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"This book was motivated by the inherent unfairness and inequality of Alberta and western Canada's position within Canadian confederation. What westerners ultimately need to decide is this: is the best response to that unfairness and inequality to carve out of Canada and the great northwest a smaller but separate country? Or is the best response to clearly define what would constitute a genuine Fair Deal, not just for Alberta but for all Canadians who share our values and perspectives on what this country should be? That is the decision we invariably have to make. Do we pursue the little western path of yet another division of the northwest, this time via secession? Or do we pursue the big western path aimed at nothing less than fairness for ourselves and for all Canadians through a re-confederation?"--
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN 'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE ** SHORTLISTED FOR THE YA BOOK PRIZE 2022 ** The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs. And everyone knows who the Hollow sisters are. Because one day the three Hollow sisters simply disappeared. And when they came back, one month later, with no memory of where they had been, it was as if nothing had changed. Almost nothing. Apart from, for example, the little scar that had appeared in the hollow of their throats ... and a whispering sense that something is not quite right about them, despite (or maybe because of) the terrible passion to be with them that they can exert on anybody at will... A thrilling, twisting, novel that is as seductive and glamorous as the Hollow sisters themselves....
Looney Tunes cartoons, writes celebrated television critic Jaime Weinman, are the high-water mark of American filmed comedy. Surreal, irreverent, philosophical, and riotously funny, they have maintained their power over audiences for generations and inspired such giants of the cinema as Mel Brooks, Steven Spielberg, and George Lucas. Here, finally, Weinman gives Bugs Bunny, Daffy Duck, Porky Pig, Yosemite Sam, Foghorn Leghorn, Tweety, Sylvester, and the whole cast of animated icons their long-awaited due. With meticulous research, he takes us inside the Warners' studio to unlock the mystery of how an unlikely band of directors and artists working in the shadow of Walt Disney created a wild, visually stunning and oh-so-violent brand of comedy that has never been matched for sheer volume of laughs. The result is an unexpected and fascinating story that matches the Looney Tunes themselves for energy, humor, and ingenuity.
"First published by Martin Secker & Warburg Limited, a part of Vintage. Vintage is an imprint of the Penguin Random House Group of companies"--Title page verso.
Norman Jewison directed some of the most iconic and beloved films of an era, from In the Heat of the Night and The Thomas Crown Affair to Jesus Christ Superstar and Moonstruck. But despite being what his friend William Goldman called "a giant of the industry," Jewison could also walk the streets of any city in the world and go unrecognized. Jewison was a man of contradictions: he cared more about telling great stories than gaining fame and fortune by showcasing movie stars, but generations of Hollywood's marquee actors - Judy Garland, Sidney Poitier, Faye Dunaway, Al Pacino, Jane Fonda, Burt Reynolds, Goldie Hawn, Bruce Willis, Denzel Washington - trusted him at crucial moments in their care...
A riveting profile of William Randolph Hearst's astonishing rise in the golden age of newspaper journalism. ''Exhaustively researched and elegantly written . . . brims with charming characters and stories. It deftly captures the bygone era of Gilded Age new papering . valuable contribution to the literature of Hearst and the history of journalism.''
"Cities, more than ever, are the engines of our economies and the ecosystems in which our lives play out. This means that questions about the perfectibility and sustainability of urban life are all the more urgent. Joe Berridge, one of the world's leading urban planners, takes us on an insider's tour of the world's largest and most diverse cities, from New York to London, Shanghai to Singapore, Toronto to Sydney, to examine what is working and not working, what is promising, and what needs to be fixed in the contemporary megalopolis. We meet the people, politicians, and thinkers at the cutting edge of global city making, and share their struggles and successes as they balance the competing priorities of growing their economies, upgrading the urban machinery that keeps a city humming, and protecting, serving, and delighting their citizens. We visit a succession of great urban innovations, stop by many of Joe's favorite restaurants, and leave with a startling view of the magical urban future that awaits us all. "--
Situated in a dress circle position on the slopes of the village of Les Avants, overlooking Lake Geneva in Switzerland, Chalet Monet is the magnificent home of Dame Joan Sutherland OM AC DBE and her husband, Maestro Richard Bonynge AC CBE. In his charming, eloquent, conversational style, Richard Bonynge takes us inside the home and life he has shared with Dame Joan, and in so doing provides rare insight into two of the greatest international cultural icons in opera of all time. The Chalet was introduced to Dame Joan and Richard by their close friend Noel Coward who resided in the neighbouring property. The opulence of each of the distinctive rooms over the four floors and vistas from the Cha...
Ever since Esther Solar’s grandfather was cursed by Death, everyone in her family has been doomed to suffer one great fear in their lifetime. Esther’s father is agoraphobic and hasn’t left the basement in six years, her twin brother can’t be in the dark without a light on, and her mother is terrified of bad luck. The Solars are consumed by their fears and, according to the legend of the curse, destined to die from them. Esther doesn’t know what her great fear is yet (nor does she want to), a feat achieved by avoiding pretty much everything. Elevators, small spaces and crowds are all off-limits. So are haircuts, spiders, dolls, mirrors and three dozen other phobias she keeps a recor...
Early in the twentieth-century, B. S. Moss was one of many ambitious Jewish immigrants to leap from New York's textile business to the more promising and exciting world of motion pictures. Unlike most, Moss resisted the siren call of Hollywood and instead built one of the largest and most prestigious theater chains in the New York area. Inspired by his vision, successive generations of Moss management have kept his chain thriving, even as audiences migrated from vaudeville emporiums to sumptuous Art Deco palaces to suburban multiplexes. It was never easy: every movie was a gamble, and the business was constantly challenged by world wars, depressions, urban blight, union battles, real estate values, and the threats of radio, television, and streaming services. Yet the Mosses emerge as a rare multigenerational family success story. Granted unprecedented access to archives at their iconic Times Square headquarters, author Jonathan Kay charts the family's ups, downs, and fascinating adventures in the tumultuous cinema industry.