latin sermons, letters, and hagiography, she identifies a monastic language of war...
The Origin of the Idea of Crusade
Though conditioned by the specific circumstances of eleventh-century Europe, the launching of the crusdaes presupposed a long historical evolution of the idea of Christian knighthood and holy war. Carl Erdmann developed this argument first in 1935 in a book that is still recognized as basic to an understanding of how the crusades came about. This first edition in English includes notes supplementing those of the German text, a foreword discussing subsequent scholarship, and an amplified bibliography. Paying special attention to the symbolism of banners as well as to literary evidence, the author traces the changes that moved the Western church away from its initial aversion to armed combat a...
Nebuchadnezzar's Dream
In 1099, the soldiers of the First Crusade took Jerusalem. As the news of this victory spread throughout Medieval Europe, it felt nothing less than miraculous and dream-like, to such an extent that many believed history itself had been fundamentally altered by the event and that the Rapture was at hand. As a result of military conquest, Christians could see themselves as agents of rather than mere actors in their own salvation. The capture of Jerusalem changed everything. A loosely defined geographic backwater, comprised of petty kingdoms and shifting alliances, Medieval Europe began now to imagine itself as the center of the world. The West had overtaken the East not just on the world's sta...
War and Literature
Reflections on the uneasy yet symbiotic relations of war and writing, from medieval to modern literature.
