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Elephant is so heavy, and all the other animals are so light. How will the seesaw ever go up and down? Toddlers will be drawn in by repetition, opposites, humor, and an unexpected twist in this board book story about Elephant's quest to get the seesaw to teeter. A cast of friendly animals--who are all so light--try to help move the seesaw, but Elephant's side won't budge. He's so heavy. Then what happens when a child swoops in with other plans? Short, simple, and memorable, this board book offers a satisfying story arc. "Such a heavyweight for such a light little book—delightful" — Kirkus Reviews STARRED REVIEW "An amusing introduction to the concepts of weight, balance, and opposites" — Publisher's Weekly
It's bedtime. Hedgehog, Fox, Donkey, Pelican and Crocodile are so tired! But Seal needs to use the bathroom--slip slap slip, out the door. Crocodile forgot to clean those sharp teeth--shlurf shlurf, out the door. And Pelican is thirsty . . . One by one the animals climb out of bed, until everyone is piled in the child's bed for a last goodnight kiss. Oof, that's a heavy pile! What happens now? Susanne Strasser's snowballing animal stories that children love are bestsellers in multiple languages. This funny in-and-out-of-bed story ends with a timely fart joke to start the fun all over again.
Bear can't reach the cake he's after--it's so far up, and he's so far down! Will his friends be able to help? Toddlers will be drawn in by repetition, opposites, humor, and an unexpected twist in this board book story about Bear's quest to reach a cake on a windowsill that is so far up! A cast of friendly animals--who are all so far down--try to help bear reach the desired cake. But what happens when a child swoops in with other plans? Short, simple, and memorable, this board book offers a satisfying story arc.
When Mr. Happy moves next door to Miss Grimm and begins planting gardens and making friendly gestures, Miss Grimm is not pleased but soon, she feels something strange taking over her bleak little house.
Volume 18 in the series Yearbook of the Research Centre for German and Austrian Exile Studies is entitled Exile and Gender II: Politics, Education and the Arts. It is edited by Charmian Brinson, Jana Barbora Buresova and Andrea Hammel, and is intended as a companion volume to Volume 17, which focused on literature and the press. This new volume considers the life and work of exiled women politicians, academics and artists, among others, examining the ways – both positive and negative - in which their exile affected them. The sixteen contributions, which are in English or German, set out to throw new light on aspects of gendered relations and experiences of women in exile in Great Britain and Ireland. Contributors are: Jana Barbora Buresova, Rachel Dickson, Inge Hansen-Schaberg, Gisela Holfter, Hadwig Kraeutler, Ulrike Krippner, Dieter Krohn, Gertrud Lenz, Bea Lewkowicz, Sarah MacDougall, John March, Iris Meder, Irene Messenger, Merilyn Moos, Felicitas M. Starr-Egger, Jennifer Taylor, Gaby Weiner.
This volume seeks to disentangle the limits and possibilities of the tradition of civil disobedience: in what circumstances is it right, or perhaps necessary, to say "no"? The jurisprudential and philosophical literature discussed here is truly enormous and provides a complex and reliable overview of the main problems.
This book is a valuable source for oncologists and all other physicians dealing with cancer survivors. It provides detailed information on the evidence-based benefits and forms of intervention, with contributions by a highly prestigious and well recognized panel of experts. Chapters deal with all features of survivorship outlining the role of the oncologist and other caregivers and discusses survivorship care in different countries and different settings. The book addresses new challenges and complex issues broader than medical issues faced by patients who are cured highlighting that cancer is no longer a death sentence. It provides evidence-based management guidance and addresses issues such as symptom management, palliative care, screening for recurrence, rehabilitation, fertility issues among others. This is an indispensable resource for oncologists, oncology nurses and other professionals dealing with cancer patients as well as patient advocacy groups and cancer leagues.
Originally published: New York: Metropolitan Books, 1999.
William Kinderman's detailed study of Parsifal, described by the composer as his "last card," explores the evolution of the text and music of this inexhaustible yet highly controversial music drama across Wagner's entire career. This book offers a reassessment of the ideological and political history of Parsifal, shedding new light on the connection of Wagner's legacy to the rise of National Socialism in Germany. The compositional genesis is traced through many unfamiliar manuscript sources, revealing unsuspected models and veiled connections to Wagner's earlier works. Fresh analytic perspectives are revealed, casting the dramatic meaning of Parsifal in a new light. Much debated aspects of t...
During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.